Celia, that is too much to ask, that I should wear trinkets to keep you in countenance. If I were to put on such a necklace as that, I should feel as if I had been pirouetting. The world would go round with me, and I should not know how to walk."
Celia had unclasped the necklace and drawn it off. "It would be a little tight for your neck; something to lie down and hang would suit you better," she said, with some satisfaction. The complete unfitness of the necklace from all points of view for Dorothea, made Celia happier in taking it. She was opening some ring-boxes, which disclosed a fine emerald with diamonds, and just then the sun passing beyond a cloud sent a bright gleam over the table.
"How very beautiful these gems are!" said Dorothea, under a new current of feeling, as sudden as the gleam. "It is strange how deeply colors seem to penetrate one, like scent. I suppose that is the reason why gems are used as spiritual emblems in the Revelation of St. John. They look like fragments of heaven. I think that emerald is more beautiful than any of them."
"And there is a bracelet to match it," said Celia. "We did not notice this at first."
"They are lovely," said Dorothea, slipping the ring and bracelet on her finely turned finger and wrist, and holding them towards the window on a level with her eyes. All the while her thought was trying to justify her delight in the colors by merging them in her mystic religious joy.
"You would like those, Dorothea," said Celia, rather falteringly, beginning to think with wonder that her sister showed some weakness, and also that emeralds would suit her own complexion even better than purple amethysts. "You must keep that ring and bracelet—if nothing else. But see, these agates are very pretty and quiet."
"Yes! I will keep these—this ring and bracelet," said Dorothea. Then, letting her hand fall on the table, she said in another tone—"Yet what miserable men find such things, and work at them, and sell them!" She paused again, and Celia thought that her sister was going to renounce the ornaments, as in consistency she ought to do.
"Yes, dear, I will keep these," said Dorothea, decidedly. "But take all the rest away, and the casket."
She took up her pencil without removing the jewels, and still looking at them. She thought of often having them by her, to feed her eye at these little fountains of pure color.
"Shall you wear them in company?" said Celia, who was watching her with real curiosity as to what she would do.
Dorothea glanced quickly at her sister. Across all her imaginative adornment of those whom she loved, there darted now and then a keen discernment, which was not without a scorching quality. If Miss Brooke ever attained perfect meekness, it would not be for lack of inward fire.
"Perhaps," she said, rather haughtily. "I cannot tell to what level I may sink."
Celia blushed, and was unhappy: she saw that she had offended her sister, and dared not say even anything pretty about the gift of the ornaments which she put back into the box and carried away. Dorothea too was unhappy, as she went on with her plan-drawing, questioning the purity of her own feeling and speech in the scene which had ended with that little explosion.
Celia's consciousness told her that she had not been at all in the wrong: it was quite natural and justifiable that she should have asked that question, and she repeated to herself that Dorothea was inconsistent: either she should have taken her full share of the jewels, or, after what she had said, she should have renounced them altogether.
"I am sure—at least, I trust," thought Celia, "that the wearing of a necklace will not interfere with my prayers. And I do not see that I should be bound by Dorothea's opinions now we are going into society, though of course she herself ought to be bound by them. But Dorothea is not always consistent."
Thus Celia, mutely bending over her tapestry, until she heard her sister calling her.
"Here, Kitty, come and look at my plan; I shall think I am a great architect, if I have not got incompatible stairs and fireplaces."
As Celia bent over the paper, Dorothea put her cheek against her sister's arm caressingly. Celia understood the action. Dorothea saw that she had been in the wrong, and Celia pardoned her. Since they could remember, there had been a mixture of criticism and awe in the attitude of Celia's mind towards her elder sister. The younger had always worn a yoke; but is there any yoked creature without its private opinions?
CHAPTER II.
"'Dime; no ves aquel caballero que hacia nosotros viene sobre un caballo rucio rodado que trae puesto en la cabeza un yelmo de oro?' 'Lo que veo y columbro,' respondio Sancho, 'no es sino un hombre sobre un as no pardo como el mio, que trae sobre la cabeza una cosa que relumbra.' 'Pues ese es el yelmo de Mambrino,' dijo Don Quijote."—CERVANTES.
"'Seest thou not yon cavalier who cometh toward us on a dapple-gray steed, and weareth a golden helmet?' 'What I see,' answered Sancho, 'is nothing but a man on a gray ass like my own, who carries something shiny on his head.' 'Just so,' answered Don Quixote: 'and that resplendent object is the helmet of Mambrino.'"
"Sir Humphry Davy?" said Mr. Brooke, over the soup, in his easy smiling way, taking up Sir James Chettam's remark that he was studying Davy's Agricultural Chemistry. "Well, now, Sir Humphry Davy; I dined with him years ago at Cartwright's, and Wordsworth was there too—the poet Wordsworth, you know. Now there was something singular. I was at Cambridge when Wordsworth was there, and I never met him—and I dined with him twenty years afterwards at Cartwright's. There's an oddity in things, now. But Davy was there: he was a poet too. Or, as I may say, Wordsworth was poet one, and Davy was poet two. That was true in every sense, you know."
Dorothea felt a little more uneasy than usual. In the beginning of dinner, the party being small and the room still, these motes from the mass of a magistrate's mind fell too noticeably. She wondered how a man like Mr. Casaubon would support such triviality. His manners, she thought, were very dignified; the set of his iron-gray hair and his deep eye-sockets made him resemble the portrait of Locke. He had the spare form and the pale complexion which became a student; as different as possible from the blooming Englishman of the red-whiskered type represented by Sir James Chettam.
"I am reading the Agricultural Chemistry," said this excellent baronet, "because I am going to take one of the farms into my own hands, and see if something cannot be done in setting a good pattern of farming among my tenants. Do you approve of that, Miss Brooke?"
"A great mistake, Chettam," interposed Mr. Brooke, "going into electrifying your land and that kind of thing, and making a parlor of your cow-house. It won't do. I went into science a great deal myself at one time; but I saw it would not do. It leads to everything; you can let nothing alone. No, no—see that your tenants don't sell their straw, and that kind of thing; and give them draining-tiles, you know. But your fancy farming will not do—the most expensive sort of whistle you can buy: you may as well keep a pack of hounds."
"Surely," said Dorothea, "it is better to spend money in finding out how men can make the most of the land which supports them all, than in keeping dogs and horses only to gallop over it. It is not a sin to make yourself poor in performing experiments for the good of all."
She spoke with more energy than is expected of so young a lady, but Sir James had appealed to her. He was accustomed to do so, and she had often thought that she could urge him to many good actions when he was her brother-in-law.
Mr. Casaubon turned his eyes very markedly on Dorothea while she was speaking, and seemed to observe her newly.
"Young ladies don't understand political economy, you know," said Mr. Brooke, smiling towards Mr. Casaubon. "I remember when we were all reading Adam Smith. There is a book, now. I took in all the new ideas at one time—human perfectibility, now. But some say, history moves in circles; and that may be very well argued; I have argued it myself. The fact is, human reason may carry you a little too far—over the hedge, in fact. It carried me a good way at one time; but I saw it would not do. I pulled up; I pulled up in time. But not too hard. I have always been in favor of a little theory: we must have Thought; else we shall be landed back in the dark ages. But talking of books, there is Southey's 'Peninsular