made a guarded allusion, when he was here," he went on, not seeing that against the sovran virtue of the magic words which I had just repeated the depravity of Bergotte's morals was little more able to contend than the falsity of his judgment.
"But, my dear," Mamma interrupted, "we've no proof that it's true. People say all sorts of things. Besides M. de Norpois may have the most perfect manners in the world, but he's not always very good-natured, especially about people who are not exactly his sort."
"That's quite true; I've noticed it myself," my father admitted.
"And then, too, a great deal ought to be forgiven Bergotte, since he thinks well of my little son," Mamma went on, stroking my hair with her fingers and fastening upon me a long and pensive gaze.
My mother had not, indeed, awaited this verdict from Bergotte before telling me that I might ask Gilberte to tea whenever I had friends coming. But I dared not do so for two reasons. The first was that at Gilberte's there was never anything else to drink but tea. Whereas at home Mamma insisted on there being a pot of chocolate as well. I was afraid that Gilberte might regard this as 'common'; and so conceive a great contempt for us. The other reason was a formal difficulty, a question of procedure which I could never succeed in settling. When I arrived at Mme. Swann's she used to ask me: "And how is your mother?" I had made several overtures to Mamma to find out whether she would do the same when Gilberte came to us, a point which seemed to me more serious than, at the Court of Louis XIV, the use of 'Monseigneur.' But Mamma would not hear of it for a moment.
"Certainly not. I do not know Mme. Swann."
"But neither does she know you."
"I never said she did, but we are not obliged to behave in exactly the same way about everything. I shall find other ways of being civil to Gilberte than Mme. Swann has with you."
But I was unconvinced, and preferred not to invite Gilberte.
Leaving my parents, I went upstairs to change my clothes and on emptying my pockets came suddenly upon the envelope which the Swanns' butler had handed me before shewing me into the drawing-room. I was now alone. I opened it; inside was a card on which I was told the name of the lady whom I ought to have 'taken in' to luncheon.
It was about this period that Bloch overthrew my conception of the world and opened for me fresh possibilities of happiness (which, for that matter, were to change later on into possibilities of suffering), by assuring me that, in contradiction of all that I had believed at the time of my walks along the Méséglise way, women never asked for anything better than to make love. He added to this service a second, the value of which I was not to appreciate until much later; it was he who took me for the first time into a disorderly house. He had indeed told me that there were any number of pretty women whom one might enjoy. But I could see them only in a vague outline for which those houses were to enable me to substitute actual human features. So that if I owed to Bloch—for his 'good tidings' that beauty and the enjoyment of beauty were not inaccessible things, and that we have acted foolishly in renouncing them for all time—a debt of gratitude of the same kind that we owe to an optimistic physician or philosopher who has given us reason to hope for length of days in this world and not to be entirely cut off from it when we shall have passed beyond the veil, the houses of assignation which I began to frequent some years later—by furnishing me with specimens of beauty, by allowing me to add to the beauty of women that element which we are powerless to invent, which is something more than a mere summary of former beauties, that present indeed divine, the one present that we cannot bestow upon ourselves, before which faint and fail all the logical creations of our intellect, and which we can seek from reality alone: an individual charm—deserved to be ranked by me with those other benefactors more recent in origin but of comparable utility (before finding which we used to imagine without any warmth the seductive charms of Mantegna, of Wagner, of Siena, by studying other painters, hearing other composers, visiting other cities): namely illustrated editions of the history of painting, symphonic concerts and handbooks to 'Mediaeval Towns.' But the house to which Bloch led me (and which he himself, for that matter, had long ceased to visit), was of too humble a grade, its denizens were too inconspicuous and too little varied to be able to satisfy my old or to stimulate new curiosities. The mistress of this house knew none of the women with whom one asked her to negotiate, and was always suggesting others whom one did not want. She boasted to me of one in particular, one of whom, with a smile full of promise (as though this had been a great rarity and a special treat) she would whisper: "She is a Jewess! Doesn't that make you want to?" (That, by the way, was probably why the girl's name was Rachel.) And with a silly and affected excitement which, she hoped, would prove contagious, and which ended in a hoarse gurgle, almost of sensual satisfaction: "Think of that, my boy, a Jewess! Wouldn't that be lovely? Rrrr!" This Rachel, of whom I caught a glimpse without her seeing me, was dark and not good looking, but had an air of intelligence, and would pass the tip of her tongue over her lips as she smiled, with a look of boundless impertinence, at the 'boys' who were introduced to her and whom I could hear making conversation. Her small and narrow face was framed in short curls of black hair, irregular as though they were outlined in pen-strokes upon a wash-drawing in Indian ink. Every evening I promised the old woman who offered her to me with a special insistence, boasting of her superior intelligence and her education, that I would not fail to come some day on purpose to make the acquaintance of Rachel, whom I had nicknamed "Rachel when from the Lord." But the first evening I had heard her, as she was leaving the house, say to the mistress: "That's settled then; I shall be free to-morrow, if you have anyone you won't forget to send for me."
And these words had prevented me from recognising her as a person because they had made me classify her at once in a general category of women whose habit, common to all of them, was to come there in the evening to see whether there might not be a louis or two to be earned. She would simply vary her formula, saying indifferently: "If you want me" or "If you want anybody."
The mistress, who was not familiar with Halévy's opera, did not know why I always called the girl "Rachel when from the Lord." But failure to understand a joke has never yet made anyone find it less amusing, and it was always with a whole-hearted laugh that she would say to me:
"Then there's nothing doing to-night? When am I going to fix you up with 'Rachel when from the Lord'? Why do you always say that, 'Rachel when from the Lord'? Oh, that's very smart, that is. I'm going to make a match of you two. You won't be sorry for it, you'll see."
Once I was just making up my mind, but she was 'in the press,' another time in the hands of the hairdresser, an elderly gentleman who never did anything for the women except pour oil on their loosened hair and then comb it. And I grew tired of waiting, even though several of the humbler frequenters of the place (working girls, they called themselves, but they always seemed to be out of work), had come to mix drinks for me and to hold long conversations to which, despite the gravity of the subjects discussed, the partial or total nudity of the speakers gave an attractive simplicity. I ceased moreover to go to this house because, anxious to present a token of my good-will to the woman who kept it and was in need of furniture, I had given her several pieces, notably a big sofa, which I had inherited from my aunt Léonie. I used never to see them, for want of space had prevented my parents from taking them in at home, and they were stored in a warehouse. But as soon as I discovered them again in the house where these women were putting them to their own uses, all the virtues that one had imbibed in the air of my aunt's room at Combray became apparent to me, tortured by the cruel contact to which I had abandoned them in their helplessness! Had I outraged the dead, I should not have suffered such remorse. I returned no more to visit their new mistress, for they seemed to me to be alive, and to be appealing to me, like those objects, apparently inanimate, in a Persian fairy-tale, in which are embodied human souls that are undergoing martyrdom and plead for deliverance. Besides, as our memory presents things to us, as a rule, not in their chronological sequence but as it were by a reflexion in which the order of the parts is reversed, I remembered only long afterwards that it was upon that same sofa that, many years before, I had tasted for the first time the sweets of love with one of my girl cousins, with whom I had not known where to go until she somewhat rashly suggested our taking advantage of a moment in which aunt Léonie had left her room.
A whole lot more of my aunt Léonie's things, and notably a magnificent set of old silver