is the one place where time stands still," he said, looking around him with delighted eyes. "There is nothing changed about this house or garden since I was here twenty-five years ago. It makes me feel young again."
"You know time always does stand still in an enchanted palace," said Anne seriously. "It is only when the prince comes that things begin to happen."
Mr. Irving smiled a little sadly into her uplifted face, all astar with its youth and promise.
"Sometimes the prince comes too late," he said. He did not ask Anne to translate her remark into prose. Like all kindred spirits he "understood."
"Oh, no, not if he is the real prince coming to the true princess," said Anne, shaking her red head decidedly, as she opened the parlor door. When he had gone in she shut it tightly behind him and turned to confront Charlotta the Fourth, who was in the hall, all "nods and becks and wreathed smiles."
"Oh, Miss Shirley, ma'am," she breathed, "I peeked from the kitchen window … and he's awful handsome … and just the right age for Miss Lavendar. And oh, Miss Shirley, ma'am, do you think it would be much harm to listen at the door?"
"It would be dreadful, Charlotta," said Anne firmly, "so just you come away with me out of the reach of temptation."
"I can't do anything, and it's awful to hang round just waiting," sighed Charlotta. "What if he don't propose after all, Miss Shirley, ma'am? You can never be sure of them men. My older sister, Charlotta the First, thought she was engaged to one once. But it turned out HE had a different opinion and she says she'll never trust one of them again. And I heard of another case where a man thought he wanted one girl awful bad when it was really her sister he wanted all the time. When a man don't know his own mind, Miss Shirley, ma'am, how's a poor woman going to be sure of it?"
"We'll go to the kitchen and clean the silver spoons," said Anne. "That's a task which won't require much thinking fortunately … for I COULDN'T think tonight. And it will pass the time."
It passed an hour. Then, just as Anne laid down the last shining spoon, they heard the front door shut. Both sought comfort fearfully in each other's eyes.
"Oh, Miss Shirley, ma'am," gasped Charlotta, "if he's going away this early there's nothing into it and never will be." They flew to the window. Mr. Irving had no intention of going away. He and Miss Lavendar were strolling slowly down the middle path to the stone bench.
"Oh, Miss Shirley, ma'am, he's got his arm around her waist," whispered Charlotta the Fourth delightedly. "He must have proposed to her or she'd never allow it."
Anne caught Charlotta the Fourth by her own plump waist and danced her around the kitchen until they were both out of breath.
"Oh, Charlotta," she cried gaily, "I'm neither a prophetess nor the daughter of a prophetess but I'm going to make a prediction. There'll be a wedding in this old stone house before the maple leaves are red. Do you want that translated into prose, Charlotta?"
"No, I can understand that," said Charlotta. "A wedding ain't poetry. Why, Miss Shirley, ma'am, you're crying! What for?"
"Oh, because it's all so beautiful … and story bookish … and romantic … and sad," said Anne, winking the tears out of her eyes. "It's all perfectly lovely … but there's a little sadness mixed up in it too, somehow."
"Oh, of course there's a resk in marrying anybody," conceded Charlotta the Fourth, "but, when all's said and done, Miss Shirley, ma'am, there's many a worse thing than a husband."
Chapter 29 - Poetry and Prose
For the next month Anne lived in what, for Avonlea, might be called a whirl of excitement. The preparation of her own modest outfit for Redmond was of secondary importance. Miss Lavendar was getting ready to be married and the stone house was the scene of endless consultations and plannings and discussions, with Charlotta the Fourth hovering on the outskirts of things in agitated delight and wonder. Then the dressmaker came, and there was the rapture and wretchedness of choosing fashions and being fitted. Anne and Diana spent half their time at Echo Lodge and there were nights when Anne could not sleep for wondering whether she had done right in advising Miss Lavendar to select brown rather than navy blue for her traveling dress, and to have her gray silk made princess.
Everybody concerned in Miss Lavendar's story was very happy. Paul Irving rushed to Green Gables to talk the news over with Anne as soon as his father had told him.
"I knew I could trust father to pick me out a nice little second mother," he said proudly. "It's a fine thing to have a father you can depend on, teacher. I just love Miss Lavendar. Grandma is pleased, too. She says she's real glad father didn't pick out an American for his second wife, because, although it turned out all right the first time, such a thing wouldn't be likely to happen twice. Mrs. Lynde says she thoroughly approves of the match and thinks its likely Miss Lavendar will give up her queer notions and be like other people, now that she's going to be married. But I hope she won't give her queer notions up, teacher, because I like them. And I don't want her to be like other people. There are too many other people around as it is. YOU know, teacher."
Charlotta the Fourth was another radiant person.
"Oh, Miss Shirley, ma'am, it has all turned out so beautiful. When Mr. Irving and Miss Lavendar come back from their tower I'm to go up to Boston and live with them … and me only fifteen, and the other girls never went till they were sixteen. Ain't Mr. Irving splendid? He just worships the ground she treads on and it makes me feel so queer sometimes to see the look in his eyes when he's watching her. It beggars description, Miss Shirley, ma'am. I'm awful thankful they're so fond of each other. It's the best way, when all's said and done, though some folks can get along without it. I've got an aunt who has been married three times and says she married the first time for love and the last two times for strictly business, and was happy with all three except at the times of the funerals. But I think she took a resk, Miss Shirley, ma'am."
"Oh, it's all so romantic," breathed Anne to Marilla that night. "If I hadn't taken the wrong path that day we went to Mr. Kimball's I'd never have known Miss Lavendar; and if I hadn't met her I'd never have taken Paul there … and he'd never have written to his father about visiting Miss Lavendar just as Mr. Irving was starting for San Francisco. Mr. Irving says whenever he got that letter he made up his mind to send his partner to San Francisco and come here instead. He hadn't heard anything of Miss Lavendar for fifteen years. Somebody had told him then that she was to be married and he thought she was and never asked anybody anything about her. And now everything has come right. And I had a hand in bringing it about. Perhaps, as Mrs. Lynde says, everything is foreordained and it was bound to happen anyway. But even so, it's nice to think one was an instrument used by predestination. Yes indeed, it's very romantic."
"I can't see that it's so terribly romantic at all," said Marilla rather crisply. Marilla thought Anne was too worked up about it and had plenty to do with getting ready for college without "traipsing" to Echo Lodge two days out of three helping Miss Lavendar. "In the first place two young fools quarrel and turn sulky; then Steve Irving goes to the States and after a spell gets married up there and is perfectly happy from all accounts. Then his wife dies and after a decent interval he thinks he'll come home and see if his first fancy'll have him. Meanwhile, she's been living single, probably because nobody nice enough came along to want her, and they meet and agree to be married after all. Now, where is the romance in all that?"
"Oh, there isn't any, when you put it that way," gasped Anne, rather as if somebody had thrown cold water over her. "I suppose that's how it looks in prose. But it's very different if you look at it through poetry … and I think it's nicer … " Anne recovered herself and her eyes shone and her cheeks flushed … "to look at it through poetry."
Marilla glanced at the radiant young face and refrained from further sarcastic comments. Perhaps some realization came to her that after all it was better to have, like Anne, "the vision and the faculty divine" … that gift which the world cannot bestow or take away, of looking at life through some transfiguring … or revealing? … medium, whereby everything seemed apparelled in celestial light, wearing a glory and a freshness not visible to