George Gissing

The Essential George Gissing Collection


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this activity of the reckless and the foolish."

      "One can't _make_ a religion," said Irene sadly. "It is just this religious spirit which has decayed throughout our world. Christianity turns to ritualism. And science--we were told you know, that science would be religion enough."

      "There's the pity--the failure of science as a civilising force. I know," added Piers quickly, "that there are men whose spirit, whose work, doesn't share in that failure; they are the men--the very few--who are above self-interest. But science on the whole, has come to mean money-making and weapon-making. It leads the international struggle; it is judged by its value to the capitalist and the soldier."

      "Isn't this perhaps a stage of evolution that the world must live through--to its extreme results?"

      "Very likely. The signs are bad enough."

      "You haven't yourself that enthusiastic hope?"

      "I try to hope," said Piers, in a low, unsteady voice, his eyes falling timidly before her glance. "But what you said is so true--one can't create the spirit of religion. If one hasn't it----" He broke off, and added with a smile, "I think I have a certain amount of enthusiasm. But when one has seen a good deal of the world, it's so very easy to feel discouraged. Think how much sheer barbarism there is around us, from the brutal savage of the gutter to the cunning savage of the Stock Exchange!"

      Irene had a gleam in her eyes; she nodded appreciation.

      "If," he went on vigorously, "if one could make the multitude really understand--understand to the point of action--how enormously its interest is peace!"

      "More hope that way, I'm afraid," said Irene, "than through idealisms."

      "Yes, yes. If it comes at all, it'll be by the way of self-interest. And really it looks as if the military tyrants might overreach themselves here and there. Italy, for instance. Think of Italy, crushed and cursed by a blood-tax that the people themselves see to be futile. One enters into the spirit of the men who freed Italy from foreigners--it was glorious; but how much more glorious to excite a rebellion there against her own rulers! Shouldn't you enjoy doing that?"

      At times, there is no subtler compliment to a woman than to address her as if she were a man. It must be done involuntarily, as was the case with this utterance of Otway's. Irene rewarded him with a look such as he had never had from her, the look of rejoicing comradeship.

      "Indeed I should! Italy is becoming a misery to those who love her. Is no plot going on? Couldn't one start a conspiracy against that infamous misgovernment?"

      "There's an arch-plotter at work. His name is Hunger. Let us be glad that Italy can't enrich herself by manufactures. Who knows? The revolution against militarism may begin there, as that against feudalism did in France. Talk of enthusiasm! How should we feel if we read in the paper some morning that the Italian people had formed into an army of peace--refusing to pay another centesimo for warfare?

      "The next boat for Calais! The next train for Rome!" Their eyes met, interchanging gleams of laughter.

      "Oh, but the crowd, the crowd!" sighed Piers. "What is bad enough to say of it? who shall draw its picture with long enough ears?"

      "It has another aspect, you know."

      "It has. At its best, a smiling simpleton; at its worst, a murderous maniac."

      "You are not exactly a socialist," remarked Irene, with that smile which, linking past and present, blended in Otway's heart old love and new--her smile of friendly irony.

      "Socialism? I seldom think of it; which means, that I have no faith in it.--When we came in, you were playing."

      "I miss the connection," said Irene, with a puzzled air.

      "Forgive me. I am fond of music, and it has been in my mind all the time--the hope that you would play again."

      "Oh, that was merely the slow music, as one might say, of the drawing-room mysteries--an obligato in the after-dinner harmony. I play only to amuse myself--or when it is a painful duty."

      Piers was warned by his tactful conscience that he had held Miss Derwent quite long enough in talk. A movement in their neighbourhood gave miserable opportunity; he resigned his seat to another expectant, and did his best to converse with someone else.

      Her voice went with him as he walked homewards across the Park, under a fleecy sky silvered with moonlight; the voice which now and again brought back so vividly their first meeting at Ewell. He lived through it all again, the tremors, the wild hopes, the black despair of eight years ago. How she encountered him on the stairs, talked of his long hours of study, and prophesied--with that indescribable blending of gravity and jest, still her characteristic--that he would come to grief over his examination. Irene! Irene! Did she dream what was in his mind and heart? The long, long love, his very life through all labours and cares and casualties--did she suspect it, imagine it? If she had received his foolish verses (he grew hot to think of them), there must have been at least a moment when she knew that he worshipped her, and does such knowledge ever fade from a woman's memory?

      Irene! Irene! Was she brought nearer to him by her own experience of heart-trouble? That she had suffered, he could not doubt; impossible for her to have given her consent to marriage unless she believed herself in love with the man who wooed her. It could have been no trifling episode in her life, whatever the story; Irene was not of the women who yield their hands in jest, in pique, in lighthearted ignorance. The change visible in her was more, he fancied, than could be due to the mere lapse of time; during her silences, she had the look of one familiar with mental conflict, perhaps of one whose pride had suffered an injury. The one or two glances which he ventured whilst she was talking with the man who succeeded to his place beside her, perceived a graver countenance, a reserve such as she had not used with him; and of this insubstantial solace he made a sort of hope which winged the sleepless hours till daybreak.

      He had permission to call upon Mrs. Borisoff at times alien to polite routine. Thus, when nearly a week had passed, he sought her company at midday, and found her idling over a book, her seat by a window which viewed the Thames and the broad Embankment with its plane trees, and London beyond the water, picturesque in squalid hugeness through summer haze and the sagging smoke of chimneys numberless. She gave a languid hand, pointed to a chair, gazed at him with embarrassing fixity.

      "I don't know about the Castle," were her first words. "Perhaps I shall give it up."

      "You are not serious?"

      Piers spoke and looked in dismay; and still she kept her heavy eyes on him.

      "What does it matter to _you_?" she asked carelessly.

      "I counted on--on showing you the dales----"

      Mrs. Borisoff nodded twice or thrice, and laughed, then pointed to the prospect through the window.

      "This is more interesting. Imagine historians living a thousand years hence--what would they give to see what we see now!"

      "Oh, one often has that thought. It's about the best way of making ordinary life endurable."

      They watched the steamers and barges, silent for a minute or two.

      "So you had rather I didn't give up the castle?"

      "I should be horribly disappointed."

      "Yes--no doubt you would. Why did you come to see me to-day? No, no, no! The real reason.

      "I wanted to talk about Miss Derwent," Piers answered, bracing himself to frankness.

      Mrs. Borisoff's lips contracted, in something which was not quite a smile, but which became a smile before she spoke.

      "If you hadn't told the truth, Mr. Otway, I would have sent you about your business. Well, talk of her; I am ready."

      "But