(Staatstheater Kassel); Der goldene Drache, Begräbnis (Burgtheater Wien); Phaedre (Salzburger Festspiele / Burgtheater Wien); King Lear, Das Werk / im Bus / Ein Sturz (Kölner Schauspielhaus); Orest (Epidaurus National Theatre, Athens); Groß und Klein (Sydney Theatre Company); Vier Himmelsrichtungen (Salzburger Festspiele); Cosi fan tutte (Staatstheater Mainz); Mathis der Maler (Opernhaus Zürich). As director, theatre includes: Tristan and Isolde, Clemenza di Tito (Staatstheater Kassel); Sex (Deutscher Theaterpreis); Phaedre (Schauspielhaus Köln); Ariadne auf Naxos, Cosi fan tutte (Staatstheater Mainz). Awards include: Stage Designer of the Year for Summerfolk at the Düsseldorfer Schauspielhaus in 2004; Costume Designer of the Year for Macbeth at the Düsseldorfer Schauspielhaus in 2005; Stage Designer of the Year 2006; Stage Designer of the Year 2007; Awarded the Gold Medal at the 2007 Prague Scenographic Quadrenniale for his scenography and costume design in Jürgen Gosch's Production of Macbeth at the Düsseldorfer Schauspielhaus, Theatre Prize Berlin Stiftung Preußische Seehandlung, Nestroy Theatre Prize 2010, Nominated for the German Theatre Prize FAUST.
Victoria Behr Costumes
Current and forthcoming productions include: Troja (Burgtheater, Vienna); Murmel Murmel (Volksbühne am Rosa Luxemburgplatz, Berlin); Die Banditen (Theater Bremen); Der Revisor (Residenztheter München). Recent designs include: Die Spanische Fliege (Volksbühne am Rosa – Luxemburg Platz Berlin); Herr Puntilla und sein Knecht Matti (Schauspielhaus Köln); Der Raub der Sabinerinnen (Thalia Theater Hamburg); Mathis der Maler, Rusalka (Opernhaus Zürich); Tape (Deutsches Theater Berlin); Das blinde Geschehen, Der Boxer, Nur Nachts (Burgtheater Vienna); Nora, Emilia Galotti (Theater Oberhausen); The Beggar's Opera, Miss Sara Sampson, Der Idiot (Schauspielhaus Zürich); Münchhausen (Schauspielhaus Düsseldorf).
James Farncombe Light
For the Young Vic: The Changeling, The Glass Menagerie. Theatre includes: London Road, Men Should Weep, Double Feature (National); Juno and the Paycock (National Theatre/Dublin); The Duchess of Malfi (Old Vic); The Recruiting Officer, Inadmissible Evidence (Donmar); The Ladykillers (Liverpool Playhouse/Gielgud); Ghost Stories (Liverpool Playhouse/Lyric Hammersmith/Duke of York's/ Toronto); Swallows and Amazons (Vaudeville); Juliet and Her Romeo, Far Away (Bristol Old Vic); Lord of the Flies (Regent's Park); Twisted Tales (Lyric Hammersmith); Love, Love, Love, The Village Bike (Royal Court); Plenty (Sheffield Crucible); Dancing at Lughnasa (Birmingham Rep); Like a Fishbone, The Whiskey Taster, 2000 Feet Away (Bush); The Overcoat (Gecko); Breaking the Silence (Nottingham Playhouse); Osama the Hero, Single Act (Hampstead).
Paul Arditti Sound
For the Young Vic: The Changeling, The Beauty Queen of Leenane, Been So Long, The Member of the Wedding, Vernon God Little, The Respectable Wedding, generations, The Skin of Our Teeth. Current and forthcoming productions include: Jumpy (West End); One Man, Two Guvnors (West End & Broadway); Red Velvet (Tricycle Theatre); The Last Summer (Gate, Dublin); In the Republic of Happiness (Royal Court); Charlie and the Chocolate Factory (West End). Recent designs include: London Road (National); Doctor Dee (ENO); In Basildon (Royal Court); The Bee (New York); Company (Sheffield Crucible); Collaborators, The Veil (NT); The Most Incredible Thing (Sadler's Wells); Billy Elliot the Musical (West End, Broadway, US Tour). Awards include: One Man, Two Guvnors: Tony Award Nomination 2012; Billy Elliot The Musical: Tony Award 2009, Drama Desk Award 2009, Olivier Award 2006; Mary Stuart: Tony Award Nomination 2009; Saint Joan: Olivier Award 2008; Festen: Evening standard Award 2005; The Pillowman: Drama Desk Award 2005. www.paularditti.com
Phil Bateman Musical Direction & Arrangement
For the Young Vic: After Miss Julie, Vernon God Little, My Dad's a Birdman, The Human Comedy (Young Vic/Watford Palace). He has been MD on three Olivier Award-winning shows: Billy Elliot, Our House and Hello, Dolly! and is currently working as Music Supervisor on Bridget Jones the Musical, to open 2013. Theatre includes: as Musical Supervisor/Vocal Arranger: Our House (Cambridge Theatre/UK tour); Imagine This (New London/Plymouth and co-producer on cast recording); as Musical Director: Billy Elliot (Victoria Palace; original MD of show and cast album); She Loves Me (Chichester Festival Theatre); Hello, Dolly!, Gigi (Regent's Park Open Air); The Glee Club (Hull Truck);Treasure Island (Rose, Kingston); Piaf (sheffield crucible); Rodgers and Hammerstein's Cinderella (Bristol Old Vic); Return to the Forbidden Planet (UK tour); Wild, Wild Women (Orange Tree); Cabaret (Watermill); Bridget Jones the Musical (workshops). Television includes: as Composer: The Big Performance (CBBC); Body Story (Channel 4). Film includes: as Vocal Coach: Kinky Boots, Cemetery Junction.
Maggie Lunn CDG Casting
For the Young Vic: Vernon God Little, Skellig. Theatre includes: Noises Off (& West End), The Playboy of the Western World, A Flea in Her Ear, Inherit the Wind, Richard II, A Moon for the Misbegotten (& Broadway), The Duchess of Malfi, The Bridge Project – Richard III (& BAM, tour), Hamlet (Old Vic); Flare Path, Rosencrantz & Guildernstern Are Dead, The Tempest, The Lion in Winter (Theatre Royal Haymarket); The Sunshine Boys, Birdsong, Cabaret, Dirty Dancing, Summer & Smoke, The Night of the Iguana (West End); A Month in the Country (Chichester Festival Theatre); House of Games, Festen (also West End & tour), Blood Wedding, Hedda Gabler, The Goat or Who is Sylvia? (both of which transferred to the West End), The Mercy Seat, Romance, The Hypochondriacs, Enemies, There Came a Gypsy Riding (Almeida). Recent television includes: Richard II, Henry IV Parts 1 & 2, Henry V, Great Expectations, Silent Witness, Hustle (last 3 series), Nativity, Framed, Cranford Chronicles (series 1 & 2), Oliver Twist, Lost in Austen, Trinity, Lightfields. Film includes: Notes on a Scandal, Broken.
Camilla Evans CDG Casting
Theatre includes: A Streetcar Named Desire (UK casting – West End); Taking Part, After the Party (Criterion); Boys (Soho Theatre); Clockwork, Nicked (Hightide Festival); Stars in the Morning Sky, Nora, Too Much Pressure, One Night in November (Belgrade Theatre); A Few Man Fridays (Riverside); The Diary of Anne Frank (Theatre Royal York and tour); Cinderella (Tobacco Factory); Treasure Island (Bristol Old Vic); Crawling in the Dark, The Door Never Closes (Almeida); Yerma (West Yorkshire Playhouse); Chinglish (Goodman Theatre Chicago & Broadway); Hightide Festival 2010; Marine Parade (Brighton Festival). Film and television includes: Hustle, Alia, Broken, The Heart Fails Without Warning, Trading Licks, Eliminate: Archie Cookson, Scooterman.
Natalie Abrahami Assistant Direction
Natalie is Associate Artist at Hull Truck and was Artistic Director of the Gate Theatre, Notting Hill from 2007-2012.
For the Young Vic: After Miss Julie. Theatre includes: Yerma, How To Be An Other Woman, The Kreutzer Sonata (also at La MaMa E.T.C., New York), Vanya, Unbroken, Women in Love, The Internationalist (Gate Theatre); Parallax (Almeida); The Merchant of Venice (Creation Theatre); Pericles (Regent's Park Open Air Theatre); A Midsummer Night's Dream (Headlong, Hull Truck and Nuffield); Guardians (Hightide Festival); The Eleventh Capital (Royal Court); Play , Not I (Battersea Arts Centre); Human Rites (Southwark Playhouse). Natalie trained at the Royal Court and National Theatre Studio. She was awarded the James Menzies-Kitchin Trust Award for Young Directors in 2005.