But I did hear that the elder receives ladies,” he remarked suddenly to the monk.
“Women of the people are here too now, lying in the portico there waiting. But for ladies of higher rank two rooms have been built adjoining the portico, but outside the precincts—you can see the windows—and the elder goes out to them by an inner passage when he is well enough. They are always outside the precincts. There is a Harkov lady, Madame Hohlakov, waiting there now with her sick daughter. Probably he has promised to come out to her, though of late he has been so weak that he has hardly shown himself even to the people.”
“So then there are loopholes, after all, to creep out of the hermitage to the ladies. Don't suppose, holy father, that I mean any harm. But do you know that at Athos not only the visits of women are not allowed, but no creature of the female sex—no hens, nor turkey-hens, nor cows.”
“Fyodor Pavlovitch, I warn you I shall go back and leave you here. They'll turn you out when I'm gone.”
“But I'm not interfering with you, Pyotr Alexandrovitch. Look,” he cried suddenly, stepping within the precincts, “what a vale of roses they live in!”
Though there were no roses now, there were numbers of rare and beautiful autumn flowers growing wherever there was space for them, and evidently tended by a skillful hand; there were flower-beds round the church, and between the tombs; and the one-storied wooden house where the elder lived was also surrounded with flowers.
“And was it like this in the time of the last elder, Varsonofy? He didn't care for such elegance. They say he used to jump up and thrash even ladies with a stick,” observed Fyodor Pavlovitch, as he went up the steps.
“The elder Varsonofy did sometimes seem rather strange, but a great deal that's told is foolishness. He never thrashed anyone,” answered the monk. “Now, gentlemen, if you will wait a minute I will announce you.”
“Fyodor Pavlovitch, for the last time, your compact, do you hear? Behave properly or I will pay you out!” Miüsov had time to mutter again.
“I can't think why you are so agitated,” Fyodor Pavlovitch observed sarcastically. “Are you uneasy about your sins? They say he can tell by one's eyes what one has come about. And what a lot you think of their opinion! you, a Parisian, and so advanced. I'm surprised at you.”
But Miüsov had no time to reply to this sarcasm. They were asked to come in. He walked in, somewhat irritated.
“Now, I know myself, I am annoyed, I shall lose my temper and begin to quarrel—and lower myself and my ideas,” he reflected.
Chapter II.
The Old Buffoon
They entered the room almost at the same moment that the elder came in from his bedroom. There were already in the cell, awaiting the elder, two monks of the hermitage, one the Father Librarian, and the other Father Païssy, a very learned man, so they said, in delicate health, though not old. There was also a tall young man, who looked about two and twenty, standing in the corner throughout the interview. He had a broad, fresh face, and clever, observant, narrow brown eyes, and was wearing ordinary dress. He was a divinity student, living under the protection of the monastery. His expression was one of unquestioning, but self-respecting, reverence. Being in a subordinate and dependent position, and so not on an equality with the guests, he did not greet them with a bow.
Father Zossima was accompanied by a novice, and by Alyosha. The two monks rose and greeted him with a very deep bow, touching the ground with their fingers; then kissed his hand. Blessing them, the elder replied with as deep a reverence to them, and asked their blessing. The whole ceremony was performed very seriously and with an appearance of feeling, not like an everyday rite. But Miüsov fancied that it was all done with intentional impressiveness. He stood in front of the other visitors. He ought—he had reflected upon it the evening before—from simple politeness, since it was the custom here, to have gone up to receive the elder's blessing, even if he did not kiss his hand. But when he saw all this bowing and kissing on the part of the monks he instantly changed his mind. With dignified gravity he made a rather deep, conventional bow, and moved away to a chair. Fyodor Pavlovitch did the same, mimicking Miüsov like an ape. Ivan bowed with great dignity and courtesy, but he too kept his hands at his sides, while Kalganov was so confused that he did not bow at all. The elder let fall the hand raised to bless them, and bowing to them again, asked them all to sit down. The blood rushed to Alyosha's cheeks. He was ashamed. His forebodings were coming true.
Father Zossima sat down on a very old-fashioned mahogany sofa, covered with leather, and made his visitors sit down in a row along the opposite wall on four mahogany chairs, covered with shabby black leather. The monks sat, one at the door and the other at the window. The divinity student, the novice, and Alyosha remained standing. The cell was not very large and had a faded look. It contained nothing but the most necessary furniture, of coarse and poor quality. There were two pots of flowers in the window, and a number of holy pictures in the corner. Before one huge ancient icon of the Virgin a lamp was burning. Near it were two other holy pictures in shining settings, and, next them, carved cherubims, china eggs, a Catholic cross of ivory, with a Mater Dolorosa embracing it, and several foreign engravings from the great Italian artists of past centuries. Next to these costly and artistic engravings were several of the roughest Russian prints of saints and martyrs, such as are sold for a few farthings at all the fairs. On the other walls were portraits of Russian bishops, past and present.
Miüsov took a cursory glance at all these “conventional” surroundings and bent an intent look upon the elder. He had a high opinion of his own insight, a weakness excusable in him as he was fifty, an age at which a clever man of the world of established position can hardly help taking himself rather seriously. At the first moment he did not like Zossima. There was, indeed, something in the elder's face which many people besides Miüsov might not have liked. He was a short, bent, little man, with very weak legs, and though he was only sixty-five, he looked at least ten years older. His face was very thin and covered with a network of fine wrinkles, particularly numerous about his eyes, which were small, light-colored, quick, and shining like two bright points. He had a sprinkling of gray hair about his temples. His pointed beard was small and scanty, and his lips, which smiled frequently, were as thin as two threads. His nose was not long, but sharp, like a bird's beak.
“To all appearances a malicious soul, full of petty pride,” thought Miüsov. He felt altogether dissatisfied with his position.
A cheap little clock on the wall struck twelve hurriedly, and served to begin the conversation.
“Precisely to our time,” cried Fyodor Pavlovitch, “but no sign of my son, Dmitri. I apologize for him, sacred elder!” (Alyosha shuddered all over at “sacred elder.”) “I am always punctual myself, minute for minute, remembering that punctuality is the courtesy of kings....”
“But you are not a king, anyway,” Miüsov muttered, losing his self-restraint at once.
“Yes; that's true. I'm not a king, and, would you believe it, Pyotr Alexandrovitch, I was aware of that myself. But, there! I always say the wrong thing. Your reverence,” he cried, with sudden pathos, “you behold before you a buffoon in earnest! I introduce myself as such. It's an old habit, alas! And if I sometimes talk nonsense out of place it's with an object, with the object of amusing people and making myself agreeable. One must be agreeable, mustn't one? I was seven years ago in a little town where I had business, and I made friends with some merchants there. We went to the captain of police because we had to see him about something, and to ask him to dine with us. He was a tall, fat, fair, sulky man, the most dangerous type in such cases. It's their liver. I went straight up to him, and with the ease of a man of the world, you know, ‘Mr. Ispravnik,’ said I, ‘be our Napravnik.’ ‘What do you mean by Napravnik?’ said he. I saw, at the first half-second, that it had missed fire. He stood there so glum. ‘I wanted to make a joke,’ said I, ‘for the general diversion, as Mr. Napravnik is our well-known Russian orchestra conductor and what we need for the harmony of our undertaking is someone of that sort.’ And I explained my comparison very reasonably, didn't I? ‘Excuse me,’ said he, ‘I am an Ispravnik, and I