back and rose. Only one left. Then none.
They were gone, gone into nowhere.
“That did it,” said Miss Dolby breathlessly.
She had pulled the picture down. It was only a frame now, with ragged ribbons of canvas dangling from it.
I snatched it out of her hands and threw it upon the coals of the fire.
“Look,” I urged her joyfully. “It’s burning! That’s the end. Do you see?”
“Yes, I see,” she answered slowly. “Some fiend-ridden artist—his evil genius brought it to life.”
“The inscription is the literal truth, then?” I supplied.
“Truth no more.” She bent to watch the burning. “As the painted figures were destroyed, their incarnations faded.”
We said nothing further, but sat down together and gazed as the flames ate the last thread of fabric, the last splinter of wood. Finally we looked up again and smiled at each other.
All at once I knew that I loved her.
THE DEATH OF ILALOTHA, by Clark Ashton Smith
Black Lord of bale and fear, master of all confusion!
By thee, thy prophet saith,
New power is given to wizards after death,
And witches in corruption draw forbidden breath
And weave such wild enchantment and illusion
As none but lamiae may use;
And through thy grace the charneled corpses lose
Their horror, and nefandous loves are lighted
In noisome vaults long nighted;
And vampires make their sacrifice to thee—
Disgorging blood as if great urns had poured
Their bright vermilion hoard
About the washed and weltering sarcophagi.
—Ludar’s Litany to Thasaidon.
According to the custom in old Tasuun, the obsequies of Ilalotha, lady-in-waiting to the self-widowed Queen Xantlicha, had formed an occasion of much merrymaking and prolonged festivity. For three days, on a bier of diverse-colored silks from the Orient, under a rose-hued canopy that might well have domed some nuptial couch, she had lain clad with gala garments amid the great feasting-hall of the royal palace in Miraab. About her, from morning dusk to sunset, from cool even to torridly glaring dawn, the feverish tide of the funeral orgies had surged and eddied without slackening. Nobles, court officials, guardsmen, scullions, astrologers, eunuchs, and all the high ladies, waiting-women and female slaves of Xantlicha, had taken part in that prodigal debauchery which was believed to honour most fitly the deceased. Mad songs and obscene ditties were sung, and dancers whirled in vertiginous frenzy to the lascivious pleading of untirable lutes. Wines and liquors were poured torrentially from monstrous amphorae; the tables fumed with spicy meats piled in huge hummocks and forever replenished. The drinkers offered libation to Ilalotha, till the fabrics of her bier were stained to darker hues by the spilt vintages. On all sides around her, in attitudes of disorder or prone abandonment, lay those who had yielded to amorous license of the fullness of their potations. With halfshut eyes and lips slightly parted, in the rosy shadow cast by the catafalque, she wore no aspect of death but seemed a sleeping empress who ruled impartially over the living and the dead. This appearance, together with a strange heightening of her natural beauty, was remarked by many: and some said that she seemed to await a lover’s kiss rather than the kisses of the worm.
On the third evening, when the many-tongued brazen lamps were lit and the rites drew to their end, there returned to court the Lord Thulos, acknowledged lover of Queen Xantlicha, who had gone a week previous to visit his domain on the western border and had heard nothing of Ilalotha’s death. Still unaware, he came into the hall at that hour when the saturnalia began to flag and the fallen revelers to outnumber those who still moved and drank and made riot.
He viewed the disordered hall with little surprise, for such scenes were familiar to him from childhood. Then, approaching the bier, he recognized its occupant with a certain startlement. Among the numerous ladies of Miraab who had drawn his libertine affections, Ilalotha had held sway longer than most; and, it was said, she had grieved more passionately over his defection than any other. She had been superseded a month before by Xantlicha, who had shown favor to Thulos in no ambiguous manner; and Thulos, perhaps, had abandoned her not without regret: for the role of lover to the queen, though advantageous and not wholly disagreeable, was somewhat precarious. Xantlicha, it was universally believed, had rid herself of the late King Archain by means of a tomb-discovered vial of poison that owed its peculiar subtlety and virulence to the art of ancient sorcerers. Following this act of disposal, she had taken many lovers, and those who failed to please her came invariably to ends no less violent than that of Archain. She was exigent, exorbitant, demanding a strict fidelity somewhat irksome to Thulos; who, pleading urgent affairs on his remote estate, had been glad enough of a week away from court.
Now, as he stood beside the dead woman, Thulos forgot the queen and bethought him of certain summer nights that had been honeyed by the fragrance of jasmine and the jasmine-white beauty of Ilalotha. Even less than the others could he believe her dead: for her present aspect differed in no wise from that which she had often assumed during their old intercourse. To please his whim, she had feigned the inertness and complaisance of slumber or death; and at such times he had loved her with an ardor undismayed by the pantherine vehemence with which, at other whiles, she was wont to reciprocate or invite his caresses.
Moment by moment, as if through the working of some powerful necromancy, there grew upon him a curious hallucination, and it seemed that he was again the lover of those lost nights, and had entered that bower in the palace gardens where Ilalotha waited him on a couch strewn with overblown petals, lying with bosom quiet as her face and hands. No longer was he aware of the crowded hall: the high-flaring lights, the wine-flushed faces, had become a moonbright parterre of drowsily nodding blossoms, and the voices of the courtiers were no more than a faint suspiration of wind amid cypress and jasmine. The warm, aphrodisiac perfumes of the June night welled about him; and again, as of old, it seemed that they arose from the person of Ilalotha no less than from the flowers. Prompted by intense desire, he stooped over and felt her cool arm stir involuntarily beneath his kiss.
Then, with the bewilderment of a sleep-walker awakened rudely, he heard a voice that hissed in his ear with soft venom: “Hast forgotten thyself, my Lord Thulos? Indeed I wonder little, for many of my bawcocks deem that she is fairer in death than in life.” And, turning from Ilalotha, while the weird spell dissolved from his senses, he found Xantlicha at his side. Her garments were disarrayed, her hair was unbound and disheveled, and she reeled slightly, clutching him by the shoulder with sharp-nailed fingers. Her full, poppy-crimson lips were curled by a vixenish fury, and in her long-lidded yellow eyes there blazed the jealousy of an amorous cat.
Thulos, overwhelmed by a strange confusion, remembered but partially the enchantment to which he had succumbed; and he was unsure whether or not he had actually kissed Ilalotha and had felt her flesh quiver to his mouth. Verily, he thought, this thing could not have been, and a waking dream had momentarily seized him. But he was troubled by the words of Xantlicha and her anger, and by the half-furtive drunken laughters and ribald whispers that he heard passing among the people about the hall.
“Beware, my Thulos,” the queen murmured, her strange anger seeming to subside; “For men say that she was a witch.”
“How did she die?” queried Thulos.
“From no other fever than that of love, it is rumored.”
“Then, surely, she was no witch,” Thulos argued with a lightness that was far from his thoughts and feelings; “for true sorcery should have found the cure.”
“It was from love of thee,” said Xantlicha darkly; “and as all women know, thy heart is blacker and harder than black adamant. No witchcraft, however potent, could