of the scene. The great plain between the hills and the sea grows very impressive; so silent it is, so mournfully desolate, so haunted with memories of vanished glory. I looked at the Crathis--the Crati of Cosenza--here beginning to spread into a sea-marsh; the waters which used to flow over golden sands, which made white the oxen, and sunny-haired the children, that bathed in them, are now lost amid a wilderness poisoned by their own vapours.
The railway station, like all in this region, was set about with eucalyptus. Great bushes of flowering rosemary scented the air, and a fine cassia tree, from which I plucked blossoms, yielded a subtler perfume. Our lunch was not luxurious; I remember only, as at all worthy of Sybaris, a palatable white wine called Muscato dei Saraceni. Appropriate enough amid this vast silence to turn one's thoughts to the Saracens, who are so largely answerable for the ages of desolation that have passed by the Ionian Sea.
Then on for Taranto, where we arrived in the afternoon. Meaning to stay for a week or two I sought a pleasant room in a well-situated hotel, and I found one with a good view of town and harbour. The Taranto of old days, when it was called Taras, or later Tarentum, stood on a long peninsula, which divides a little inland sea from the great sea without. In the Middle Ages the town occupied only the point of this neck of land, which, by the cutting of an artificial channel, had been made into an island: now again it is spreading over the whole of the ancient site; great buildings of yellowish-white stone, as ugly as modern architect can make them, and plainly far in excess of the actual demand for habitations, rise where Phoenicians and Greeks and Romans built after the nobler fashion of their times. One of my windows looked towards the old town, with its long sea-wall where fishermen's nets hung drying, the dome of its Cathedral, the high, squeezed houses, often with gardens on the roofs, and the swing-bridge which links it to the mainland; the other gave me a view across the Mare Piccolo, the Little Sea (it is some twelve miles round about), dotted in many parts with crossed stakes which mark the oyster-beds, and lined on this side with a variety of shipping moored at quays. From some of these vessels, early next morning, sounded suddenly a furious cannonade, which threatened to shatter the windows of the hotel; I found it was in honour of the Queen of Italy, whose _festa_ fell on that day. This barbarous uproar must have sounded even to the Calabrian heights; it struck me as more meaningless in its deafening volley of noise than any note of joy or triumph that could ever have been heard in old Tarentum.
I walked all round the island part of the town; lost myself amid its maze of streets, or alleys rather, for in many places one could touch both sides with outstretched arms, and rested in the Cathedral of S. Cataldo, who, by the bye, was an Irishman. All is strange, but too close-packed to be very striking or beautiful; I found it best to linger on the sea-wall, looking at the two islands in the offing, and over the great gulf with its mountain shore stretching beyond sight. On the rocks below stood fishermen hauling in a great net, whilst a boy splashed the water to drive the fish back until they were safely enveloped in the last meshes; admirable figures, consummate in graceful strength, their bare legs and arms the tone of terra cotta. What slight clothing they wore became them perfectly, as is always the case with a costume well adapted to the natural life of its wearers. Their slow, patient effort speaks of immemorial usage, and it is in harmony with time itself. These fishermen are the primitives of Taranto; who shall say for how many centuries they have hauled their nets upon the rock? When Plato visited the Schools of Taras, he saw the same brown-legged figures, in much the same garb, gathering their sea-harvest. When Hannibal, beset by the Romans, drew his ships across the peninsula and so escaped from the inner sea, fishermen of Tarentum went forth as ever, seeking their daily food. A thousand years passed, and the fury of the Saracens, when it had laid the city low, spared some humble Tarentine and the net by which he lived. To-day the fisher-folk form a colony apart; they speak a dialect which retains many Greek words unknown to the rest of the population. I could not gaze at them long enough; their lithe limbs, their attitudes at work or in repose, their wild, black hair, perpetually reminded me of shapes pictured on a classic vase.
Later in the day I came upon a figure scarcely less impressive. Beyond the new quarter of the town, on the ragged edge of its wide, half-peopled streets, lies a tract of olive orchards and of seed-land; there, alone amid great bare fields, a countryman was ploughing. The wooden plough, as regards its form, might have been thousands of years old; it was drawn by a little donkey, and traced in the soil--the generous southern soil--the merest scratch of a furrow. I could not but approach the man and exchange words with him; his rude but gentle face, his gnarled hands, his rough and scanty vesture, moved me to a deep respect, and when his speech fell upon my ear, it was as though I listened to one of the ancestors of our kind. Stopping in his work, he answered my inquiries with careful civility; certain phrases escaped me, but on the whole he made himself quite intelligible, and was glad, I could see, when my words proved that I understood him. I drew apart, and watched him again. Never have I seen man so utterly patient, so primaevally deliberate. The donkey's method of ploughing was to pull for one minute, and then rest for two; it excited in the ploughman not the least surprise or resentment. Though he held a long stick in his hand, he never made use of it; at each stoppage he contemplated the ass, and then gave utterance to a long "Ah-h-h!" in a note of the most affectionate remonstrance. They were not driver and beast, but comrades in labour. It reposed the mind to look upon them.
Walking onward in the same direction, one approaches a great wall, with gateway sentry-guarded; it is the new Arsenal, the pride of Taranto, and the source of its prosperity. On special as well as on general grounds, I have a grudge against this mass of ugly masonry. I had learnt from Lenormant that at a certain spot, Fontanella, by the shore of the Little Sea, were observable great ancient heaps of murex shells--the murex precious for its purple, that of Tarentum yielding in glory only to the purple of Tyre. I hoped to see these shells, perhaps to carry one away. But Fontanella had vanished, swallowed up, with all remnants of antiquity, by the graceless Arsenal. It matters to no one save the few fantastics who hold a memory of the ancient world dearer than any mechanic triumph of to-day. If only one could believe that the Arsenal signified substantial good to Italy! Too plainly it means nothing but the exhaustion of her people in the service of a base ideal.
The confines of this new town being so vague, much trouble is given to that noble institution, the _dazio_. Scattered far and wide in a dusty wilderness, stand the little huts of the officers, vigilant on every road or by-way to wring the wretched soldi from toilsome hands. As became their service, I found these gentry anything but amiable; they had commonly an air of _ennui_, and regarded a stranger with surly suspicion.
When I was back again among the high new houses, my eye, wandering in search of any smallest point of interest, fell on a fresh-painted inscription:--
"ALLA MAGNA GRAECIA. STABILIMENTO IDROELETTROPATICO."
was well meant. At the sign of "Magna Graecia" one is willing to accept "hydroelectropathic" as a late echo of Hellenic speech.
CHAPTER V
DULCE GALAESI FLUMEN
Taranto has a very interesting Museum. I went there with an introduction to the curator, who spared no trouble in pointing out to me all that was best worth seeing. He and I were alone in the little galleries; at a second or third visit I had the Museum to myself, save for an attendant who seemed to regard a visitor as a pleasant novelty, and bestirred himself for my comfort when I wanted to make sketches. Nothing is charged for admission, yet no one enters. Presumably, all the Tarentines who care for archaeology have already been here, and strangers are few.
Upon the shelves are seen innumerable miniature busts, carved in some kind of stone; thought to be simply portraits of private persons. One peers into the faces of men, women, and children, vaguely conjecturing their date, their circumstances; some of them may have dwelt in the old time on this very spot of ground now covered by the Museum. Like other people who grow too rich and comfortable, the citizens of Tarentum loved mirth and mockery; their Greek theatre was remarkable for irreverent farce, for parodies of the great drama of Athens. And here is testimony to the fact: all manner of comic masks, of grotesque visages; mouths distorted into impossible grins, eyes leering and goggling, noses extravagant. I sketched a caricature of Medusa, the anguished features and snaky locks travestied with satiric grimness. You remember a story which illustrates