Frances Hodgson Burnett

The Shuttle


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tears rose to her eyes. The introduction of the international question overpowered her as always.

      “Don't begin to be hysterical,” was the ameliorating tenderness with which he observed the two hot salt drops which fell despite her. “I should scarcely wish to present you to my mother bathed in tears.”

      She wiped the salt drops hastily away and sat for a moment silent in the corner of the carriage. Being wholly primitive and unanalytical, she was ashamed and began to blame herself. He was right. She must not be silly because she was unused to things. She ought not to be disturbed by trifles. She must try to be nice and look cheerful. She made an effort and did no speak for a few minutes. When she had recovered herself she tried again.

      “English country is so pretty,” she said, when she thought she was quite sure that her voice would not tremble. “I do so like the hedges and the darling little red-roofed cottages.”

      It was an innocent tentative at saying something agreeable which might propitiate him. She was beginning to realise that she was continually making efforts to propitiate him. But one of the forms of unpleasantness most enjoyable to him was the snubbing of any gentle effort at palliating his mood. He condescended in this case no response whatever, but merely continued staring contemptuously before him.

      “It is so picturesque, and so unlike America,” was the pathetic little commonplace she ventured next. “Ain't it, Nigel?”

      He turned his head slowly towards her, as if she had taken a new liberty in disturbing his meditations.

      “Wha—at?” he drawled.

      It was almost too much for her to sustain herself under. Her courage collapsed.

      “I was only saying how pretty the cottages were,” she faltered. “And that there's nothing like this in America.”

      “You ended your remark by adding, 'ain't it,'” her husband condescended. “There is nothing like that in England. I shall ask you to do me the favour of leaving Americanisms out of your conversation when you are in the society of English ladies and gentlemen. It won't do.”

      “I didn't know I said it,” Rosy answered feebly.

      “That is the difficulty,” was his response. “You never know, but educated people do.”

      There was nothing more to be said, at least for a girl who had never known what it was to be bullied. This one felt like a beggar or a scullery maid, who, being rated by her master, had not the refuge of being able to “give warning.” She could never give warning. The Atlantic Ocean was between her and those who had loved and protected her all her short life, and the carriage was bearing her onwards to the home in which she was to live alone as this man's companion to the end of her existence.

      She made no further propitiatory efforts, but sat and stared in simple blankness at the country, which seemed to increase in loveliness at each new point of view. Sometimes she saw sweet wooded, rolling lands made lovelier by the homely farmhouses and cottages enclosed and sheltered by thick hedges and trees; once or twice they drove past a park enfolding a great house guarded by its huge sentinel oaks and beeches; once the carriage passed through an adorable little village, where children played on the green and a square-towered grey church seemed to watch over the steep-roofed cottages and creeper-covered vicarage. If she had been a happy American tourist travelling in company with impressionable friends, she would have broken into ecstatic little exclamations of admiration every five minutes, but it had been driven home to her that to her present companion, to whom nothing was new, her rapture would merely represent the crudeness which had existed in contentment in a brown-stone house on a noisy thoroughfare, through a life which had been passed tramping up and down numbered streets and avenues.

      They approached at last a second village with a green, a grass-grown street and the irregular red-tiled cottages, which to the unaccustomed eye seemed rather to represent studies for sketches than absolute realities. The bells in the church tower broke forth into a chime and people appeared at the doors of the cottages. The men touched their foreheads as the carriage passed, and the children made bobbing curtsies. Sir Nigel condescended to straighten himself a trifle in his seat, and recognised the greetings with the stiff, half-military salute. The poor girl at his side felt that he put as little feeling as possible into the movement, and that if she herself had been a bowing villager she would almost have preferred to be wholly ignored. She looked at him questioningly.

      “Are they—must I?” she began.

      “Make some civil recognition,” answered Sir Nigel, as if he were instructing an ignorant child. “It is customary.”

      So she bowed and tried to smile, and the joyous clamour of the bells brought the awful lump into her throat again. It reminded her of the ringing of the chimes at the New York church on that day of her marriage, which had been so full of gay, luxurious bustle, so crowded with wedding presents, and flowers, and warm-hearted, affectionate congratulations, and good wishes uttered in merry American voices.

      The park at Stornham Court was large and beautiful and old. The trees were magnificent, and the broad sweep of sward and rich dip of ferny dell all that the imagination could desire. The Court itself was old, and many-gabled and mellow-red and fine. Rosalie had learned from no precedent as yet that houses of its kind may represent the apotheosis of discomfort and dilapidation within, and only become more beautiful without. Tumbled-down chimneys and broken tiles, being clambered over by tossing ivy, are pictures to delight the soul.

      As she descended from the carriage the girl was tremulous and uncertain of herself and much overpowered by the unbending air of the man-servant who received her as if she were a parcel in which it was no part of his duty to take the smallest interest. As she mounted the stone steps she caught a glimpse of broad gloom within the threshold, a big, square, dingy hall where some other servants were drawn up in a row. She had read of something of the sort in English novels, and she was suddenly embarrassed afresh by her realisation of the fact that she did not know what to do and that if she made a mistake Nigel would never forgive her.

      An elderly woman came out of a room opening into the hall. She was an ugly woman of a rigid carriage, which, with the obvious intention of being severely majestic, was only antagonistic. She had a flaccid chin, and was curiously like Nigel. She had also his expression when he intended to be disagreeable. She was the Dowager Lady Anstruthers, and being an entirely revolting old person at her best, she objected extremely to the transatlantic bride who had made her a dowager, though she was determinedly prepared to profit by any practical benefit likely to accrue.

      “Well, Nigel,” she said in a deep voice. “Here you are at last.”

      This was of course a statement not to be refuted. She held out a leathern cheek, and as Sir Nigel also presented his, their caress of greeting was a singular and not effusive one.

      “Is this your wife?” she asked, giving Rosalie a bony hand. And as he did not indignantly deny this to be the fact, she added, “How do you do?”

      Rosalie murmured a reply and tried to control herself by making another effort to swallow the lump in her throat. But she could not swallow it. She had been keeping a desperate hold on herself too long. The bewildered misery of her awakening, the awkwardness of the public row at the station, the sulks which had filled the carriage to repletion through all the long drive, and finally the jangling bells which had so recalled that last joyous day at home—at home—had brought her to a point where this meeting between mother and son—these two stony, unpleasant creatures exchanging a reluctant rub of uninviting cheeks—as two savages might have rubbed noses—proved the finishing impetus to hysteria. They were so hideous, these two, and so ghastly comic and fantastic in their unresponsive glumness, that the poor girl lost all hold upon herself and broke into a trembling shriek of laughter.

      “Oh!” she gasped in terror at what she felt to be her indecent madness. “Oh! how—how——” And then seeing Nigel's furious start, his mother's glare and all the servants' alarmed stare at her, she rushed staggering to the only creature she felt she knew—her maid Hannah, clutched her and broke