Lise A. Waxer The City of Musical Memory Скачать книгу Glossary Bibliography Selected Discography Index Illustrations Frontispiece Colombia Figure 1.1 Clave pattern Figure 1.2 Habanera and anticipated bass patterns Figure 1.3 Basic rhythmic patterns in Cuban son and salsa Figure 1.4 Basic bomba rhythm Figure 1.5 Basic plena rhythm Figure 1.6 Cumbia and porro rhythmic patterns used for música tropical Figure 1.7 Typical melodic cells in música tropical Figure 1.8 Plaza Caicedo (c. 1925) Figure 2.1 Evelio Carabalí and Esmeralda (early 1970s) Figure 2.2 Comparison of pachanga and música tropical patterns Figure 2.3 Caleño salsa dancer (1996) Figure 2.4 Ballet de la Salsa (early 1970s) Figure 2.5 Ballet de la Salsa (early 1970s) Figure 2.6 Ballet de la Salsa (early 1970s) Figure 2.7 Ballet de la Salsa (early 1970s) Figure 3.1 Jaime Camargo’s templo de Babalú Figure 3.2 La Barola, with owner Miguel Angel Saldarriaga and wife Figure 3.3 Taberna Latina Figure 3.4 Gary Domínguez Figure 3.5 Pablo y su Música Figure 4.1 Música tropical figure from “Las Caleñas son como las flores” Figure 4.2 Grupo Niche Figure 4.3 Melodic quote from “Mi Buenaventura” in “Buenaventura y Caney” Figure 4.4 Incipit of “Mi Buenaventura” (original version) Figure 4.5 Crossed clave from introduction to “Cali pachanguero” Figure 4.6 Alexis Lozano Figure 4.7 Opening measures of “La pollera colora,” quoted in “Cocorobé” Скачать книгу В начало<123456>В конец