I explained that under the skin was a small silicone balloon, and every day the doctors were injecting a little more salt water into it. As the balloon inflated my skin stretched with it, just as when a person puts on weight. Eventually, the balloon would be drained and I’d be left with a flap of extra skin, which would then be transplanted from my shoulder to a recipient site on my neck.
“How fascinating. I wish I could’ve done something like that for you the first time.”
“What?”
“Never mind.” She touched the bump again, and smiled. “Do you know, that growth makes me think of the boils that come with the Black Plague.”
“What?”
“I have this friend. …” Her words trailed off, and she lost her thoughts in the air. For a few minutes she sat, staring into space, but rather than being still, her hands fluttered more than they did when she was flipping unlit cigarettes or touching her necklace. They looked as if they wanted to open up and release a story that she was withholding from me.
Eventually, she nodded in the direction of my bedside table. On it was the stack of psychology books that she always had made a pointed effort of not asking about. “You’re studying up on me,” she said. “Should I rent one of your porn films to understand you better?”
This—though I thought I’d not indicated it to her in any way—was something I hoped she would never do. I asked her to promise that she would never view one of my films.
“I have told you that I don’t care,” she said. “Are you ashamed?”
I assured her I wasn’t; I just didn’t want her to watch them. This was the truth, but not all of it: I didn’t want her to watch them because I didn’t want her to see what I had been, and compare it with what I had become. I didn’t want her to see my handsomeness, my smooth skin, my toned body, and then have to look upon the hideousness blotted across the bed in front of her. I realized this was unreasonable, and that of course she knew there was a time when I was unburned, but I didn’t want it to become more real to her. If she could accept me as I was, perhaps it was only because she had no point of comparison.
Marianne Engel went to my window and stared out it for a moment, before she turned and blurted, “I hate leaving you, and I wish I could always be at your bedside. I need you to understand that it’s beyond my control when I get my instructions.”
This was one of the rare instances in which I understood exactly what was going on inside her: she had a secret that she wanted to share, but knew it was the kind of secret that most people could not understand. It was vital to say it aloud, but she was worried that it would sound absurd. Like, for example, explaining that you have a snake living in your spine.
“When I’m about to work, I sleep on the stone,” Marianne Engel began, with a deep breath, “for twelve hours at least, but usually more. It’s preparation. When I lie on the stone, I can feel it. I can feel all of it, everything inside. It’s … warm. My body sinks into the contours and then I feel weightless, like I’m floating. I sort of—lose the ability to move. But it’s wonderful; it’s the opposite of numbness. It’s more like being so aware, so hyperaware, that I can’t move because it’s so overwhelming.”
“What do you mean,” I asked, “when you say you can feel what’s inside the stone?”
“I absorb the dreams of the stone, and the gargoyles inside tell me what I need to do to free them. They reveal their faces and show me what I must take away to make them whole. When I have enough information, I begin. My body wakes but there is no sense of time, there’s nothing but the work. Days pass before I realize that I haven’t slept and I’ve barely eaten. It’s like I’m digging a survivor out from underneath the avalanche of time, which has been collecting for eons and all at once has come sliding down the mountain. The gargoyles have always been in the stone but, at this precise instant, it becomes unbearable for them to remain. They’ve been hibernating in the winter of the stone, and the spring is in my chisel. If I can carve away the right pieces the gargoyle comes forth like a flower out of a rocky embankment. I’m the only one who can do it, because I understand their languages and I’m the only one who can give them the hearts necessary to begin their new lives.”
She paused and seemed to be waiting for me to say something, anything—but how does one respond to proclamations such as these? Because she wanted a prompt and I wanted her to continue talking, I said it sounded like an extremely creative process.
“No, it’s the opposite. I’m a vessel that water is poured into and splashes out of. It’s a circle, a flowing circle between God and the gargoyles and me, because that is what God is—a circle whose center is everywhere and whose circumference is nowhere. And the entire time I’m carving, the gargoyle’s voice becomes louder and louder. I work as fast as I can because I want the voice to stop, but it keeps urging me on, demanding that I help it achieve its freedom. The voice goes silent only when I’m finished, and then I’m so exhausted that it’s my turn to sleep. So that’s why I disappear for five or six days at a time. It takes that long to free a gargoyle and then recover myself. I have no say in when a gargoyle will be ready, and I cannot refuse. So forgive my disappearances, because I have no choice.”
♦ ♦ ♦
Okay, fine. At least now I knew what she was doing with the multiple hearts she thought were in her chest. They were going into the statues she carved.
I had been certain that Marianne Engel was schizophrenic, but given her description of her work habits I now had to consider that she might be manic-depressive instead. Evidence was mounting in that direction: when I first met her, she was fatigued and darkly attired; now she was bright in both dress and personality. Schizophrenics tend to eschew talking, sometimes remaining completely silent for hours on end, but Marianne Engel was just the opposite. And there was the nature of her work. Many manic-depressives achieve fame in the arts because the condition itself provides the fervor necessary to create something monumental. Which, of course, was exactly what Marianne Engel did: create monuments. If her account of her carving habits was not a description of a manic at work, I can’t imagine what is.
But there was also so much evidence for schizophrenia. She described the voices that came out of the stone, giving her instructions. She saw herself as a channel of the Divine, and her work as a circle of communication between God, the gargoyles, and herself. This is not to mention her Engelthal “past” and her belief that Inferno was appropriate reading material for the burn ward. In short, there was very little in her life that was not touched in some way by Christianity, and, as previously noted, schizophrenics are often preoccupied with religion.
Statistics could argue for either condition. Schizophrenia tends to affect men more often than women, but more than eighty percent of schizophrenics smoke heavily, and Marianne Engel was constantly popping out of the burn ward for a nicotine hit. And while speaking to me, she always had that unnerving stare, which kept her eyes locked upon mine: this only started to make sense after I read in one of Gregor’s books that schizophrenics rarely blink.
Refusal to take one’s medication is common to both conditions, but for different reasons. A manic-depressive is likely to refuse her meds because in her high she becomes convinced that a low is no longer possible, or she is so addicted to the high that the low becomes simply the price that must be paid. Schizophrenics, on the other hand, tend to refuse medication because they believe they’re being poisoned—a claim that Marianne Engel had made on more than one occasion.
Many doctors are now convinced that the two conditions co-exist far more often than commonly diagnosed, so maybe both diagnoses applied.
In the hours I spent leafing through mental health texts in an effort to understand her better, I came to understand myself better as well—and I was not altogether pleased with what I learned.
I was constantly measuring her pain against my own, telling myself that she couldn’t possibly understand my physical anguish while I did understand the nature of mental pain. And while many mental illnesses are treatable