predicted. Under the witch-fire glow the intruders moved like specters.
Some of the chambers lacked this illumination, and their doorways showed black as the mouth of the Pit. These Conan and Valeria avoided, keeping always to the lighted chambers.
Cobwebs hung in the corners, but there was no perceptible accumulation of dust on the floor, or on the tables and seats of marble, jade or carnelian which occupied the chambers. Here and there were rugs of that silk known as Khitan which is practically indestructible. Nowhere did they find any windows, or doors opening into streets or courts. Each door merely opened into another chamber or hall.
“Why don’t we come to a street?” grumbled Valeria. “This place or whatever we’re in must be as big as the king of Turan’s seraglio.”
“They must not have perished of plague,” said Conan, meditating upon the mystery of the empty city. “Otherwise we’d find skeletons. Maybe it became haunted, and everybody got up and left. Maybe—”
“Maybe, hell!” broke in Valeria rudely. “We’ll never know. Look at these friezes. They portray men. What race do they belong to?”
Conan scanned them and shook his head.
“I never saw people exactly like them. But there’s the smack of the East about them—Vendhya, maybe, or Kosala.”
“Were you a king in Kosala?” she asked, masking her keen curiosity with derision.
“No. But I was a war-chief of the Afghulis who live in the Himelian mountains above the borders of Vendhya. These people favor the Kosalans. But why should Kosalans be building a city this far to west?”
The figures portrayed were those of slender, olive-skinned men and women, with finely chiseled, exotic features. They wore filmy robes and many delicate jeweled ornaments, and were depicted mostly in attitudes of feasting, dancing or love-making.
“Easterners, all right,” grunted Conan, “but from where I don’t know. They must have lived a disgustingly peaceful life, though, or they’d have scenes of wars and fights. Let’s go up that stair.”
It was an ivory spiral that wound up from the chamber in which they were standing. They mounted three flights and came into a broad chamber on the fourth floor, which seemed to be the highest tier in the building. Skylights in the ceiling illuminated the room, in which light the fire-gems winked pallidly. Glancing through the doors they saw, except on one side, a series of similarly lighted chambers. This other door opened upon a balustraded gallery that overhung a hall much smaller than the one they had recently explored on the lower floor.
“Hell!” Valeria sat down disgustedly on a jade bench. “The people who deserted this city must have taken all their treasures with them. I’m tired of wandering through these bare rooms at random.”
“All these upper chambers seem to be lighted,” said Conan. “I wish we could find a window that overlooked the city. Let’s have a look through that door over there.”
“You have a look,” advised Valeria. “I’m going to sit here and rest my feet.”
*
Conan disappeared through the door opposite that one opening upon the gallery, and Valeria leaned back with her hands clasped behind her head, and thrust her booted legs out in front of her. These silent rooms and halls with their gleaming green clusters of ornaments and burning crimson floors were beginning to depress her. She wished they could find their way out of the maze into which they had wandered and emerge into a street. She wondered idly what furtive, dark feet had glided over those flaming floors in past centuries, how many deeds of cruelty and mystery those winking ceiling-gems had blazed down upon.
It was a faint noise that brought her out of her reflections. She was on her feet with her sword in her hand before she realized what had disturbed her. Conan had not returned, and she knew it was not he that she had heard.
The sound had come from somewhere beyond the door that opened on to the gallery. Soundlessly in her soft leather boots she glided through it, crept across the balcony and peered down between the heavy balustrades.
A man was stealing along the hall.
The sight of a human being in this supposedly deserted city was a startling shock. Crouching down behind the stone balusters, with every nerve tingling, Valeria glared down at the stealthy figure.
The man in no way resembled the figures depicted on the friezes. He was slightly above middle height, very dark, though not negroid. He was naked but for a scanty silk clout that only partly covered his muscular hips, and a leather girdle, a hand’s breadth broad, about his lean waist. His long black hair hung in lank strands about his shoulders, giving him a wild appearance. He was gaunt, but knots and cords of muscles stood out on his arms and legs, without that fleshy padding that presents a pleasing symmetry of contour. He was built with an economy that was almost repellent.
Yet it was not so much his physical appearance as his attitude that impressed the woman who watched him. He slunk along, stooped in a semi-crouch, his head turning from side to side. He grasped a wide-tipped blade in his right hand, and she saw it shake with the intensity of the emotion that gripped him. He was afraid, trembling in the grip of some dire terror. When he turned his head she caught the blaze of wild eyes among the lank strands of black hair.
He did not see her. On tiptoe he glided across the hall and vanished through an open door. A moment later she heard a choking cry, and then silence fell again.
Consumed with curiosity, Valeria glided along the gallery until she came to a door above the one through which the man had passed. It opened into another, smaller gallery that encircled a large chamber.
This chamber was on the third floor, and its ceiling was not so high as that of the hall. It was lighted only by the fire-stones, and their weird green glow left the spaces under the balcony in shadows.
Valeria’s eyes widened. The man she had seen was still in the chamber.
He lay face down on a dark crimson carpet in the middle of the room. His body was limp, his arms spread wide. His curved sword lay near him.
She wondered why he should lie there so motionless. Then her eyes narrowed as she stared down at the rug on which he lay. Beneath and about him the fabric showed a slightly different color, a deeper, brighter crimson.
Shivering slightly, she crouched down closer behind the balustrade, intently scanning the shadows under the overhanging gallery. They gave up no secret.
Suddenly another figure entered the grim drama. He was a man similar to the first, and he came in by a door opposite that which gave upon the hall.
His eyes glared at the sight of the man on the floor, and he spoke something in a staccato voice that sounded like “Chicmec!” The other did not move.
The man stepped quickly across the floor, bent, gripped the fallen man’s shoulder and turned him over. A choking cry escaped him as the head fell back limply, disclosing a throat that had been severed from ear to ear.
The man let the corpse fall back upon the blood-stained carpet, and sprang to his feet, shaking like a wind-blown leaf. His face was an ashy mask of fear. But with one knee flexed for flight, he froze suddenly, became as immobile as an image, staring across the chamber with dilated eyes.
In the shadows beneath the balcony a ghostly light began to glow and grow, a light that was not part of the fire-stone gleam. Valeria felt her hair stir as she watched it; for, dimly visible in the throbbing radiance, there floated a human skull, and it was from this skull—human yet appallingly misshapen—that the spectral light seemed to emanate. It hung there like a disembodied head, conjured out of night and the shadows, growing more and more distinct; human, and yet not human as she knew humanity.
The man stood motionless, an embodiment of paralyzed horror, staring fixedly at the apparition. The thing moved out from the wall and a grotesque shadow moved with it. Slowly the shadow became visible as a man-like figure whose