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The Complete Novels of Virginia Woolf


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married man. Lord, Rachel,” he concluded, “will it be like that when we’re married?”

      Instead of answering him she asked,

      “Why don’t people write about the things they do feel?”

      “Ah, that’s the difficulty!” he sighed, tossing the book away.

      “Well, then, what will it be like when we’re married? What are the things people do feel?”

      She seemed doubtful.

      “Sit on the floor and let me look at you,” he commanded. Resting her chin on his knee, she looked straight at him.

      He examined her curiously.

      “You’re not beautiful,” he began, “but I like your face. I like the way your hair grows down in a point, and your eyes too—they never see anything. Your mouth’s too big, and your cheeks would be better if they had more colour in them. But what I like about your face is that it makes one wonder what the devil you’re thinking about—it makes me want to do that—” He clenched his fist and shook it so near her that she started back, “because now you look as if you’d blow my brains out. There are moments,” he continued, “when, if we stood on a rock together, you’d throw me into the sea.”

      Hypnotised by the force of his eyes in hers, she repeated, “If we stood on a rock together—”

      To be flung into the sea, to be washed hither and thither, and driven about the roots of the world—the idea was incoherently delightful. She sprang up, and began moving about the room, bending and thrusting aside the chairs and tables as if she were indeed striking through the waters. He watched her with pleasure; she seemed to be cleaving a passage for herself, and dealing triumphantly with the obstacles which would hinder their passage through life.

      “It does seem possible!” he exclaimed, “though I’ve always thought it the most unlikely thing in the world—I shall be in love with you all my life, and our marriage will be the most exciting thing that’s ever been done! We’ll never have a moment’s peace—” He caught her in his arms as she passed him, and they fought for mastery, imagining a rock, and the sea heaving beneath them. At last she was thrown to the floor, where she lay gasping, and crying for mercy.

      “I’m a mermaid! I can swim,” she cried, “so the game’s up.” Her dress was torn across, and peace being established, she fetched a needle and thread and began to mend the tear.

      “And now,” she said, “be quiet and tell me about the world; tell me about everything that’s ever happened, and I’ll tell you—let me see, what can I tell you?—I’ll tell you about Miss Montgomerie and the river party. She was left, you see, with one foot in the boat, and the other on shore.”

      They had spent much time already in thus filling out for the other the course of their past lives, and the characters of their friends and relations, so that very soon Terence knew not only what Rachel’s aunts might be expected to say upon every occasion, but also how their bedrooms were furnished, and what kind of bonnets they wore. He could sustain a conversation between Mrs. Hunt and Rachel, and carry on a tea-party including the Rev. William Johnson and Miss Macquoid, the Christian Scientists, with remarkable likeness to the truth. But he had known many more people, and was far more highly skilled in the art of narrative than Rachel was, whose experiences were, for the most part, of a curiously childlike and humorous kind, so that it generally fell to her lot to listen and ask questions.

      He told her not only what had happened, but what he had thought and felt, and sketched for her portraits which fascinated her of what other men and women might be supposed to be thinking and feeling, so that she became very anxious to go back to England, which was full of people, where she could merely stand in the streets and look at them. According to him, too, there was an order, a pattern which made life reasonable, or if that word was foolish, made it of deep interest anyhow, for sometimes it seemed possible to understand why things happened as they did. Nor were people so solitary and uncommunicative as she believed. She should look for vanity—for vanity was a common quality—first in herself, and then in Helen, in Ridley, in St. John, they all had their share of it—and she would find it in ten people out of every twelve she met; and once linked together by one such tie she would find them not separate and formidable, but practically indistinguishable, and she would come to love them when she found that they were like herself.

      If she denied this, she must defend her belief that human beings were as various as the beasts at the Zoo, which had stripes and manes, and horns and humps; and so, wrestling over the entire list of their acquaintances, and diverging into anecdote and theory and speculation, they came to know each other. The hours passed quickly, and seemed to them full to leaking-point. After a night’s solitude they were always ready to begin again.

      The virtues which Mrs. Ambrose had once believed to exist in free talk between men and women did in truth exist for both of them, although not quite in the measure she prescribed. Far more than upon the nature of sex they dwelt upon the nature of poetry, but it was true that talk which had no boundaries deepened and enlarged the strangely small bright view of a girl. In return for what he could tell her she brought him such curiosity and sensitiveness of perception, that he was led to doubt whether any gift bestowed by much reading and living was quite the equal of that for pleasure and pain. What would experience give her after all, except a kind of ridiculous formal balance, like that of a drilled dog in the street? He looked at her face and wondered how it would look in twenty years’ time, when the eyes had dulled, and the forehead wore those little persistent wrinkles which seem to show that the middle-aged are facing something hard which the young do not see? What would the hard thing be for them, he wondered? Then his thoughts turned to their life in England.

      The thought of England was delightful, for together they would see the old things freshly; it would be England in June, and there would be June nights in the country; and the nightingales singing in the lanes, into which they could steal when the room grew hot; and there would be English meadows gleaming with water and set with stolid cows, and clouds dipping low and trailing across the green hills. As he sat in the room with her, he wished very often to be back again in the thick of life, doing things with Rachel.

      He crossed to the window and exclaimed, “Lord, how good it is to think of lanes, muddy lanes, with brambles and nettles, you know, and real grass fields, and farmyards with pigs and cows, and men walking beside carts with pitchforks—there’s nothing to compare with that here—look at the stony red earth, and the bright blue sea, and the glaring white houses—how tired one gets of it! And the air, without a stain or a wrinkle. I’d give anything for a sea mist.”

      Rachel, too, had been thinking of the English country: the flat land rolling away to the sea, and the woods and the long straight roads, where one can walk for miles without seeing any one, and the great church towers and the curious houses clustered in the valleys, and the birds, and the dusk, and the rain falling against the windows.

      “But London, London’s the place,” Terence continued. They looked together at the carpet, as though London itself were to be seen there lying on the floor, with all its spires and pinnacles pricking through the smoke.

      “On the whole, what I should like best at this moment,” Terence pondered, “would be to find myself walking down Kingsway, by those big placards, you know, and turning into the Strand. Perhaps I might go and look over Waterloo Bridge for a moment. Then I’d go along the Strand past the shops with all the new books in them, and through the little archway into the Temple. I always like the quiet after the uproar. You hear your own footsteps suddenly quite loud. The Temple’s very pleasant. I think I should go and see if I could find dear old Hodgkin—the man who writes books about Van Eyck, you know. When I left England he was very sad about his tame magpie. He suspected that a man had poisoned it. And then Russell lives on the next staircase. I think you’d like him. He’s a passion for Handel. Well, Rachel,” he concluded, dismissing the vision of London, “we shall be doing that together in six weeks’ time, and it’ll be the middle of June then—and June in London—my God! how pleasant it all is!”

      “And we’re certain to have it too,” she said. “It isn’t