choked and bruised.
He shook himself like a wet spaniel. Then hearing the sound of a smothered exclamation which did not seem altogether unlike a giggle, he turned round savagely and perceived the dim outline of Mistress Charity's dainty figure.
"The Lord love thee, Master Hymn-of-Praise," she began, somewhat nervously, "but you have made yourself look a sight."
"And by G — d I'll make that young jackanapes look a sight ere I take my hand off him," he retorted savagely.
"But what were you . . . hem! what wert thou doing up in the elm tree, friend Hymn-of-Praise?" she asked demurely.
"Thee me no thou!" he said with enigmatic pompousness, followed by a distinctly vicious snarl, "Master Busy will be my name in future for a saucy wench like thee."
He turned towards the house. Mistress Charity following meekly — somewhat subdued, for Master Busy was her affianced husband, and she had no mind to mar her future, through any of young Courage's dare-devil escapades.
"Thou wouldst wish to know what I was doing up in that forked tree?" he asked her with calm dignity after a while, when the hedges of the flower garden came in sight. "I was making a home for thee, according to the commands of the Lord."
"Not in the elm trees of a surety, Master Busy?"
"I was making a home for thee," he repeated without heeding her flippant observation, "by rendering myself illustrious. I told thee, wench, did I not? that something was happening within the precincts of Acol Court, and that it is my duty to lie in wait and to watch. The heiress is about to be abducted, and it is my task to frustrate the evil designs of the mysterious criminal."
She looked at him in speechless amazement. He certainly looked strangely weird in the semi-darkness with his lanky hair plastered against his cheeks, his collar half torn from round his neck, the dripping, oily substance flowing in rivulets from his garments down upon the ground.
The girl had no longer any desire to laugh, and when Master Busy strode majestically across the rustic bridge, then over the garden paths to the kitchen quarter of the house, she followed him without a word, awed by his extraordinary utterances, vaguely feeling that in his dripping garments he somehow reminded her of Jonah and the whale.
CHAPTER X
AVOWED ENMITY
The pavilion had been built some fifty years ago, by one of the Spantons of Acol who had a taste for fanciful architecture.
It had been proudly held by several deceased representatives of the family to be the reproduction of a Greek temple. It certainly had columns supporting the portico, and steps leading thence to the ground. It was also circular in shape and was innocent of windows, deriving its sole light from the door, when it was open.
The late Sir Jeremy, I believe, had been very fond of the place. Being of a somewhat morose and taciturn disposition, he liked the seclusion of this lonely corner of the park. He had a chair or two put into the pavilion and 'twas said that he indulged there in the smoking of that fragrant weed which of late had been more generously imported into this country.
After Sir Jeremy's death, the pavilion fell into disuse. Sir Marmaduke openly expressed his dislike of the forlorn hole, as he was wont to call it. He caused the door to be locked, and since then no one had entered the little building. The key, it was presumed, had been lost; the lock certainly looked rusty. The roof, too, soon fell into disrepair, and no doubt within, the place soon became the prey of damp and mildew, the nest of homing birds, or the lair of timid beasts. Very soon the proud copy of an archaic temple took on that miserable and forlorn look peculiar to uninhabited spots.
From an air of abandonment to that of eeriness was but a step, and now the building towered in splendid isolation, in this remote corner of the park, at the confines of the wood, with a reputation for being the abode of ghosts, of bats and witches, and other evil things.
When Master Busy sought for tracks of imaginary criminals bent on abducting the heiress he naturally drifted to this lonely spot; when Master Courage was bent on whispering sweet nothings into the ear of the other man's betrothed, he enticed her to that corner of the park where he was least like to meet the heavy-booted saint.
Thus it was that these three met on the one spot where as a rule at a late hour of the evening Prince Amédé d'Orléans was wont to commence his wanderings, sure of being undisturbed, and with the final disappearance of Master Busy and Mistress Charity the place was once more deserted.
The bats once more found delight in this loneliness and from all around came that subdued murmur, that creaking of twigs, that silence so full of subtle sounds, which betrays the presence of animal life on the prowl.
Anon there came the harsh noise of a key grating in a rusty lock. The door of the pavilion was cautiously opened from within and the mysterious French prince, bewigged, booted and hatted, emerged into the open. The night had drawn a singularly dark mantle over the woods. Banks of cloud obscured the sky; the tall elm trees with their ivy-covered branches, and their impenetrable shadows beneath, formed a dense wall which the sight of human creatures was not keen enough to pierce. Sir Marmaduke de Chavasse, in spite of this darkness, which he hailed gleefully, peered cautiously and intently round as he descended the steps.
He had not met Lady Sue in the capacity of her romantic lover since that evening a week ago, when his secret had been discovered by Mistress de Chavasse. The last vision he had had of the young girl was one redolent of joy and love and trust, sufficient to reassure him that all was well with her, in regard to his schemes; but on that same evening a week ago he had gazed upon another little scene, which had not filled him with either joy or security.
He had seen Lady Sue standing beside a young man whose personality — to say the least — was well-nigh as romantic as that of the exiled scion of the house of Orléans. He had seen rather than heard a young and passionate nature pouring into girlish ears the avowal of an unselfish and ardent love which had the infinite merit of being real and true.
However well he himself might play his part of selfless hero and of vehement lover, there always lurked the danger that the falseness of his protestations would suddenly ring a warning note to the subtle sense of the confiding girl. Were it not for the intense romanticism of her disposition, which beautified and exalted everything with which it came in contact, she would of a surety have detected the lie ere this. He had acted his dual rôle with consummate skill, the contrast between the surly Puritanical guardian, with his round cropped head and shaven face, and the elegantly dressed cavalier, with a heavy mustache, an enormous perruque and a shade over one eye, was so complete that even Mistress de Chavasse — alert, suspicious, wholly unromantic, had been momentarily deceived, and would have remained so but for his voluntary revelation of himself.
But the watchful and disappointed young lover was the real danger: a danger complicated by the fact that the Prince Amédé d'Orléans actually dwelt in the cottage owned by Lambert's brother, the blacksmith. The mysterious prince had perforce to dwell somewhere; else, whenever spied by a laborer or wench from the village, he would have excited still further comment, and his movements mayhap would have been more persistently dogged.
For this reason Sir Marmaduke had originally chosen Adam Lambert's cottage to be his headquarters; it stood on the very outskirts of the village and as he had only the wood to traverse between it and the pavilion where he effected his change of personality, he ran thus but few risks of meeting prying eyes. Moreover, Adam Lambert, the blacksmith, and the old woman who kept house for him, both belonged to the new religious sect which Judge Bennett had so pertinently dubbed the Quakers, and they kept themselves very much aloof from gossip and the rest of the village.
True, Richard Lambert oft visited his brother and the old woman, but did so always in the daytime when Prince Amédé d'Orléans carefully kept out of the way. Sir Marmaduke de Chavasse had all the true instincts of the beast or bird of prey. He prowled about in the dark, and laid his snares for the