object of our faith; and the honour done in believing is done to him only. And consequently, when we believe that the Scriptures are the word of God, having no immediate revelation from God Himself, our belief, faith, and trust is in the Church; whose word we take, and acquiesce therein. And they that believe that which a prophet relates unto them in the name of God take the word of the prophet, do honour to him, and in him trust and believe, touching the truth of what he relateth, whether he be a true or a false prophet. And so it is also with all other history. For if I should not believe all that is written by historians of the glorious acts of Alexander or Caesar, I do not think the ghost of Alexander or Caesar had any just cause to be offended, or anybody else but the historian. If Livy say the gods made once a cow speak, and we believe it not, we distrust not God therein, but Livy. So that it is evident that whatsoever we believe, upon no other reason than what is drawn from authority of men only, and their writings, whether they be sent from God or not, is faith in men only.
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CHAPTER VIII OF THE VIRTUES COMMONLY CALLED INTELLECTUAL; AND THEIR CONTRARY DEFECTS
VIRTUE GENERALLY, IN ALL SORTS OF SUBJECTS, IS SOMEWHAT THAT IS VALUED for eminence; and consisteth in comparison. For if all things were equally in all men, nothing would be prized. And by virtues intellectual are always understood such abilities of the mind as men praise, value, and desire should be in themselves; and go commonly under the name of a good wit; though the same word, wit, be used also to distinguish one certain ability from the rest.
These virtues are of two sorts; natural and acquired. By natural, I mean not that which a man hath from his birth: for that is nothing else but sense; wherein men differ so little one from another, and from brute beasts, as it is not to be reckoned amongst virtues. But I mean that wit which is gotten by use only, and experience, without method, culture, or instruction. This natural wit consisteth principally in two things: celerity of imagining (that is, swift succession of one thought to another); and steady direction to some approved end. On the contrary, a slow imagination maketh that defect or fault of the mind which is commonly called dullness, stupidity, and sometimes by other names that signify slowness of motion, or difficulty to be moved.
And this difference of quickness is caused by the difference of men's passions; that love and dislike, some one thing, some another: and therefore some men's thoughts run one way, some another, and are held to, observe differently the things that pass through their imagination. And whereas in this succession of men's thoughts there is nothing to observe in the things they think on, but either in what they be like one another, or in what they be unlike, or what they serve for, or how they serve to such a purpose; those that observe their similitudes, in case they be such as are but rarely observed by others, are said to have a good wit; by which, in this occasion, is meant a good fancy. But they that observe their differences, and dissimilitudes, which is called distinguishing, and discerning, and judging between thing and thing, in case such discerning be not easy, are said to have a good judgement: and particularly in matter of conversation and business, wherein times, places, and persons are to be discerned, this virtue is called discretion. The former, that is, fancy, without the help of judgement, is not commended as a virtue; but the latter which is judgement, and discretion, is commended for itself, without the help of fancy. Besides the discretion of times, places, and persons, necessary to a good fancy, there is required also an often application of his thoughts to their end; that is to say, to some use to be made of them. This done, he that hath this virtue will be easily fitted with similitudes that will please, not only by illustration of his discourse, and adorning it with new and apt metaphors, but also, by the rarity of their invention. But without steadiness, and direction to some end, great fancy is one kind of madness; such as they have that, entering into any discourse, are snatched from their purpose by everything that comes in their thought, into so many and so long digressions and parentheses, that they utterly lose themselves: which kind of folly I know no particular name for: but the cause of it is sometimes want of experience; whereby that seemeth to a man new and rare which doth not so to others: sometimes pusillanimity; by which that seems great to him which other men think a trifle: and whatsoever is new, or great, and therefore thought fit to be told, withdraws a man by degrees from the intended way of his discourse.
In a good poem, whether it be epic or dramatic, as also in sonnets, epigrams, and other pieces, both judgement and fancy are required: but the fancy must be more eminent; because they please for the extravagancy, but ought not to displease by indiscretion.
In a good history, the judgement must be eminent; because the goodness consisteth in the choice of the method, in the truth, and in the choice of the actions that are most profitable to be known. Fancy has no place, but only in adorning the style.
In orations of praise, and in invectives, the fancy is predominant; because the design is not truth, but to honour or dishonour; which is done by noble or by vile comparisons. The judgement does but suggest what circumstances make an action laudable or culpable.
In hortatives and pleadings, as truth or disguise serveth best to the design in hand, so is the judgement or the fancy most required.
In demonstration, in council, and all rigorous search of truth, sometimes does all; except sometimes the understanding have need to be opened by some apt similitude, and then there is so much use of fancy. But for metaphors, they are in this case utterly excluded. For seeing they openly profess deceit, to admit them into council, or reasoning, were manifest folly.
And in any discourse whatsoever, if the defect of discretion be apparent, how extravagant soever the fancy be, the whole discourse will be taken for a sign of want of wit; and so will it never when the discretion is manifest, though the fancy be never so ordinary.
The secret thoughts of a man run over all things holy, prophane, clean, obscene, grave, and light, without shame, or blame; which verbal discourse cannot do, farther than the judgement shall approve of the time, place, and persons. An anatomist or physician may speak or write his judgement of unclean things; because it is not to please, but profit: but for another man to write his extravagant and pleasant fancies of the same is as if a man, from being tumbled into the dirt, should come and present himself before good company. And it is the want of discretion that makes the difference. Again, in professed remissness of mind, and familiar company, a man may play with the sounds and equivocal significations of words, and that many times with encounters of extraordinary fancy; but in a sermon, or in public, or before persons unknown, or whom we ought to reverence, there is no jingling of words that will not be accounted folly: and the difference is only in the want of discretion. So that where wit is wanting, it is not fancy that is wanting, but discretion. Judgement, therefore, without fancy is wit, but fancy without judgement, not.
When the thoughts of a man that has a design in hand, running over a multitude of things, observes how they conduce to that design, or what design they may conduce unto; if his observations be such as are not easy, or usual, this wit of his is called prudence, and dependeth on much experience, and memory of the like things and their consequences heretofore. In which there is not so much difference of men as there is in their fancies and judgements; because the experience of men equal in age is not much unequal as to the quantity, but lies in different occasions, every one having his private designs. To govern well a family and a kingdom are not different degrees of prudence, but different sorts of business; no more than to draw a picture in little, or as great or greater than the life, are different degrees of art. A plain husbandman is more prudent in affairs of his own house than a Privy Counsellor in the affairs of another man.
To prudence, if you add the use of unjust or dishonest means, such as usually are prompted to men by fear or want, you have that crooked wisdom which is called craft; which is a sign of pusillanimity. For magnanimity is contempt of unjust or dishonest helps. And that which the Latins call versutia (translated into English, shifting), and is a putting off of a present danger or incommodity by engaging into a greater, as when a man robs one to pay another, is but a shorter-sighted craft; called versutia, from versura, which signifies taking money at usury for the present payment of interest.
As for acquired wit (I mean acquired by method and instruction), there is none but reason; which is grounded on the right use of speech,