by the locality occupied them until they were away from the houses; by that time Irene had thoroughly reassured herself, and was as tranquil in mind as in manner. Whatever the meaning of Piers Otway's presence, no difficulty could come about in the few hours he was to spend with them. Involuntarily she found herself listening to the rhythm of certain verses which she had received some months ago, and which she still knew by heart; but nothing in the author's voice or look indicated a desire to remind her of that romantic passage in their acquaintance. If they were still to meet from time to time--and why not?--common sense must succeed to vain thoughts in the poet's mind. He was quite capable of the transition, she felt sure. His way of talking, the short and generally pointed sentences in which he spoke on whatever subject, betokened a habit of lucid reflection. Had it been permissible, she would have dwelt with curiosity on the problem of Piers Otway's life and thoughts; but that she resolutely ignored, strong in the irrevocable choice which she had made only yesterday. He was interesting, but not to her. She knew him on the surface, and cared to know no more.
Business was a safe topic; at the first noticeable pause, Irene led to it.
Piers laughed with pleasure as he began to describe Andre Moncharmont. A man of the happiest vivacity, of the sweetest humour, irresistibly amusing, yet never ridiculous--entirely competent in business, yet with a soul as little mercantile as man's could be. Born a French Swiss, he had lived a good deal in Italy, and had all the charm of Italian manners; but in whatever country, he made himself at home, and by virtue of his sunny temper saw only the best in each nationality. His recreation was music, and he occasionally composed.
"There is a song of Musset's--you know it, perhaps--beginning '_Quand on perd, par triste occurrence_'--which he has set, to my mind, perfectly. I want him to publish it. If he does I must let you see it."
Irene did not know the verses and made no remark.
"There are English men of business," pursued Otway, "who would smile with pity at Moncharmont. He is by no means their conception of the merchant. Yet the world would be a vastly better place if its business were often in the hands of such men. He will never make a large fortune, no; but he will never fall into poverty. He sees commerce from the human point of view, not as the brutal pitiless struggle which justifies every form of ferocity and of low cunning. I never knew him utter an ignoble thought about trade and money-making. An English acquaintance asked me once, 'Is he a gentleman?' I was obliged to laugh--delicious contrast between what _he_ meant by a gentleman and all I see in Moncharmont."
"I picture him," said Irene, smiling, "and I picture the person who made that inquiry."
Piers flashed a look of gratitude. He had, as yet, hardly glanced at her; he durst not; his ordeal was to be gone through as became a man. Her voice, at moments, touched him to a sense of faintness; he saw her without turning his head; the wave of her dress beside him was like a perfume, was like music; part of him yielded, languished, part made splendid resistance.
"He is a lesson in civilisation. If trade is not to put an end to human progress, it must be pursued in Moncharmont's spirit. It's only returning to a better time; our man of business is a creation of our century, and as bad a thing as it has produced. Commerce must be humanised once more. We invented machinery, and it has enslaved us--a rule of iron, the servile belief that money-making is an end in itself, to be attained by hard selfishness."
He checked himself, laughed, and said something about the beauty of the lane along which they were walking.
"Don't you think," fell from Irene's lips, "that Mr. John Jacks is a very human type of the man of business?"
"Indeed he is!" replied Piers, with spirit. "An admirable type."
"I have been told that he owed most of his success to his brothers, who are a different sort of men."
"His wealth, perhaps."
"Yes, there's a difference," said Irene, glancing at him. "You may be successful without becoming wealthy; though not of course in the common opinion. But what would have been the history of England these last fifty years, but for our men of iron selfishness? Isn't it a fact that only in this way could we have built up an Empire which ensures the civilisation of the world?"
Piers could not answer with his true thought, for he knew all that was implied in her suggestion of that view. He bent his head and spoke very quietly.
"Some of our best men think so."
An answer which gratified Irene more keenly than he imagined; she showed it in her face.
When they returned to luncheon, and the ladies went upstairs, Mrs. Hannaford stepped into her niece's room.
"What you told me yesterday," she asked, in a nervous undertone, "may it be repeated?"
"Certainly--to anyone."
"Then please not to come down until I have had a few minutes' talk with Mr. Otway. All this shall be explained, dear, when we are alone again."
On entering the sitting-room Irene found it harder to preserve a natural demeanour than at her meeting with the visitor a couple of hours ago. Only when she had heard him speak and in just the same voice as during their walk was she able to turn frankly towards him. His look had not changed. Impossible to divine the thoughts hidden by his smile; he bore himself with perfect control.
At table all was cheerfulness. Speaking of things Russian, Irene recalled her winter in Finland, which she had so greatly enjoyed.
"I remember," said Otway, "you had just returned when I met you for the first time."
It was said with a peculiar intonation, which fell agreeably on the listener's ear; a note familiar, in the permitted degree, yet touchingly respectful; a world of emotion subdued to graceful friendliness. Irene passed over the reminiscence with a light word or two, and went on to gossip merely of trifles.
"Do you like caviare, Mr. Otway?"
"Except perhaps that supplied by the literary censor," was his laughing reply.
"Now I am _intriguee_. Please explain."
"We call caviare the bits blacked out in our newspapers and periodicals."
"Unpalatable enough!" laughed Irene. "How angry that would make me!"
"I got used to it," said Piers, "and thought it rather good fun sometimes. After all, a wise autocrat might well prohibit newspapers altogether, don't you think? They have done good, I suppose, but they are just as likely to do harm. When the next great war comes, newspapers will be the chief cause of it. And for mere profit, that's the worst. There are newspaper proprietors in every country, who would slaughter half mankind for the pennies of the half who were left, without caring a fraction of a penny whether they had preached war for a truth or a lie."
"But doesn't a newspaper simply echo the opinions and feelings of its public?"
"I'm afraid it manufactures opinion, and stirs up feeling. Consider how very few people know or care anything about most subjects of international quarrel. A mere handful at the noisy centre of things who make the quarrel. The business of newspapers, in general, is to give a show of importance to what has no real importance at all--to prevent the world from living quietly--to arouse bitterness when the natural man would be quite different."
"Oh, surely you paint them too black! We must live, we can't let the world stagnate. Newspapers only express the natural life of peoples, acting and interacting."
"I suppose I quarrel with them," said Piers, once more subduing himself, "because they have such gigantic power and don't make anything like the best use of it."
"That is to say, they are the work of men--I don't mean," Irene added laughingly, "of men instead of women. Though I'm not sure that women wouldn't manage journalism better, if it were left to them."
"A splendid idea! All