Arthur Machen

The Arthur Machen MEGAPACK ®


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      The Murray Leinster Megapack

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      The Martian Megapack

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      The Cthulhu Mythos Megapack

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      AUTHOR MEGAPACKS

      The Achmed Abdullah Megapack

      The Edward Bellamy Megapack

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      The E.F. Benson Megapack

      The Second E.F. Benson Megapack

      The Algernon Blackwood Megapack

      The Second Algernon Blackwood Megapack

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      OTHER COLLECTIONS YOU MAY ENJOY

      The Great Book of Wonder, by Lord Dunsany (it should have been called “The Lord Dunsany Megapack”)

      The Wildside Book of Fantasy

      The Wildside Book of Science Fiction

      Yondering: The First Borgo Press Book of Science Fiction Stories

      To the Stars—And Beyond! The Second Borgo Press Book of Science Fiction Stories

      Once Upon a Future: The Third Borgo Press Book of Science Fiction Stories

      Whodunit?—The First Borgo Press Book of Crime and Mystery Stories

      More Whodunits—The Second Borgo Press Book of Crime and Mystery Stories

      X is for Xmas: Christmas Mysteries

      ARTHUR MACHEN: A NOVELIST OF ECSTASY AND SIN, by Vincent Starrett

      Originally published in 1918.

      Some thirty odd years ago, a young man of twenty-two, the son of a Welsh clergyman, fresh from school and with his head full of a curiously occult mediaevalism, privately acquired from yellowed palimpsests and dog-eared volumes of black letter, wrote a classic. More, he had it published. Only one review copy was sent out; that was to Le Livre, of Paris. It fell into the hands of Octave Uzanne, who instantly ordered Rabelais and Boccaccio to “shove over” on the immortal seats and make room by their side for the author. The book was The Chronicle of Clemendy; the author, Arthur Machen.

      Three years ago, about, not long after the great war first shook the world, a London evening newspaper published inconspicuously a purely fictional account of a supposed incident of the British retreat from Mons. It described the miraculous intervention of the English archers of Agincourt at a time when the British were sore pressed by the German hordes. Immediately, churchmen, spiritualists, and a host of others, seized upon it as an authentic record and the miracle as an omen. In the hysteria that followed, Arthur Machen, its author, found himself a talked-of man, because he wrote to the papers denying that the narrative was factual. Later, when his little volume, The Bowmen and Other Legends of the War, appeared in print, it met with an extraordinary and rather impertinent success.

      But what had Machen been doing all those long years between 1885 and 1914?

      In a day of haphazard fiction and rodomontade criticism, the advent of a master workman is likely to be unheralded, if, indeed, he is fortunate