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Athens - Its Rise and Fall (Vol. 1&2)


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of good and apprehension of evil. Of deities so created, many, however, were the inventions of poets—(poetic metaphor is a fruitful mother of mythological fable)—many also were the graceful refinements of a subsequent age. But some (and nearly all those I have enumerated) may be traced to the earliest period to which such researches can ascend. It is obvious that the eldest would be connected with the passions—the more modern with the intellect.

      It seems to me apparent that almost simultaneously with deities of these two classes would arise the greater and more influential class of personal divinities which gradually expanded into the heroic dynasty of Olympus. The associations which one tribe, or one generation, united with the heaven, the earth, or the sun, another might obviously connect, or confuse, with a spirit or genius inhabiting or influencing the element or physical object which excited their anxiety or awe: And, this creation effected—so what one tribe or generation might ascribe to the single personification of a passion, a faculty, or a moral and social principle, another would just as naturally refer to a personal and more complex deity:—that which in one instance would form the very nature of a superior being, in the other would form only an attribute—swell the power and amplify the character of a Jupiter, a Mars, a Venus, or a Pan. It is in the nature of man, that personal divinities once created and adored, should present more vivid and forcible images to his fancy than abstract personifications of physical objects and moral impressions. Thus, deities of this class would gradually rise into pre-eminence and popularity above those more vague and incorporeal—and (though I guard myself from absolutely solving in this manner the enigma of ancient theogonies) the family of Jupiter could scarcely fail to possess themselves of the shadowy thrones of the ancestral Earth and the primeval Heaven.

      A third source of the Grecian, as of all mythologies, was in the worship of men who had actually existed, or been supposed to exist. For in this respect errors might creep into the calendar of heroes, as they did into the calendar of saints (the hero-worship of the moderns), which has canonized many names to which it is impossible to find the owners. This was probably the latest, but perhaps in after-times the most influential and popular addition to the aboriginal faith. The worship of dead men once established, it was natural to a people so habituated to incorporate and familiarize religious impressions—to imagine that even their primary gods, first formed from natural impressions (and, still more, those deities they had borrowed from stranger creeds)—should have walked the earth. And thus among the multitude in the philosophical ages, even the loftiest of the Olympian dwellers were vaguely supposed to have known humanity;—their immortality but the apotheosis of the benefactor or the hero.

      X. The Pelasgi, then, had their native or aboriginal deities (differing in number and in attributes with each different tribe), and with them rests the foundation of the Greek mythology. They required no Egyptian wisdom to lead them to believe in superior powers. Nature was their primeval teacher. But as intercourse was opened with the East from the opposite Asia—with the North from the neighbouring Thrace, new deities were transplanted and old deities received additional attributes and distinctions, according as the fancy of the stranger found them assimilate to the divinities he had been accustomed to adore. It seems to me, that in Saturn we may trace the popular Phoenician deity—in the Thracian Mars, the fierce war-god of the North. But we can scarcely be too cautious how far we allow ourselves to be influenced by resemblance, however strong, between a Grecian and an alien deity. Such a resemblance may not only be formed by comparatively modern innovations, but may either be resolved to that general likeness which one polytheism will ever bear towards another, or arise from the adoption of new attributes and strange traditions;—so that the deity itself may be homesprung and indigenous, while bewildering the inquirer with considerable similitude to other gods, from whose believers the native worship merely received an epithet, a ceremony, a symbol, or a fable. And this necessity of caution is peculiarly borne out by the contradictions which each scholar enamoured of a system gives to the labours of the speculator who preceded him. What one research would discover to be Egyptian, another asserts to be Phoenician; a third brings from the North; a fourth from the Hebrews; and a fifth, with yet wilder imagination, from the far and then unpenetrated caves and woods of India. Accept common sense as our guide, and the contradictions are less irreconcilable—the mystery less obscure. In a deity essentially Greek, a Phoenician colonist may discover something familiar, and claim an ancestral god. He imparts to the native deity some Phoenician features—an Egyptian or an Asiatic succeeds him—discovers a similar likeness—introduces similar innovations. The lively Greek receives—amalgamates—appropriates all: but the aboriginal deity is not the less Greek. Each speculator may be equally right in establishing a partial resemblance, precisely because all speculators are wrong in asserting a perfect identity.

      It follows as a corollary from the above reasonings, that the religion of Greece was much less uniform than is popularly imagined; 1st, because each separate state or canton had its own peculiar deity; 2dly, because, in the foreign communication of new gods, each stranger would especially import the deity that at home he had more especially adored. Hence to every state its tutelary god—the founder of its greatness, the guardian of its renown. Even in the petty and limited territory of Attica, each tribe, independent of the public worship, had its peculiar deities, honoured by peculiar rites.

      The deity said to be introduced by Cecrops is Neith, or more properly Naith 28—the goddess of Sais, in whom we are told to recognise the Athene, or Minerva of the Greeks. I pass over as palpably absurd any analogy of names by which the letters that compose the word Keith are inverted to the word Athene. The identity of the two goddesses must rest upon far stronger proof. But, in order to obtain this proof, we must know with some precision the nature and attributes of the divinity of Sais—a problem which no learning appears to me satisfactorily to have solved. It would be a strong, and, I think, a convincing argument, that Athene is of foreign origin, could we be certain that her attributes, so eminently intellectual, so thoroughly out of harmony with the barbarism of the early Greeks, were accorded to her at the commencement of her worship. But the remotest traditions (such as her contest with Neptune for the possession of the soil), if we take the more simple interpretation, seem to prove her to have been originally an agricultural deity, the creation of which would have been natural enough to the agricultural Pelasgi;—while her supposed invention of some of the simplest and most elementary arts are sufficiently congenial to the notions of an unpolished and infant era of society. Nor at a long subsequent period is there much resemblance between the formal and elderly goddess of Daedalian sculpture and the glorious and august Glaucopis of Homer—the maiden of celestial beauty as of unrivalled wisdom. I grant that the variety of her attributes renders it more than probable that Athene was greatly indebted, perhaps to the “Divine Intelligence,” personified in the Egyptian Naith—perhaps also, as Herodotus asserts, to the warlike deity of Libya—nor less, it may be, to the Onca of the Phoenicians 29, from whom in learning certain of the arts, the Greeks might simultaneously learn the name and worship of the Phoenician deity, presiding over such inventions. Still an aboriginal deity was probably the nucleus, round which gradually gathered various and motley attributes. And certain it is, that as soon as the whole creation rose into distinct life, the stately and virgin goddess towers, aloof and alone, the most national, the most majestic of the Grecian deities—rising above all comparison with those who may have assisted to decorate and robe her, embodying in a single form the very genius, multiform, yet individual as it was, of the Grecian people—and becoming among all the deities of the heathen heaven what the Athens she protected became upon the earth.

      XI. It may be said of the Greeks, that there never was a people who so completely nationalized all that they borrowed from a foreign source. And whatever, whether in a remoter or more recent age, it might have appropriated from the creed of Isis and Osiris, one cause alone would have sufficed to efface from the Grecian the peculiar character of the Egyptian mythology.

      The religion of Egypt, as a science, was symbolical—it denoted elementary principles of philosophy; its gods were enigmas. It has been asserted (on very insufficient data) that in the earliest ages of the world, one god, of whom the sun was either the emblem or the actual object of worship, was adored universally throughout the East, and that polytheism was created by personifying the properties and attributes of the single deity: “there being one God,”