Eva Lubinger

Don't Fall In Love With Marcus Aurelius


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songbirds from North and Central Europe are exterminated repeatedly and across a wide area every spring and autumn, and their small frail bodies - their songs forever silenced - are offered up on the menus of restaurants, to satisfy the thirst for profits of traders and the jaded palates of upmarket diners.

      A well turned out, elderly gentleman had stopped next to the English women, and indicated towards the wolves: “Signore, this here is the Roman she-wolf, mother of Romulus and Remus....that was how the history della citta di Roma began.” He bowed slightly and went. But this reference to Rome’s foundation myth offered little comfort to Emily and Agatha.

      They climbed the last few steps in silence, passed between the muscular stone calves of the twins Castor and Pollux and entered the splendid self-contained Piazza, whose floor was covered in a great star of wine-red marble. The perfect beauty and harmony of the Capitoline calmed their souls and in raptures they tripped around the equestrian statue of the philosopher emperor Marcus Aurelius with its patina of shimmering green.

      Emily planted herself in front of the horse’s nose, tipped her head back and narrowed her myopic eyes. “I can’t quite recognize his face,” she murmured. “That’s a crying shame as we are talking here about the only extant equestrian portrait remaining in Roman sculpture. Perhaps I could climb up on to the pedestal...and then get on the Emperor’s foot.”

      Agatha wasn’t listening. She had sunk deep into one of her reveries. The golden light of that Roman morning seeped into her half-closed eyes, favourably tempered by the rays of the marble star at her feet.

      A moaning sound summoned her back to reality. She opened her eyes wide in shock and saw Emily, as clumsy as a fat beetle, stuck on Marcus Aurelius’s foot. Her broad face was extremely red and her thick glasses wobbled on her nose:

      “Agatha, I can’t get down.” Groaning, she lowered her foot into the void and then, discouraged, pulled it straight back again.

      “Oh God, Emily, why did you climb up there in the first place?”

      “I wanted to see the Emperor’s face, his actual portrait,” Emily replied meekly.

      Enzo Marrone was passing the morning leaning against one of the warm sunlit columns on the edge of the piazza. He had his hands in his trouser pockets, his head leaning back nonchalantly, and his eyes half closed, chewing slowly on a piece of gum and otherwise doing nothing. It was the sort of morning he liked. He had watched idly chewing while this impossible foreigner had scrambled up the monument - Madonna Mia, what a crazy idea! Only tourists could resort to such stupidity and squander energy so pointlessly. He watched with a cold gaze, while Agatha made fruitless attempts to help her stuck friend abseil off the monument. Agatha reached out her hand and frantically grabbed a tuft of bronze horse-hair. At that same moment, the large diamond on her ring flashed in the sunlight, and Enzo stopped chewing. His eyes opened wide, he threw off the morning’s inertia and began thinking. Two wealthy foreign ladies apparently, and English too - that was as much as he needed to hear. One of them had placed her handbag on the statue’s plinth. Enzo sauntered closer. Taking the bag would be easy. But there was the ring flashing again....

      An idea, a plan started to stir in Enzo’s mind: Why just slaughter the calf when with a little ingenuity he could have the cow as well?

      He took his hands out his pockets, spat out the gum so that it flew in a wide arc down on to the star-adorned square where it stuck to the marble somewhere, and strode zealously across to the Marcus Aurelius memorial: “Permesso!”

      He vaulted skillfully on to the plinth, took Emily by the arm, supported her so that she could let go of the Emperor’s foot, jumped down, gave her some support again and with an “Ecco” let her slide unharmed back down on to solid ground, which she had left behind just now so rashly and with such a youthful zeal for art history. “Oh Emily,” Agatha said, “you could have broken an arm or a leg. I was so worried about you. And you know, my rheumatism: I couldn’t have helped you because I have no strength in my arms.”

      Emily was still gasping. “Is there anywhere round here where you can get a cup of tea, ” she asked dryly, and managed successfully to maintain her English stiff upper lip. She soon hurried off to the little bar on the edge of the Piazza. Agatha followed her but completely forgot in her usual absent-minded manner the handbag which sat unnoticed at the feet of Marcus Aurelius. Enzo saw the abandoned calf, considered the cow which he still wanted to milk, so picked up the bag and took it back to the ladies.

      “Oh thank you, thank you. Emily, this nice young man has brought my bag back. And to think that people told us Rome was full of thieves!” With a gracious smile Emily took her bag back from Enzo‘s hand.

      “I also want to thank you, very much,” Emily now said in her deep voice. She extended her hand to Enzo, and looked at him in a firm and admiring way, as she would have done in the past with a well-behaved and satisfactory student:

      “Will you have a cup of tea with us? Without your help I might have broken my neck and it would have served me right.” Enzo inclined his head courteously and accepted the invitation.

      In that corner, behind the Capitol, where the side steps led up to the Aracoeli Church, stood the vision of a tensed-up little Roman hoodlum called Luigi. On the end of a rope he held a mongrel of undefined origin, which must have been brought into this world by two random strays. It was a mix of rough-, short- and long-haired; of spaniels, poodles and curly-tailed pugs, and those elements of all the different breeds were combined in a most unattractive fashion. It whined softly to itself while pulling hard on its rope.

      Luigi tried desperately to restrain it. No way could he let the dog run over to Enzo and spoil the enterprise. For sure, Luigi had no idea why Enzo hadn’t taken the handbag, that beautiful bag that seemed so full of promise: why he hadn’t seeped with it into the very cracks of the square, flitted round the corner with it, or let it be absorbed into the air...in short, why he hadn’t brought the whole undertaking to a reasonable and profitable conclusion. Enzo, however, would have had his reasons.

      Enzo was smart, much smarter than Luigi, who had quickly cottoned on to this and who had accepted Enzo’s supremacy humbly and without condition. Things went well for Luigi when he was with Enzo. He was having a better life since he had joined forces with him and since Enzo had started to help him to even out their social differences just a little. He had helped him to a life where he could eat without having to work on a regular basis.

      They both possessed an aversion to work. Enzo, son of an English mother and an Italian father, an unintended and unwanted consequence of a holiday flirtation between a British tourist with a predisposition to cheap Italian romance, and a fairly successful Italian beach Romeo...Enzo thus ended up a dark-haired handsome lad with blue eyes and a classical profile. He possessed the demonstrative charm of the Italians, the easy going and almost feline movements of the native Roman and was lean and tall because of his English mother, whose language he had mastered fairly well since early childhood.

      You may well have called him handsome, if his eyes hadn’t been so peculiarly slanted. This was apparently inherited from his father, whose ancestors had come from one of those noisy, grimy little towns on the Bay of Naples, from that melting pot of oriental peoples, which had produced such rich results across the millennia.

      With those sloping, narrow eyes, which lent his face a somewhat sly and fox-like quality, he couldn’t hope to make a great career in his father’s line of work, and so he made do for the time being with pickpocketing and shoplifting, without ever even entertaining the thought of conventional work. He’d see how it went later....After all, Enzo was good-looking enough that he’d be able to find a wife, who would happily work for him, he was certain of that. And with a bit of luck she’d also not have to do too much either and they would live as one and pretty well on her daddy’s money.

      Meanwhile poor old Luigi - still behind the railings of the church steps - gave the whimpering dog a frustrated kick, so that it cowered down and stayed quiet, and he looked intensely and anxiously towards the group sitting round the small table outside the bar.

      Enzo sat between the two English ladies and drank his tea with composure