Joanne Faulkner

Dead Letters to Nietzsche, or the Necromantic Art of Reading Philosophy


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When frustrated, enjoyment that would have been thrust outwardly, and so immediately dissipated, is stored up to create an interior reservoir of pleasure. Accordingly, abstinence also becomes a manner of (ascetic) pleasure, in the realm of sexuality as well as violence: “there is no necessary antithesis between chastity and sensuality; every good marriage, every genuine love affair, transcends this antithesis” (98). Both cruelty and sensuality are allowed to ripen and gather force by means of abstinence. When placed in these terms, it is difficult to imagine a being with the requisite power for greatness in a period historically or ontologically “prior” to the slave moral revolt. The conditions for the body “becoming what it is” are prepared by slave morality; that is, by the body’s subjection—and active participation in such subjection—to language.

      [F]or Nietzsche, the writing of such figurations, and figuration in general, are part and parcel of the “ideal and imaginative phenomena” which are the consequences of bad conscience. Hence, we do not come to know something about bad conscience when we consider the strange figure of reflexivity that Nietzsche offers us. We are, as it were, caught up in the luring effects of bad conscience at the very textual moment when we seek to know what, precisely, this bad conscience is. (69)

      According to Butler, Nietzsche’s insight is that the subject (bad conscience) only becomes a question for us once we are already caught within its circular movement. I would add that once the subject is produced by this self-reflexive moment, it takes on a life of its own, albeit situated within language. The question of bad conscience orients us to and keeps us engaged with language as such, but it does so through the invention of an affective dimension as full and diverse as the bodily multiplicity that Nietzsche’s philosophy both describes and initiates. If Nietzsche deploys the question of subjectivity in Genealogy, it is little wonder that this text affects its reader. Because there is no subject apart from the performance of subjectivity in relation to some discourse or other, the subject must continually recapitulate itself by means of subjection. The text activates the reader’s desire, which only emerges in relation to language, by posing itself as the perennial question of the reader’s own origin as subject.

      This desire for itself that inaugurates psychic interiority is not without its corporeal contours. Nietzsche’s masterstroke in Genealogy is to demonstrate how consciousness emerges in its opposition to the body, yet remains a mode of bodily enjoyment, albeit differently articulated. With the advent of bad conscience, the drives that once ordered the life of the master-type go to ground, resorting instead to covert means of satisfaction: “as a rule they had to seek new and, as it were, subterranean gratifications” (Genealogy, 84). And Nietzsche’s explanation of this process resonates with Freud’s account of the vicissitudes of the drives:

      All instincts that do not discharge themselves outwardly turn inward—this is what I call the internalization [Verinnerlichung] of man: thus it was that man first developed what was later called his “soul.” The entire inner world, originally as thin as if it were stretched between two membranes, expanded and extended itself, acquired depth, breadth, and height, in the same measure as outward discharge was inhibited. (84)

      This chapter is intended to demonstrate the manner in which Nietzsche’s writing promotes a critical philosophy and, concomitantly, a program of recruitment of readers to see through to completion the promises Nietzsche makes of this philosophy. Especially where his most obvious meaning contradicts the subtler currents of the text, Nietzsche engages in a program of subterfuge against some readers, and conspiracy with others, to the purpose of achieving through these readers—and by means of their interpellated positions within his texts—different, but nonetheless complimentary, tasks. This argument will be pursued further in chapter 3, wherein I consider some esoteric readings of Nietzsche. In the main, by playing various threads of Nietzsche’s texts against one another, the present chapter has demonstrated