graf Leo Tolstoy

War and Peace


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and he pressed Borís’ hand. “Do you know, I have not once been in to see the count. He has not sent for me. … I am sorry for him as a man, but what can one do?”

      “And so you think Napoleon will manage to get an army across?” asked Borís with a smile.

      Pierre saw that Borís wished to change the subject, and being of the same mind he began explaining the advantages and disadvantages of the Boulogne expedition.

      A footman came in to summon Borís—the princess was going. Pierre, in order to make Borís’ better acquaintance, promised to come to dinner, and warmly pressing his hand looked affectionately over his spectacles into Borís’ eyes. After he had gone Pierre continued pacing up and down the room for a long time, no longer piercing an imaginary foe with his imaginary sword, but smiling at the remembrance of that pleasant, intelligent, and resolute young man.

      As often happens in early youth, especially to one who leads a lonely life, he felt an unaccountable tenderness for this young man and made up his mind that they would be friends.

      Prince Vasíli saw the princess off. She held a handkerchief to her eyes and her face was tearful.

      “It is dreadful, dreadful!” she was saying, “but cost me what it may I shall do my duty. I will come and spend the night. He must not be left like this. Every moment is precious. I can’t think why his nieces put it off. Perhaps God will help me to find a way to prepare him! … Adieu, Prince! May God support you …”

      “Adieu, ma bonne,” answered Prince Vasíli turning away from her.

      “Oh, he is in a dreadful state,” said the mother to her son when they were in the carriage. “He hardly recognizes anybody.”

      “I don’t understand, Mamma—what is his attitude to Pierre?” asked the son.

      “The will will show that, my dear; our fate also depends on it.”

      “But why do you expect that he will leave us anything?”

      “Ah, my dear! He is so rich, and we are so poor!”

      “Well, that is hardly a sufficient reason, Mamma …”

      “Oh, Heaven! How ill he is!” exclaimed the mother.

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      After Anna Mikháylovna had driven off with her son to visit Count Cyril Vladímirovich Bezúkhov, Countess Rostóva sat for a long time all alone applying her handkerchief to her eyes. At last she rang.

      “What is the matter with you, my dear?” she said crossly to the maid who kept her waiting some minutes. “Don’t you wish to serve me? Then I’ll find you another place.”

      The countess was upset by her friend’s sorrow and humiliating poverty, and was therefore out of sorts, a state of mind which with her always found expression in calling her maid “my dear” and speaking to her with exaggerated politeness.

      “I am very sorry, ma’am,” answered the maid.

      “Ask the count to come to me.”

      The count came waddling in to see his wife with a rather guilty look as usual.

      “Well, little countess? What a sauté of game au madère we are to have, my dear! I tasted it. The thousand rubles I paid for Tarás were not ill-spent. He is worth it!”

      He sat down by his wife, his elbows on his knees and his hands ruffling his gray hair.

      “What are your commands, little countess?”

      “You see, my dear … What’s that mess?” she said, pointing to his waistcoat. “It’s the sauté, most likely,” she added with a smile. “Well, you see, Count, I want some money.”

      Her face became sad.

      “Oh, little countess!” … and the count began bustling to get out his pocketbook.

      “I want a great deal, Count! I want five hundred rubles,” and taking out her cambric handkerchief she began wiping her husband’s waistcoat.

      “Yes, immediately, immediately! Hey, who’s there?” he called out in a tone only used by persons who are certain that those they call will rush to obey the summons. “Send Dmítri to me!”

      Dmítri, a man of good family who had been brought up in the count’s house and now managed all his affairs, stepped softly into the room.

      “This is what I want, my dear fellow,” said the count to the deferential young man who had entered. “Bring me …” he reflected a moment, “yes, bring me seven hundred rubles, yes! But mind, don’t bring me such tattered and dirty notes as last time, but nice clean ones for the countess.”

      “Yes, Dmítri, clean ones, please,” said the countess, sighing deeply.

      “When would you like them, your excellency?” asked Dmítri. “Allow me to inform you … But, don’t be uneasy,” he added, noticing that the count was beginning to breathe heavily and quickly which was always a sign of approaching anger. “I was forgetting … Do you wish it brought at once?”

      “Yes, yes; just so! Bring it. Give it to the countess.”

      “What a treasure that Dmítri is,” added the count with a smile when the young man had departed. “There is never any ‘impossible’ with him. That’s a thing I hate! Everything is possible.”

      “Ah, money, Count, money! How much sorrow it causes in the world,” said the countess. “But I am in great need of this sum.”

      “You, my little countess, are a notorious spendthrift,” said the count, and having kissed his wife’s hand he went back to his study.

      When Anna Mikháylovna returned from Count Bezúkhov’s the money, all in clean notes, was lying ready under a handkerchief on the countess’ little table, and Anna Mikháylovna noticed that something was agitating her.

      “Well, my dear?” asked the countess.

      “Oh, what a terrible state he is in! One would not know him, he is so ill! I was only there a few moments and hardly said a word …”

      “Annette, for heaven’s sake don’t refuse me,” the countess began, with a blush that looked very strange on her thin, dignified, elderly face, and she took the money from under the handkerchief.

      Anna Mikháylovna instantly guessed her intention and stooped to be ready to embrace the countess at the appropriate moment.

      “This is for Borís from me, for his outfit.”

      Anna Mikháylovna was already embracing her and weeping. The countess wept too. They wept because they were friends, and because they were kindhearted, and because they—friends from childhood—had to think about such a base thing as money, and because their youth was over. … But those tears were pleasant to them both.

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      Countess Rostóva, with her daughters and a large number of guests, was already seated in the drawing room. The count took the gentlemen into his study and showed them his choice collection of Turkish pipes. From time to time he went out to ask: “Hasn’t she come yet?” They were expecting Márya Dmítrievna Akhrosímova, known in society as le terrible dragon, a lady distinguished not for wealth or rank, but for common sense and frank plainness of speech. Márya Dmítrievna