Juliana Spahr

This Connection of Everyone with Lungs


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      thisconnectionofeveryonewithlungs

      NEW CALIFORNIA POETRY

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      For, by Carol Snow

      Enola Gay, by Mark Levine

      Selected Poems, by Fanny Howe

      Sleeping with the Dictionary, by Harryette Mullen

      Commons, by Myung Mi Kim

      The Guns and Flags Project, by Geoffrey G. O’Brien

      Gone, by Fanny Howe

      Why/Why Not, by Martha Ronk

      A Carnage in the Lovetrees, by Richard Greenfield

      The Seventy Prepositions, by Carol Snow

      Not Even Then, by Brian Blanchfield

      Facts for Visitors, by Srikanth Reddy

      Weather Eye Open, by Sarah Gridley

      Subject, by Laura Mullen

      This Connection of Everyone with Lungs, by Juliana Spahr

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      University of California Press

      Berkeley and Los Angeles, California

      University of California Press, Ltd.

      London, England

      © 2005 by the Regents of the University of California

      Library of Congress Cataloging-in-Publication Data

      Spahr, Juliana.

      This connection of everyone with lungs : poems / Juliana Spahr.

      p. cm. — (New California poetry ; 15)

      ISBN 0-520-24290-4 (cloth : alk. paper) — ISBN 0-520-24295-5

      (pbk. : alk. paper)

      1. September 11 Terrorist Attacks, 2001—Poetry. 2. Victims of terrorism—Poetry. 3. Protest poetry, American. 4. Terrorism—Poetry. I. Title. II. Series.

      ps3569.p3356T46 2005

      811'.54—dc22

      2004008292

      Manufactured in Canada

      13 12 11 10 09 08 07 06 05

      10 9 8 7 6 5 4 3 2 1

      The paper used in this publication meets the minimum requirements of ANSI/NISO Z39.48-1992 (R 1997) (Permanence of Paper).

      Thank yous to Bill Luoma and Charles Weigl for all sorts of help with these poems. Thanks also to Ida Yoshinaga for her associative critiques.

      CONTENTS

       Acknowledgments

       Poem Written after September 11, 2001

       Poem Written from November 30, 2002, to March 27, 2003

      ACKNOWLEDGMENTS

      Versions of these poems have previously appeared or will appear in various magazines.

      “Poem Written after September 11” appeared with the title “Poem” in Lit 6 (2002).

      “December 2, 2002” and “December 3, 2002” appeared in The Baffler 16 (2003).

      “December 1, 2002,” “December 4, 2002,” “January 13, 2003,” “January 20, 2003,” “January 28, 2003,” “February 15, 2003,” “March 5, 2003,” “March 11, 2003,” and “March 16, 2003” appeared in syllogism 6 (2004).

      “March 17, 2003” appeared in the Village Voice (May 21–27, 2003).

      “March 27 and 30, 2003” appeared in War and Peace (Oakland: O Books, 2004).

      “November 30, 2002” and “December 8, 2002” appeared in Bomb Magazine (summer 2004).

      poemwrittenafterseptember11/2001

      There are these things:

      cells, the movement of cells and the division of cells

      and then the general beating of circulation

      and hands, and body, and feet

      and skin that surrounds hands, body, feet.

      This is a shape,

      a shape of blood beating and cells dividing.

      But outside of this shape is space.

      There is space between the hands.

      There is space between the hands and space around the hands.

      There is space around the hands and space in the room.

      There is space in the room that surrounds the shapes of everyone’s hands and body and feet and cells and the beating contained within.

      There is space, an uneven space, made by this pattern of bodies.

      This space goes in and out of everyone’s bodies.

      Everyone with lungs breathes the space in and out as everyone with lungs breathes the space between the hands in and out

      as everyone with lungs breathes the space between the hands and the space around the hands in and out

      as everyone with lungs breathes the space between the hands and the space around the hands and the space of the room in and out

      as everyone with lungs breathes the space between the hands and the space around the hands and the space of the room and the space of the building that surrounds the room in and out

      as everyone with lungs breathes the space between the hands and the space around the hands and the space of the room and the space of the building that surrounds the room and the space of the neighborhoods nearby in and out

      as everyone with lungs breathes the space between the hands and the space around the hands and the space of the room and the space of the building that surrounds the room and the space of the neighborhoods nearby and the space of the cities in and out

      as everyone with lungs breathes the space between the hands and the space around the hands and the space of the room and the space of the building that surrounds the room and the space of the neighborhoods nearby and the space of the cities and the space of the regions in and out

      as everyone with lungs breathes the space between the hands and the space around the hands and the space of the room and the space of the building that surrounds the room and the space of the neighborhoods nearby and the space of the cities and the space of the regions and the space of the nations in and out

      as everyone with lungs breathes the space between the hands and the space around the hands and the space of the room and the space of the building that surrounds the room and the space of the neighborhoods nearby and the space of the cities and the space of the regions and the space of the nations and the space of the continents and islands in and out

      as everyone with lungs breathes the space between the hands and the space around the hands and the space of the room and the space of the building that surrounds the room and the space of the neighborhoods nearby and the space of the cities and the space of the regions and the space of the nations and the space of the continents and islands and the space of the oceans in and out

      as everyone with lungs breathes the space between