In three days time but three of them were sitting to meat at the kitchen table, Chris listened for days for voices of folk that were dead or gone, both far enough from Blawearie. But even that lost strangeness in time, the harvest drew on, she went out to the park to help with it, lush and heavy enough it had sprung and yellowed with the suns and rains of the last two months.
He’d no binder, father, wouldn’t hear of the things, but he’d brought an old reaper from Echt and with that they cut the corn; though Will swore he’d be the fool of Kinraddie seen driving a thing like that. Father laughed at him over his beard, like a spitting cat, If Kinraddie’s laughing can make you a bigger fool than nature made you it’ll be a miracle; and don’t fret the sark from your dowp, my mannie, I’ll do the driving. And though Will muttered at that he gave in all the same, for every harvest there came something queer and terrible on father, you couldn’t handle the thing with a name, it was as if he grew stronger and crueller then, ripe and strong with the strength of the corn, he’d be fleeter than ever and his face filled out, and they’d hear him come up from the parks, astride the broad back of Bess, singing hymns, these were the only things that he ever sang, singing with a queer, keen shrillness that brought the sweat in the palms of your hands.
Now in the park below Blawearie, steading and house, the best crop, and that was the ley, was the first they cut, a great swither of a crop with straw you could hardly break and twist into bands for sheaves. Sore work Chris found it to keep her stretch of each bout cleared for the reaper’s coming, the weather cool and grey though it was. But a sun was behind the greyness and sometimes when you raised your head from the sheaves you’d see a beam of light on the travel far over the parks of Upperhill or lazing across the moor or dancing a-top the Cuddiestoun stooks, a beam from the hot, grey haze of that sky that watched and waited above the sweat of the harvesting Howe.
First ere the cutting in the ley began there’d been roads to clear all round the corn, wide bouts that father scythed himself, he swore that the scythe would yet come back to its own when the binders and reapers rotted in rust and folk bred the old breed again. But it’s time was past or was yet to come, the scythe’s, out the reaper was driven and yoked, Chris followed down at the tail of it. The best of weather for harvest, folk said, it was ill to cut in a swither of heat; and so still was the air by morn and noon it reminded you of the days in Spring, you’d hear the skirl of the blades ring down the Howe for mile on mile, the singing of Long Rob of the Mill, the Cuddiestoun creatures swearing at Tony as he stood and gowked at the stooks. Then Blawearie’s reaper clanged in through the gates with Bess and Clyde at the pole, and the blades flashed and brightened like the teeth of a beast and snarled in a famished freedom. And then John Guthrie cried Get up! and swung the horses down the bout, and the hungry snarl changed to a deep, clogged growling as the corn was driven on the teeth by the swinging reaper flails; and down the bout, steady and fine, sped the reaper, clean- cutting from top to bottom, with never a straggling straw as on other farms, John Guthrie saw to that.
But feint the time had you for glowering at rig or reaper, soon as the horses were off and the flail drove the first sheaf from the tail-board Chris had pounced on that sheaf and gathered and bound it and flung it aside before you could say Glenbervie! and had run to the next and twisted its band, and gathered and bound and bound and gathered with her hands like a mist below her eyes, so quick they were. Midway the bout Will met with her, working up from the foot, and flicking the sweat from his face. And just as they straightened and stretched and looked up to the head of the park the clong, clong of the empty reaper would change to the snarling engaging whirr as father guided the horses to the cutting again. Still the sun smouldered behind its mists and out by Kinneff the fog-horn moaned all hours, you felt like moaning like that yourself long ere the day was out and your back near cracked and broke with the strain of the bending.
But in three days time the ley was cut, the yavil glowed yellow across the dykes and they moved to that without stop. And then suddenly the mists cleared up and the fog-horn stopped from its droning, it came on real blistering weather of heat, but hardly you’d bear to touch on the wood of the reaper shaft when you loosed the horses, so hot it grew. Kinraddie gasped and then bent to its chaving again, this heat wouldn’t last, the rain was due, God help the crops that waited cutting then.
The second day of the yavil cutting a tink climbed up the Blawearie road from the turnpike and cried to John Guthrie for work, and father said Maybe, maybe. Let’s see the work that you’ve in you first, and the tink said Ay, fine that. And he off with his coat and took the middle of the bout, and was up it in a jiffy, gathering and binding to the manner born, you might say, and giving Chris a bit smile when he met with her. So, coming down the next bout father cried to the tink that he’d take him on for a day or so, if the weather held; and Chris could get up to the house and see to the supper—no idling, quean, mind that. He was a black-like, gypsy childe, the tink, father wouldn’t have him into the kitchen for meat, the creature might be all lice; and he wouldn’t have him sleep in the house.
So Chris made him a shake-down out in the barn, he said he was real content with that. But when she carried him his supper over to the barn the first night she felt shamed for him suddenly, and told him she’d have had him eat in the house if it hadn’t been father. And he said Don’t let that fash you, lass, I’m as little anxious for his company as he is for mine. Forbye, he’s only a Kinraddie clown! Chris felt her face flame at that, it just showed you there was no good doing kindness to tinks, but she made out she hadn’t heard and turned back to go over the close. Then it was the tink put out his arm, round her legs before she could move, almost he pulled her down on the hay beside him. You’ve never lain with a man yet, lass, I can see, and that’s a sore waste of hot blood like yours. So mind I’m here if you want me, I’ve deflowered more queans than I’ve years to my name and sent none of them empty away. He loosed her then, laughing low, she couldn’t do anything but stare and stare at him, sick and not angry, something turned in her stomach and her knees felt weak. The tink put out his hand and patted her leg again, Mind, if you want me I’ll be here, and Chris shook her head, she felt too sick to speak, and slipped out of the barn and crossed the close and washed and washed at her hands and face with hot water till father lowered his paper and asked Have you gone clean daft?
But up in her room that night, the room that was hers and hers only now, Will slept where his brothers had slept, she saw a great moon come over the Grampians as she undressed for bed. She opened the window then, she liked to sleep with it open, and it was as though the night had been waiting for that, a waft of the autumn wind blew in, it was warm and cool and it blew in her face with a smell like the smell of late clover and the smell of dung and the smell of the stubble fields all commingled. She leant there breathing it, watching the moon with the hills below it but higher than Blawearie, Kinraddie slept like a place in a picture-book, drifting long shadows that danced a petronella across the night-stilled parks. And without beginning or reason a strange ache came in her, in her breasts, so that they tingled, and in her throat, and below her heart, and she heard her heart beating, and for a minute the sound of the blood beating through her own head. And she thought of the tink lying there in the barn and how easy it would be to steal down the stairs and across the close, dense black in its shadows, to the barn.
But it was only for a second she thought of that, daftly, then laughed at herself, cool and trim and trig, and closed the window, shutting out the smells of the night, and slowly took off her clothes, looking at herself in the long glass that had once stood in mother’s room. She was growing up limber and sweet, not bonny, perhaps, her cheek-bones were over high and her nose over short for that, but her eyes clear and deep and brown, brown, deep and clear as the Denburn flow, and her hair was red and was brown by turns, spun fine as a spider’s web, wild, wonderful hair. So she saw herself and her teeth clean-cut and even, a white gleam in that grave brown stillness of face John Guthrie’s blood had bequeathed to her. And below face and neck now her clothes were off was the glimmer of shoulders and breast and there her skin was like satin, it tickled her touching herself. Below the tilt of her left breast was a dimple, she saw it and bent to look at it and the moonlight ran down her back, so queer the moonlight she felt the running of that beam along her back. And she straightened as the moonlight grew and looked at the rest