everything off.”
Then Monsieur Lebigre wished the friends good night. He was very sleepy and should sleep well, he said, with a yawn which revealed his big teeth, while Rose gazed at him with an air of submissive humility. However, he gave her a push, and told her to go and turn out the gas in the little room.
On reaching the pavement, Gavard stumbled and nearly fell. And being in a humorous vein, he thereupon exclaimed: “Confound it all! At any rate, I don’t seem to be leaning on anybody’s lights.”
This remark seemed to amuse the others, and the party broke up. A little later Florent returned to Lebigre’s, and indeed he became quite attached to the “cabinet,” finding a seductive charm in Robine’s contemplative silence, Logre’s fiery outbursts, and Charvet’s cool venom. When he went home, he did not at once retire to bed. He had grown very fond of his attic, that girlish bedroom, where Augustine had left scraps of ribbons, souvenirs, and other feminine trifles lying about. There still remained some hairpins on the mantelpiece, with gilt cardboard boxes of buttons and lozenges, cutout pictures, and empty pomade pots that retained an odour of jasmine. Then there were some reels of thread, needles, and a missal lying by the side of a soiled Dream-book in the drawer of the rickety deal table. A white summer dress with yellow spots hung forgotten from a nail; while upon the board which served as a toilet-table a big stain behind the water-jug showed where a bottle of bandoline had been overturned. The little chamber, with its narrow iron bed, its two rush-bottomed chairs, and its faded grey wallpaper, was instinct with innocent simplicity. The plain white curtains, the childishness suggested by the cardboard boxes and the Dream-book, and the clumsy coquetry which had stained the walls, all charmed Florent and brought him back to dreams of youth. He would have preferred not to have known that plain, wiry-haired Augustine, but to have been able to imagine that he was occupying the room of a sister, some bright sweet girl of whose budding womanhood every trifle around him spoke.
Yet another pleasure which he took was to lean out of the garret window at nighttime. In front of it was a narrow ledge of roof, enclosed by an iron railing, and forming a sort of balcony, on which Augustine had grown a pomegranate in a box. Since the nights had turned cold, Florent had brought the pomegranate indoors and kept it by the foot of his bed till morning. He would linger for a few minutes by the open window, inhaling deep draughts of the sharp fresh air which was wafted up from the Seine, over the housetops of the Rue de Rivoli. Below him the roofs of the markets spread confusedly in a grey expanse, like slumbering lakes on whose surface the furtive reflection of a pane of glass gleamed every now and then like a silvery ripple. Farther away the roofs of the meat and poultry pavilions lay in deeper gloom, and became mere masses of shadow barring the horizon. Florent delighted in the great stretch of open sky in front of him, in that spreading expanse of the markets which amidst all the narrow city streets brought him a dim vision of some strip of sea coast, of the still grey waters of a bay scarce quivering from the roll of the distant billows. He used to lose himself in dreams as he stood there; each night he conjured up the vision of some fresh coast line. To return in mind to the eight years of despair which he had spent away from France rendered him both very sad and very happy. Then at last, shivering all over, he would close the window. Often, as he stood in front of the fireplace taking off his collar, the photograph of Auguste and Augustine would fill him with disquietude. They seemed to be watching him as they stood there, hand in hand, smiling faintly.
Florent’s first few weeks at the fish market were very painful to him. The Mehudins treated him with open hostility, which infected the whole market with a spirit of opposition. The beautiful Norman intended to revenge herself on the handsome Lisa, and the latter’s cousin seemed a victim ready to hand.
The Mehudins came from Rouen. Louise’s mother still related how she had first arrived in Paris with a basket of eels. She had ever afterwards remained in the fish trade. She had married a man employed in the Octroi service, who had died leaving her with two little girls. It was she who by her full figure and glowing freshness had won for herself in earlier days the nickname of “the beautiful Norman,” which her eldest daughter had inherited. Now five and sixty years of age, Madame Mehudin had become flabby and shapeless, and the damp air of the fish market had rendered her voice rough and hoarse, and given a bluish tinge to her skin. Sedentary life had made her extremely bulky, and her head was thrown backwards by the exuberance of her bosom. She had never been willing to renounce the fashions of her younger days, but still wore the flowered gown, the yellow kerchief, and turban-like headgear of the classic fishwife, besides retaining the latter’s loud voice and rapidity of gesture as she stood with her hands on her hips, shouting out the whole abusive vocabulary of her calling.
She looked back regretfully to the old Marche des Innocents, which the new central markets had supplanted. She would talk of the ancient rights of the market “ladies,” and mingle stories of fisticuffs exchanged with the police with reminiscences of the visits she had paid the Court in the time of Charles X and Louis Philippe, dressed in silk, and carrying a bouquet of flowers in her hand. Old Mother Mehudin, as she was now generally called, had for a long time been the banner-bearer of the Sisterhood of the Virgin at St. Leu. She would relate that in the processions in the church there she had worn a dress and cap of tulle trimmed with satin ribbons, whilst holding aloft in her puffy fingers the gilded staff of the richly-fringed silk standard on which the figure of the Holy Mother was embroidered.
According to the gossip of the neighbourhood, the old woman had made a fairly substantial fortune, though the only signs of it were the massive gold ornaments with which she loaded her neck and arms and bosom on important occasions. Her two daughters got on badly together as they grew up. The younger one, Claire, an idle, fair-complexioned girl, complained of the illtreatment which she received from her sister Louise, protesting, in her languid voice, that she could never submit to be the other’s servant. As they would certainly have ended by coming to blows, their mother separated them. She gave her stall in the fish market to Louise, while Claire, whom the smell of the skate and the herrings affected in the lungs, installed herself among the fresh water fish. And from that time the old mother, although she pretended to have retired from business altogether, would flit from one stall to the other, still interfering in the selling of the fish, and causing her daughters continual annoyance by the foul insolence with which she would at times speak to customers.
Claire was a fantastical creature, very gentle in her manner, and yet continually at loggerheads with others. People said that she invariably followed her own whimsical inclinations. In spite of her dreamy, girlish face she was imbued with a nature of silent firmness, a spirit of independence which prompted her to live apart; she never took things as other people did, but would one day evince perfect fairness, and the next day arrant injustice. She would sometimes throw the market into confusion by suddenly increasing or lowering the prices at her stall, without anyone being able to guess her reason for doing so. She herself would refuse to explain her motive. By the time she reached her thirtieth year, her delicate physique and fine skin, which the water of the tanks seemed to keep continually fresh and soft, her small, faintly-marked face and lissome limbs would probably become heavy, coarse, and flabby, till she would look like some faded saint that had stepped from a stained-glass window into the degrading sphere of the markets. At twenty-two, however, Claire, in the midst of her carp and eels, was, to use Claude Lantier’s expression, a Murillo. A Murillo, that is, whose hair was often in disorder, who wore heavy shoes and clumsily cut dresses, which left her without any figure. But she was free from all coquetry, and she assumed an air of scornful contempt when Louise, displaying her bows and ribbons, chaffed her about her clumsily knotted neckerchiefs. Moreover, she was virtuous; it was said that the son of a rich shopkeeper in the neighbourhood had gone abroad in despair at having failed to induce her to listen to his suit.
Louise, the beautiful Norman, was of a different nature. She had been engaged to be married to a clerk in the corn market; but a sack of flour falling upon the young man had broken his back and killed him. Not very long afterwards Louise had given birth to a boy. In the Mehudins’ circle of acquaintance she was looked upon as a widow; and the old fishwife in conversation would occasionally refer to the time when her son-in-law was alive.
The Mehudins were a power in the markets. When Monsieur Verlaque had finished instructing Florent in his new duties, he advised him to conciliate certain of the stall-holders, if he wished his life