trees on the Mall and we met my old employer, Mr. Judson, the jeweller. He put me in mind of the young countryman who had come in to buy a locket, and I asked her if she knew you. Strange that I should have remembered your name, wasn't it? It was then that she led me to a bench and confessed that you were the man whom she could not forget. I used to hate you then--as much as was in me to hate. I hated and feared you when I first came to Coniston. But now I can tell you--I can even be happy in telling you."
Jethro Bass groaned. He put his hand to his throat as though he were stifling. Many, many years ago he had worn the locket there. And now? Now an impulse seized him, and he yielded to it. He thrust his hand in his coat and drew out a cowhide wallet, and from the wallet the oval locket itself. There it was, tarnished with age, but with that memorable inscription still legible,--"Cynthy, from Jethro"; not Cynthia, but Cynthy. How the years fell away as he read it! He handed it in silence to the storekeeper, and in silence went to the window again. Jethro Bass was a man who could find no outlet for his agony in speech or tears.
"Yes," said Wetherell, "I thought you would have kept it. Dear, dear, how well I remember it! And I remember how I patronized you when you came into the shop. I believed I should live to be something in the world, then. Yes, she loved you, Jethro. I can die more easily now that I have told you--it has been on my mind all these years."
The locket fell open in William Wetherell's hand, for the clasp had become worn with time, and there was a picture of little Cynthia within: of little Cynthia,--not so little now,--a photograph taken in Brampton the year before. Wetherell laid it beside the daguerreotype.
"She looks like her," he said aloud; "but the child is more vigorous, more human--less like a spirit. I have always thought of Cynthia Ware as a spirit."
Jethro turned at the words, and came and stood looking over Wetherell's shoulder at the pictures of mother and daughter. In the rosewood box was a brooch and a gold ring--Cynthia Ware's wedding ring--and two small slips of yellow paper. William Wetherell opened one of these, disclosing a little braid of brown hair. He folded the paper again and laid it in the locket, and handed that to Jethro.
"It is all I have to give you," he said, "but I know that you will cherish it, and cherish her, when I am gone. She--she has been a daughter to both of us."
"Yes," said Jethro, "I will."
William Wetherell lived but a few days longer. They laid him to rest at last in the little ground which Captain Timothy Prescott had hewn out of the forest with his axe, where Captain Timothy himself lies under his slate headstone with the quaint lettering of bygone days.--That same autumn Jethro Bass made a pilgrimage to Boston, and now Cynthia Ware sleeps there, too, beside her husband, amid the scenes she loved so well.
BOOK III
CHAPTER I
One day, in the November following William Wetherell's death, Jethro Bass astonished Coniston by moving to the little cottage in the village which stood beside the disused tannery, and which had been his father's. It was known as the tannery house. His reasons for this step, when at length discovered, were generally commended: they were, in fact, a disinclination to leave a girl of Cynthia's tender age alone on Thousand Acre Hill while he journeyed on his affairs about the country. The Rev. Mr. Satterlee, gaunt, red-faced, but the six feet of him a man and a Christian, from his square-toed boots to the bleaching yellow hair around his temples, offered to become her teacher. For by this time Cynthia had exhausted the resources of the little school among the birches.
The four years of her life in the tannery house which are now briefly to be chronicled were, for her, full of happiness and peace. Though the young may sorrow, they do not often mourn. Cynthia missed her father; at times, when the winds kept her wakeful at night, she wept for him. But she loved Jethro Bass and served him with a devotion that filled his heart with strange ecstasies--yes, and forebodings. In all his existence he had never known a love like this. He may have imagined it once, back in the bright days of his youth; but the dreams of its fulfilment had fallen far short of the exquisite touch of the reality in which he now spent his days at home. In summer, when she sat, in the face of all the conventions of the village, reading under the butternut tree before the house, she would feel his eyes upon her, and the mysterious yearning in them would startle her. Often during her lessons with Mr. Satterlee in the parlor of the parsonage she would hear a noise outside and perceive Jethro leaning against the pillar. Both Cynthia and Mr. Satterlee knew that he was there, and both, by a kind of tacit agreement, ignored the circumstance.
Cynthia, in this period, undertook Jethro's education, too. She could have induced him to study the making of Latin verse by the mere asking. During those days which he spent at home, and which he had grown to value beyond price, he might have been seen seated on the ground with his back to the butternut tree while Cynthia read aloud from the well-worn books which had been her father's treasures, books that took on marvels of meaning from her lips. Cynthia's powers of selection were not remarkable at this period, and perhaps it was as well that she never knew the effect of the various works upon the hitherto untamed soul of her listener. Milton and Tennyson and Longfellow awoke in him by their very music troubled and half-formed regrets; Carlyle's "Frederick the Great" set up tumultuous imaginings; but the "Life of Jackson" (as did the story of Napoleon long ago) stirred all that was masterful in his blood. Unlettered as he was, Jethro had a power which often marks the American of action--a singular grasp of the application of any sentence or paragraph to his own life; and often, about this time, he took away the breath of a judge or a senator by flinging at them a chunk of Carlyle or Parton.
It was perhaps as well that Cynthia was not a woman at this time, and that she had grown up with him, as it were. His love, indeed, was that of a father for a daughter; but it held within it as a core the revived love of his youth for Cynthia, her mother. Tender as were the manifestations of this love, Cynthia never guessed the fires within, for there was in truth something primeval in the fierceness of his passion. She was his now--his alone, to cherish and sweeten the declining years of his life, and when by a chance Jethro looked upon her and thought of the suitor who was to come in the fulness of her years, he burned with a hatred which it is given few men to feel. It was well for Jethro that these thoughts came not often.
Sometimes, in the summer afternoons, they took long drives through the town behind Jethro's white horse on business. "Jethro's gal," as Cynthia came to be affectionately called, held the reins while Jethro went in to talk to the men folk. One August evening found Cynthia thus beside a poplar in front of Amos Cuthbert's farmhouse, a poplar that shimmered green-gold in the late afternoon, and from the buggy-seat Cynthia looked down upon a thousand purple hilltops and mountain peaks of another state. The view aroused in the girl visions of the many wonders which life was to hold, and she did not hear the sharp voice beside her until the woman had spoken twice. Jethro came out in the middle of the conversation, nodded to Mrs. Cuthbert, and drove off.
"Uncle Jethro," asked Cynthia, presently, "what is a mortgage?"
Jethro struck the horse with the whip, an uncommon action with him, and the buggy was jerked forward sharply over the boulders.
"Er--who's b'en talkin' about mortgages, Cynthy?" he demanded.
"Mrs. Cuthbert said that when folks had mortgage held over them they had to take orders whether they liked them or not. She said that Amos had to do what you told him because there was a mortgage. That isn't so is it?"
Jethro did not speak. Presently Cynthia laid her hand over his.
"Mrs. Cuthbert is a spiteful woman," she said. "I know the reason why people obey you--it's because you're so great. And Daddy used to tell me so."
A tremor shook Jethro's frame and the hand on which hers rested, and all the way down the mountain valleys to Coniston village he did not speak again. But Cynthia was used to his silences, and respected them.
To Ephraim Prescott, who, as