looking down into her face. Love had wrought changes in Jethro; mightier changes than he suspected, and the girl did not know how zealous were the sentries of that love, how watchful they were, and how they told him often and again whether her heart, too, was smiling.
"It was very gay," said Cynthia.
"P-painter-man gay?" inquired Jethro.
Cynthia's eyes were on the orange line of the sunset over Coniston, but she laughed a little, indulgently.
"Cynthy?"
"Yes."
"Er--that Painter-man hain't such a bad fellow--w-why didn't you ask him in to supper?"
"I'll give you three guesses," said Cynthia, but she did not wait for them. "It was because I wanted to be alone with you. Milly's gone out, hasn't she?"
"G-gone a-courtin'," said Jethro.
She smiled, and went into the house to see whether Milly had done her duty before she left. It was characteristic of Cynthia not to have mentioned the subject which was agitating her mind until they were seated on opposite sides of the basswood table.
"Uncle Jethro," she said, "I thought you told Mr. Sutton to give Cousin Eph the Brampton post-office? Do you trust Mr. Sutton?" she demanded abruptly.
"Er--why?" said Jethro. "Why?"
"Because I don't," she answered with conviction; "I think he's a big fraud. He must have deceived you, Uncle Jethro. I can't see why you ever sent him to Congress."
Although Jethro was in no mood for mirth, he laughed in spite of himself, for he was an American. His lifelong habit would have made him defend Heth to any one but Cynthia.
"'D you see Heth, Cynthy?" he asked. "Yes," replied the girl, disgustedly, "I should say I did, but not to speak to him. He was sitting on Mr. Worthington's porch, and I heard him tell Mr. Worthington he would give the Brampton post-office to Dave Wheelock. I don't want you to think that I was eavesdropping," she added quickly; "I couldn't help hearing it."
Jethro did not answer.
"You'll make him give the post-office to Cousin Eph, won't you, Uncle Jethro?"
"Yes;" said Jethro, very simply, "I will." He meditated awhile, and then said suddenly, "W-won't speak about it--will you, Cynthy?"
"You know I won't," she answered.
Let it not be thought by any chance that Coniston was given over to revelry and late hours, even on the Fourth of July. By ten o'clock the lights were out in the tannery house, but Cynthia was not asleep. She sat at her window watching the shy moon peeping over Coniston ridge, and she was thinking, to be exact, of how much could happen in one short day and how little in a long month. She was aroused by the sound of wheels and the soft beat of a horse's hoofs on the dirt road: then came stifled laughter, and suddenly she sprang up alert and tingling. Her own name came floating to her through the darkness.
The next thing that happened will be long remembered in Coniston. A tentative chord or two from a guitar, and then the startled village was listening with all its might to the voices of two young men singing "When I first went up to Harvard"--probably meant to disclose the identity of the serenaders, as if that were necessary! Coniston, never having listened to grand opera, was entertained and thrilled, and thought the rendering of the song better on the whole than the church choir could have done it, or even the quartette that sung at the Brampton celebrations behind the flowers. Cynthia had her own views on the subject.
There were five other songs--Cynthia remembers all of them, although she would not confess such a thing. "Naughty, naughty Clara," was another one; the other three were almost wholly about love, some treating it flippantly, others seriously--this applied to the last one, which had many farewells in it. Then they went away, and the crickets and frogs on Coniston Water took up the refrain.
Although the occurrence was unusual,--it might almost be said epoch-making,--Jethro did not speak of it until they had reached the sparkling heights of Thousand Acre Hill the next morning. Even then he did not look at Cynthia.
"Know who that was last night, Cynthy?" he inquired, as though the matter were a casual one.
"I believe," said Cynthia heroically, "I believe it was a boy named Somers Duncan-and Bob Worthington."
"Er--Bob Worthington," repeated Jethro, but said nothing more.
Of course Coniston, and presently Brampton, knew that Bob Worthington had serenaded Cynthia--and Coniston and Brampton talked. It is noteworthy that (with the jocular exceptions of Ephraim and Lem Hallowell) they did not talk to the girl herself. The painter had long ago discovered that Cynthia was an individual. She had good blood in her: as a mere child she had shouldered the responsibility of her father; she had a natural aptitude for books--a quality reverenced in the community; she visited, as a matter of habit; the sick and the unfortunate; and lastly (perhaps the crowning achievement) she had bound Jethro Bass, of all men, with the fetters of love. Of course I have ended up by making her a paragon, although I am merely stating what people thought of her. Coniston decided at once that she was to marry the heir to the Brampton Mills.
But the heir had gone West, and as the summer wore on, the gossip died down. Other and more absorbing gossip took its place: never distinctly formulated, but whispered; always wishing for more definite news that never came. The statesmen drove out from Brampton to the door of the tannery house, as usual, only it was remarked by astute observers and Jake Wheeler that certain statesmen did not come who had been in the habit of coming formerly. In short, those who made it a custom to observe such matters felt vaguely a disturbance of some kind. The organs of the people felt it, and became more guarded in their statements. What no one knew, except Jake and a few in high places, was that a war of no mean magnitude was impending.
There were three men in the State--and perhaps only three--who realized from the first that all former political combats would pale in comparison to this one to come. Similar wars had already started in other states, and when at length they were fought out another twist had been given to the tail of a long-suffering Constitution; political history in the United States had to be written from an entirely new and unforeseen standpoint, and the unsuspecting people had changed masters.
This was to be a war of extermination of one side or the other. No quarter would be given or asked, and every weapon hitherto known to politics would be used. Of the three men who realized this, and all that would happen if one side or the other were victorious, one was Alexander Duncan, another Isaac D. Worthington, and the third was Jethro Bass.
Jethro would never have been capable of being master of the state had he not foreseen the time when the railroads, tired of paying tribute, would turn and try to exterminate the boss. The really astonishing thing about Jethro's foresight (known to few only) was that he perceived clearly that the time would come when the railroads and other aggregations of capital would exterminate the boss, or at least subserviate him. This alone, the writer thinks, gives him some right to greatness. And Jethro Bass made up his mind that the victory of the railroads, in his state at least, should not come in his day. He would hold and keep what he had fought all his life to gain.
Jethro knew, when Jake Wheeler failed to bring him a message back from Clovelly, that the war had begun, and that Isaac D. Worthington, commander of the railroad forces in the field, had captured his pawn, the hill-Rajah. By getting through to Harwich, the Truro had made a sad muddle in railroad affairs. It was now a connecting link; and its president, the first citizen of Brampton, a man of no small importance in the state. This fact was not lost upon Jethro, who perceived clearly enough the fight for consolidation that was coming in the next Legislature.
Seated