Nisbet’s hands.
“Now,” he said, “Nisbet, I want you to tell me exactly what you see in that picture. Describe it, if you don’t mind, rather minutely. I’ll tell you why afterwards.”
“Well,” said Nisbet, “I have here a view of a country-house—English, I presume—by moonlight.”
“Moonlight? You’re sure of that?”
“Certainly. The moon appears to be on the wane, if you wish for details, and there are clouds in the sky.”
“All right. Go on. I’ll swear,” added Williams in an aside, “there was no moon when I saw it first.”
“Well, there’s not much more to be said,” Nisbet continued. “The house has one—two—three rows of windows, five in each row, except at the bottom, where there’s a porch instead of the middle one, and—”
“But what about figures?” said Williams, with marked interest.
“There aren’t any,” said Nisbet; “but—”
“What! No figure on the grass in front?”
“Not a thing.”
“You’ll swear to that?”
“Certainly I will. But there’s just one other thing.”
“What?”
“Why, one of the windows on the ground-floor—left of the door—is open.”
“Is it really so? My goodness! he must have got in,” said Williams, with great excitement; and he hurried to the back of the sofa on which Nisbet was sitting, and, catching the picture from him, verified the matter for himself.
It was quite true. There was no figure, and there was the open window. Williams, after a moment of speechless surprise, went to the writing-table and scribbled for a short time. Then he brought two papers to Nisbet, and asked him first to sign one—it was his own description of the picture, which you have just heard—and then to read the other which was Williams’s statement written the night before.
“What can it all mean?” said Nisbet.
“Exactly,” said Williams. “Well, one thing I must do—or three things, now I think of it. I must find out from Garwood”—this was his last night’s visitor—“what he saw, and then I must get the thing photographed before it goes further, and then I must find out what the place is.”
“I can do the photographing myself,” said Nisbet, “and I will. But, you know, it looks very much as if we were assisting at the working out of a tragedy somewhere. The question is, has it happened already, or is it going to come off? You must find out what the place is. Yes,” he said, looking at the picture again, “I expect you’re right: he has got in. And if I don’t mistake, there’ll be the devil to pay in one of the rooms upstairs.”
“I’ll tell you what,” said Williams: “I’ll take the picture across to old Green” (this was the senior Fellow of the College, who had been Bursar for many years). “It’s quite likely he’ll know it. We have property in Essex and Sussex, and he must have been over the two counties a lot in his time.”
“Quite likely he will,” said Nisbet; “but just let me take my photograph first. But look here, I rather think Green isn’t up today. He wasn’t in Hall last night, and I think I heard him say he was going down for the Sunday.”
“That’s true, too,” said Williams; “I know he’s gone to Brighton. Well, if you’ll photograph it now, I’ll go across to Garwood and get his statement, and you keep an eye on it while I’m gone. I’m beginning to think two guineas is not a very exorbitant price for it now.”
In a short time he had returned, and brought Mr Garwood with him. Garwood’s statement was to the effect that the figure, when he had seen it, was clear of the edge of the picture, but had not got far across the lawn. He remembered a white mark on the back of its drapery, but could not have been sure it was a cross. A document to this effect was then drawn up and signed, and Nisbet proceeded to photograph the picture.
“Now what do you mean to do?” he said. “Are you going to sit and watch it all day?”
“Well, no, I think not,” said Williams. “I rather imagine we’re meant to see the whole thing. You see, between the time I saw it last night and this morning there was time for lots of things to happen, but the creature only got into the house. It could easily have got through its business in the time and gone to its own place again; but the fact of the window being open, I think, must mean that it’s in there now. So I feel quite easy about leaving it. And besides, I have a kind of idea that it wouldn’t change much, if at all, in the daytime. We might go out for a walk this afternoon, and come in to tea, or whenever it gets dark. I shall leave it out on the table here, and sport the door. My skip can get in, but no one else.”
The three agreed that this would be a good plan; and, further, that if they spent the afternoon together they would be less likely to talk about the business to other people; for any rumour of such a transaction as was going on would bring the whole of the Phasmatological Society about their ears.
We may give them a respite until five o’clock.
At or near that hour the three were entering Williams’s staircase. They were at first slightly annoyed to see that the door of his rooms was unsported; but in a moment it was remembered that on Sunday the skips came for orders an hour or so earlier than on weekdays. However, a surprise was awaiting them. The first thing they saw was the picture leaning up against a pile of books on the table, as it had been left, and the next thing was Williams’s skip, seated on a chair opposite, gazing at it with undisguised horror. How was this? Mr Filcher (the name is not my own invention) was a servant of considerable standing, and set the standard of etiquette to all his own college and to several neighbouring ones, and nothing could be more alien to his practice than to be foundsitting on his master’s chair, or appearing to take any particular notice of his master’s furniture or pictures. Indeed, he seemed to feel this himself. He started violently when the three men were in the room, and got up with a marked effort. Then he said:
“I ask your pardon, sir, for taking such a freedom as to set down.”
“Not at all, Robert,” interposed Mr Williams. “I was meaning to ask you some time what you thought of that picture.”
“Well, sir, of course I don’t set up my opinion against yours, but it ain’t the pictur I should ’ang where my little girl could see it, sir.”
“Wouldn’t you, Robert? Why not?”
“No, sir. Why, the pore child, I recollect once she see a Door Bible, with pictures not ’alf what that is, and we ’ad to set up with her three or four nights afterwards, if you’ll believe me; and if she was to ketch a sight of this skelinton here, or whatever it is, carrying off the pore baby, she would be in a taking. You know ’ow it is with children; ’ow nervish they git with a little thing and all. But what I should say, it don’t seem a right pictur to be laying about, sir, not where anyone that’s liable to be startled could come on it. Should you be wanting anything this evening, sir? Thank you, sir.”
With these words the excellent man went to continue the round of his masters, and you may be sure the gentlemen whom he left lost no time in gathering round the engraving. There was the house, as before under the waning moon and the drifting clouds. The window that had been open was shut, and the figure was once more on the lawn: but not this time crawling cautiously on hands and knees. Now it was erect and stepping swiftly, with long strides, towards the front of the picture. The moon was behind it, and the black drapery hung down over its face so that only hints of that could be seen, and what was visible made the spectators profoundly thankful that they could see no more than a white dome-like forehead and a few straggling hairs. The head was bent down, and the arms were tightly clasped over an object which could be dimly seen and identified as a child, whether dead or living it was not possible to say. The legs of the appearance alone could be plainly discerned, and they