Joanne Faulkner

Dead Letters to Nietzsche, or the Necromantic Art of Reading Philosophy


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Quickened and the Dead

      Are our most violent poltergeists

      Books?

      gnashing their shelves

      smashing things in the dark

      they leave a greenish tombish

      smell on our reading fingers

      they make us musty

      and bereft.

      Undoubtedly, each of these interpretations has a foundation in Nietzsche’s text, and so can be elaborated with reference to it. The question remains, How does Nietzsche appeal to so many, with such diverse—in some cases even opposed—interests? And (how) are his readers able to keep their own concerns separate from, and unpolluted by, the threads within Nietzsche’s writing that promote a view they would oppose? especially that “dark art” of Nietzschean scholarship, which—however easily it is now denounced—once used his thought to support National Socialism. Since his death over a century ago, Nietzsche has drawn a following that would be the envy of any philosopher, and renown that crosses disciplinary boundaries, extending even beyond the academy. Many of Nietzsche’s readers feel themselves sharing an intimacy with him through his writing; that his words appeal to them personally, even exclusively. What is it about Nietzsche’s philosophy that generates these effects upon his readers, and allows him to gain a purchase upon them? And how is his text able to attract such a diversity of interlocutors? Nietzsche’s philosophy must be read in the context of the profound effect it exerts upon his most committed readers: those who see themselves to fulfill a role that his text indicates, charged with responsibility for nurturing his philosophical and cultural project to its fruition.