America Day by Day, 264–265.
73
Beauvoir, America Day by Day, 28–29, 67–68; White, Here Is New York, 46.
74
Котенок был рекламным образом американской шелкопрядильной компании Corticelli Silk Company. Прим. ред.
75
Feininger and Lyman, The Face of New York, n.p.
76
Beauvoir, America Day by Day, 36.
77
Rivers, What Did I Do?, 161–162.
78
Brossard, The Scene Before You, 26; Ned Polsky, “The Village Beat Scene”, 340. Полски пишет, что словечки “hip” и “hep”, популярные в 1940-х, произошли от фразы “to be on the hip” (то есть, «быть под кайфом»); это отсылка к состоянию при курении опия. Курение опиума со временем прекратилось, но фраза осталась и начала ассоциироваться с употреблением наркотиков в целом. А в конце 1950-х годов приобрела свой нынешний смысл – «быть в курсе».
79
Anatole Broyard, “Portrait of a Hipster”, 722–723; Brossard, The Scene Before You, 26.
80
Broyard, “Portrait of a Hipster”, 722; Paul Goodman, Growing Up Absurd, 181.
81
Broyard, “Portrait of a Hipster”, 723.
82
Rex Stevens, interview by author; oral history interview with Grace Hartigan, AAA-SI.
83
William Grimes, “Harry Jackson, Artist Who Captured the West, Dies at 87”, New York Times, April 28, 2011, www.nytimes.com/…/arts/…/harry-jackson-artist-who-captured-the; Naifeh and Smith, Jackson Pollock, 564.
84
Grimes, “Harry Jackson”; Naifeh and Smith, 562, 564.
85
Grimes, “Harry Jackson”.
86
Oral history interview with Grace Hartigan, AAA-SI.
87
B. H. Friedman, ed., Give My Regards to Eighth Street, 5, 94; oral history interview with Grace Hartigan, AAA-SI; Schloss, “The Loft Generation”, Edith Schloss Burckhardt Papers, Columbia, 198, 201.
88
Oral history interview with Grace Hartigan, AAA-SI.
89
Grimes, “Harry Jackson”; oral history interview with Grace Hartigan, AAA-SI.
90
Nemser, Art Talk, 155.
91
Harry Jackson Journal, October 2, 1948, courtesy Harry A. Jackson Trust, 10; Harry Jackson Journal, November 3, 1948, 11. Некоторые авторы сомневаются, могла ли пара путешествовать автостопом с одной из работ Гарри, но его картины в то время были маленького размера, а рисунки он делал в небольшом альбоме.
92
Oral history interview with Grace Hartigan, AAA-SI.
93
Oral history interview with Grace Hartigan, AAA-SI; Grigor, Shattering Boundaries, film.
94
Nemser, Art Talk, 151.
95
Curtis, Restless Ambition, 43.
96
Nemser, Art Talk, 151; Shattering Boundaries, film; oral history interview with Grace Hartigan, AAA-SI.
97
Oral history interview with Grace Hartigan, AAA-SI.
98
Mattison, Grace Hartigan, 12.
99
Grigor, Shattering Boundaries, film.
100
Grigor, Shattering Boundaries, film; Mattison, Grace Hartigan, 12.
101
Mattison, Grace Hartigan, 13; Gabriel, “Amazing Grace”, 65.
102
Mattison, Grace Hartigan, 13.
103
Grace Hartigan, unpublished notes on the New York Scene, Box 31, Grace Hartigan Papers, Syracuse.
104
Hall, Elaine and Bill, 128–129.
105
Grace Hartigan, “Notes for Tribute to Elaine de Kooning”, Syracuse; Grace Hartigan, “Notes for Elaine de Kooning Memorial”, May 12, 1990, Box 9, Grace Hartigan Papers, Syracuse; Gibson, Abstract Expressionism, 127.
106
Barrett, Irrational Man, 154–155.
107
Lehman, The Last Avant-Garde, 11.
108
Harry A. Jackson and Grace Hartigan Jachens Marriage Certificate, Village of Springs, January 8th, 1949, courtesy of the Harry A. Jackson Trust; Harry Jackson Journals, January 14, 1949, courtesy of the Harry A. Jackson Trust, 14; Curtis, Restless Ambition, 50.
109
Harry Jackson Journals, January 14, 1949, courtesy of the Harry A. Jackson Trust, 14.
110
Interview with Rex Stevens, author.
111
Curtis, Restless Ambition, 50–51.