her a toilet which was never twice the same, but which I remember as being typically mauve; then she hoisted and unfurled at the end of its long stalk, just at the moment when her radiance was most complete, the silken banner of a wide parasol of a shade that matched the showering petals of her gown. A whole troop of people escorted her; Swann himself, four or five fellows from the Club, who had been to call upon her that morning or whom she had met in the street: and their black or grey agglomeration, obedient to her every gesture, performing the almost mechanical movements of a lifeless setting in which Odette was framed, gave to this woman, in whose eyes alone was there any intensity, the air of looking out in front of her, from among all those men, as from a window behind which she had taken her stand, and made her emerge there, frail but fearless, in the nudity of her delicate colours, like the apparition of a creature of a different species, of an unknown race, and of almost martial strength, by virtue of which she seemed by herself a match for all her multiple escort. Smiling, rejoicing in the fine weather, in the sunshine which had not yet become trying, with the air of calm assurance of a creator who has accomplished his task and takes no thought for anything besides; certain that her clothes—even though the vulgar herd should fail to appreciate them—were the smartest anywhere to be seen, she wore them for herself and for her friends, naturally, without exaggerated attention to them but also without absolute detachment; not preventing the little bows of ribbon upon her bodice and skirt from floating buoyantly upon the air before her, like separate creatures of whose presence there she was not unconscious, but was indulgent enough to let them play if they chose, keeping their own rhythm, provided that they accompanied her where she led the way; and even upon her mauve parasol, which, as often as not, she had not yet 'put up' when she appeared on the scene, she let fall now and then, as though upon a bunch of Parma violets, a gaze happy and so kindly that, when it was fastened no longer upon her friends but on some inanimate object, her eyes still seemed to smile. She thus kept open, she made her garments occupy that interval of smartness, of which the men with whom she was on the most familiar terms respected both the existence and its necessity, not without shewing a certain deference, as of profane visitors to a shrine, an admission of their own ignorance, an interval over which they recognised that their friend had (as we recognise that a sick man has over the special precautions that he has to take, or a mother over her children's education) a competent jurisdiction. No less than by the court which encircled her and seemed not to observe' the passers-by, Mme. Swann by the lateness of her appearance there at once suggested those rooms in which she had spent so long, so leisurely a morning and to which she must presently return for luncheon; she seemed to indicate their proximity by the unhurrying ease of her progress, like the turn that one takes up and down one's own garden; of those rooms one would have said that she was carrying about her still the cool, the indoor shade. But for that very reason the sight of her gave me only a stronger sensation of open air and warmth. All the more because, being assured in my own mind that, in accordance with the liturgy, with the ritual in which Mme. Swann was so profoundly versed, her clothes were connected with the time of year and of day by a bond both inevitable and unique, I felt that the flowers upon the stiff straw brim of her hat, the baby-ribbons upon her dress, had been even more naturally born of the month of May than the flowers in gardens and in woods; and to learn what latest change there was in weather or season I had not to raise my eyes higher than to her parasol, open and outstretched like another, a nearer sky, round, clement, mobile, blue. For these rites, if they were of sovereign importance, subjugated their glory (and, consequently, Mme. Swann her own) in condescending obedience to the day, the spring, the sun, none of which struck me as being sufficiently flattered that so elegant a woman had been graciously pleased not to ignore their existence, and had chosen on their account a gown of a brighter, of a thinner fabric, suggesting to me, by the opening of its collar and sleeves, the moist warmness of the throat and wrists that they exposed,—in a word, had taken for them all the pains that a great personage takes who, having gaily condescended to pay a visit to common folk in the country, whom everyone, even the most plebeian, knows, yet makes a point of donning, for the occasion, suitable attire. On her arrival I would greet Mme. Swann, she stop me and say (in English) 'Good morning,' and smile. We would walk a little way together. And I learned then that these canons according to which she dressed, it was for her own satisfaction that she obeyed them, as though yielding to a Superior Wisdom of which she herself was High Priestess: for if it should happen that, feeling too warm, she threw open or even took off altogether and gave me to carry the jacket which she had intended to keep buttoned up, I would discover in the blouse beneath it a thousand details of execution which had had every chance of remaining there unperceived, like those parts of an orchestral score to which the composer has devoted infinite labour albeit they may never reach the ears of the public: or in the sleeves of the jacket that lay folded across my arm I would see, I would drink in slowly, for my own pleasure or from affection for its wearer, some exquisite detail, a deliciously tinted strip, a lining of mauve satinette which, ordinarily concealed from every eye, was yet just as delicately fashioned as the outer parts, like those gothic carvings on a cathedral, hidden on the inside of a balustrade eighty feet from the ground, as perfect as are the bas-reliefs over the main porch, and yet never seen by any living man until, happening to pass that way upon his travels, an artist obtains leave to climb up there among them, to stroll in the open air, sweeping the whole town with a comprehensive gaze, between the soaring towers.
What enhanced this impression that Mme. Swann was walking in the Avenue as though along the paths of her own garden, was—for people ignorant of her habit of 'taking exercise'—that she had come there on foot, without any carriage following, she whom, once May had begun, they were accustomed to see, behind the most brilliant 'turn-out,' the smartest liveries in Paris, gently and majestically seated, like a goddess, in the balmy air of an immense victoria on eight springs. On foot Mme. Swann had the appearance—especially as her pace began to slacken in the heat of the sun—of having yielded to curiosity, of committing an 'exclusive' breach of all the rules of her code, like those Crowned Heads who, without consulting anyone, accompanied by the slightly scandalised admiration of a suite which dares not venture any criticism, step out of their boxes during a gala performance and visit the lobby of the theatre, mingling for a moment or two with the rest of the audience. So between Mme. Swann and themselves the crowd felt that there existed those barriers of a certain kind of opulence which seem to them the most insurmountable that there are. The Faubourg Saint-Germain may have its barriers also, but these are less 'telling' to the eyes and imagination of the 'shabby-genteel.' These latter, when in the presence of a real personage, more simple, more easily mistaken for the wife of a small professional or business man, less remote from the people, will not feel the same sense of their own inequality, almost of their unworthiness, as dismays them when they encounter Mme. Swann. Of course women of that sort are not themselves dazzled, as the crowd are, by the brilliance of their apparel, they have ceased to pay any attention to it, but only because they have grown used to it, that is to say have come to look upon it more and more as natural and necessary, to judge their fellow creatures according as they are more or less initiated into these luxurious ways: so that (the grandeur which they allow themselves to display or discover in others being wholly material, easily verified, slowly acquired, the lack of it hard to compensate) if such women place a passer-by in the lowest rank of society, it is by the same instinctive process that has made them appear to him as in the highest, that is to say instinctively, at first sight, and without possibility of appeal. Perhaps that special class of society which included in those days women like Lady Israels, who mixed with the women of the aristocracy, and Mme. Swann, who was to get to know them later on, that intermediate class, inferior to the Faubourg Saint-Germain, since it 'ran after' the denizens of that quarter, but superior to everything that was not of the Faubourg Saint-Germain, possessing this peculiarity that, while already detached from the world of the merely rich, it was riches still that it represented, but riches that had been canalised, serving a purpose, swayed by an idea that was artistic, malleable gold, chased with a poetic design, taught to smile; perhaps that class—in the same form, at least, and with the same charm—exists no longer. In any event, the women who were its members would not satisfy to-day what was the primary condition on which they reigned, since with advancing age they have lost—almost all of them—their beauty. Whereas it was (just as much as from the pinnacle of her noble fortune) from the glorious zenith of her ripe and still so fragrant summer that Mme. Swann, majestic, smiling, kind, as she advanced along the Avenue du Bois, saw like Hypatia, beneath the slow tread of her feet,