with Ferguson, Missouri Police Officer, Darren Wilson, which resulted in Brown's death]. When you begin with a false premise, that premise is then used to support a narrative or agenda that I don't think moves Black people forward. And I also have a problem with that," Phillips protested.
"What we have now are a bunch of people that want to continue fighting for that narrative because it enriches them in some way, maybe not simply monetarily, but it gets them on TV and feeds egos." With that thought in mind, however, Phillips also believes that it’s incumbent upon the state to not become an occupying force in communities of color. "When you have a police force that suddenly stops being keepers of the peace and are now law enforcement agencies who need armored vehicles, high-powered rifles, cannons and tanks, to enforce laws, something is wrong somewhere," he said. "The fewer reasons to interact with the state you have, the fewer of these kinds of shootings and things you're going to have. And one of the first things that we need to do is revisit this War on Drugs and we need to rethink why we are all invested and up in other people's business looking for drugs," the theatrical impresario intoned. "One of the reasons I'm a conservative is because I want to be left alone. I don't want to be frisked. I don't want to have to report what I'm doing to other people. I don't want people involved in how I raise my kids. I don't want people involved in my life. I want to be left alone, and I don't see anything wrong with that. Furthermore, I think that all of us should have the same desire--leave me alone let me live my life!" To that end, whether you agree, or not with Phillips' perspective, it goes without saying that even today, African-Americans are, more likely than not, pre-disposed to presume the worst when it comes to the state and how it has historically treated people of color. And historically, the state has been happy to respond in kind, subjecting Black males to a myriad of unfair presuppositions that can have tragic consequences. Unfortunately, for large Black men like the aforementioned Michael Brown, a 6'4" young man weighing in at 292 pounds, his height and size may have also made him a threat in the eyes of law enforcement, as evidenced by empirical research showing "large Black males" are perceived as particularly dangerous and should be treated as an eminent threat.
In their report, "For Black Men, Being Tall Increases Threat Stereotyping and Police Stops," researcher Neil Hester exposed an insidious bias that impacts big and tall Black men in a particular way. "Young Black men are stereotyped as threatening, which can have grave consequences for interactions with police. We show that these threat stereotypes are even greater for tall Black men, who face greater discrimination from police officers and elicit stronger judgments of threat," Hester wrote. To further illustrate the point, the report noted the unspoken advantage that height has for some in American society, and the distinct disadvantage that it could have for others. "We challenge the assumption that height is intrinsically good for men. White men may benefit from height, but Black men may not" (Hester. p. 1).
Today, as the American workforce expands and becomes more diverse, every single asset workers bring to the table helps them to move further and faster up the corporate ladder. To that end, the willingness to leverage height is something that further underscores the privilege that some benefit from in the country. "Height seems beneficial for men in terms of salaries and success; however, past research on height examines only White men. For Black men, height may be more costly than beneficial, primarily signaling threat rather than competence" (Hester. p. 1). The report goes on to note three separate research studies analyzing the distinct disadvantage that height has for Black males. "Study 1 analyzes over one million New York Police Department stop-and-frisk encounters and finds that tall Black men are especially likely to receive unjustified attention from police. Then, studies 2 and 3 experimentally demonstrate a causal link between perceptions of height and perceptions of threat for Black men, particularly for perceivers who endorse stereotypes that Black people are more threatening than white people. Together, these data reveal that height is sometimes a liability for Black men, particularly in contexts in which threat is salient" (Hester. p. 1). And therein lies the challenge: what, if anything, can Black males do to make themselves less threatening to others? On the converse, however, why should Black males, or anyone else for that matter, have to make themselves "less threatening" (which is difficult to do if you are big and Black), simply to assuage the irrational fears of fragile people? Incredulously, but not unbelievably, it’s not just height that's held against Black men in America, as the width of their noses, and texture of their hair also play a part in the continued oppression of African-American males.
According to Alesha Bond, in her communique, "Black Stereotypical Features: When a Face Type Can Get You in Trouble", the more Afrocentric the features of a Black male’s face, the more some are inclined to associate them with bad things. "Negative biases associating Black men with criminality are most pronounced for a subgroup of men with Afrocentric features (e.g., a wide nose, full lips)," Bond noted, in laying out an appalling obstacle facing many Black males based solely upon their perceived Blackness. "Face-type bias occurs for men with these features because they are readily categorized as stereotypically Black and representative of the category Black male. This categorization in turn makes this subgroup more likely to be associated with the criminal-Black-male stereotype than are men with non-stereotypical Black features" (Bond). When the totality of the impact these preconceived notions, based upon unfounded beliefs and characterized by a sustained public perception campaign aimed at ingraining them into the fabric of the country, the ability to make meaningful change is oftentimes hampered by intransigent mindset issues.
To that end, it is important to note that what many of these racist caricatures do is underscore ridiculous fears that can have disastrous consequences for African-American males. Another prime example of the unconscious bias that many whites have against large Black men was played out in the recorded murder of Eric Garner of Staten Island, New York, whose death was ruled a homicide due to an unauthorized choke hold applied to him as he stood on a the street corner, surrounded by police officers who had accused him of selling untaxed cigarettes. As such, it is important to understand that phobias are often extreme aversions. Moreover, they are embedded deep in our psyches and are activated when we come face-to-face with the things we fear most. In his article, "Negrophobia: Michael Brown, Eric Garner, and America’s Fear of Black People," Brandon Hill of Time Magazine opined about the impact that Garner's physical presence played in his fateful police interaction. "Garner’s 400-pound anatomy forms an object of American Negrophobia: the unjustified fear of Black people. Studies show that Black people, particularly Black men, are the group most feared by White adults," Hill found. "Negrophobia fuels the triangular system of oppression that keeps people of color pinned into hapless ghettos between the pillars of militarized police, starved inner-city schools, and voracious prisons" (Hill). But what sparked the flames of bigotry that have now become a fiery inferno of intolerance?
Does History Have an Impact?
The National Museum of African-American History & Culture, in their piece, "Popular and Pervasive Stereotypes of African-Americans", observed that the imagery deployed to portray Black people has been used as a means of justifying the continued marginalization of an entire race of people since the founding of America. "Decades-old ephemera and current-day incarnations of African American stereotypes, including Mammy, Mandingo, Sapphire, Uncle Tom and watermelon, have been informed by the legal and social status of African Americans," the Museum noted, delineating a number of caricatures that have been used throughout the years to shape American perspective. "Many of the stereotypes were created during the height of the Trans-Atlantic Slave Trade and were used to help commodify Black bodies and justify the business of slavery. For instance, an enslaved person, forced under violence to work from sunrise to sunset, could hardly be described as lazy. Yet laziness, as well as characteristics of submissiveness, backwardness, lewdness, treachery, and dishonesty, historically became stereotypes assigned to African- Americans ("Popular Stereotypes").
Years before it became a racist trope during the height of the Jim Crow Era, watermelon, for Blacks, like cotton and tobacco for whites,