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The Portrait of a Lady


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in his way of rising before her. She had been haunted at moments by the image, by the danger, of his disapproval and had wondered—a consideration she had never paid in equal degree to any one else—whether he would like what she did. The difficulty was that more than any man she had ever known, more than poor Lord Warburton (she had begun now to give his lordship the benefit of this epithet), Caspar Goodwood expressed for her an energy—and she had already felt it as a power that was of his very nature. It was in no degree a matter of his “advantages”—it was a matter of the spirit that sat in his clear-burning eyes like some tireless watcher at a window. She might like it or not, but he insisted, ever, with his whole weight and force: even in one’s usual contact with him one had to reckon with that. The idea of a diminished liberty was particularly disagreeable to her at present, since she had just given a sort of personal accent to her independence by looking so straight at Lord Warburton’s big bribe and yet turning away from it. Sometimes Caspar Goodwood had seemed to range himself on the side of her destiny, to be the stubbornest fact she knew; she said to herself at such moments that she might evade him for a time, but that she must make terms with him at last—terms which would be certain to be favourable to himself. Her impulse had been to avail herself of the things that helped her to resist such an obligation; and this impulse had been much concerned in her eager acceptance of her aunt’s invitation, which had come to her at an hour when she expected from day to day to see Mr. Goodwood and when she was glad to have an answer ready for something she was sure he would say to her. When she had told him at Albany, on the evening of Mrs. Touchett’s visit, that she couldn’t then discuss difficult questions, dazzled as she was by the great immediate opening of her aunt’s offer of “Europe,” he declared that this was no answer at all; and it was now to obtain a better one that he was following her across the sea. To say to herself that he was a kind of grim fate was well enough for a fanciful young woman who was able to take much for granted in him; but the reader has a right to a nearer and a clearer view.

      He was the son of a proprietor of well-known cotton-mills in Massachusetts—a gentleman who had accumulated a considerable fortune in the exercise of this industry. Caspar at present managed the works, and with a judgement and a temper which, in spite of keen competition and languid years, had kept their prosperity from dwindling. He had received the better part of his education at Harvard College, where, however, he had gained renown rather as a gymnast and an oarsman than as a gleaner of more dispersed knowledge. Later on he had learned that the finer intelligence too could vault and pull and strain—might even, breaking the record, treat itself to rare exploits. He had thus discovered in himself a sharp eye for the mystery of mechanics, and had invented an improvement in the cotton-spinning process which was now largely used and was known by his name. You might have seen it in the newspapers in connection with this fruitful contrivance; assurance of which he had given to Isabel by showing her in the columns of the New York Interviewer an exhaustive article on the Goodwood patent—an article not prepared by Miss Stackpole, friendly as she had proved herself to his more sentimental interests. There were intricate, bristling things he rejoiced in; he liked to organise, to contend, to administer; he could make people work his will, believe in him, march before him and justify him. This was the art, as they said, of managing men—which rested, in him, further, on a bold though brooding ambition. It struck those who knew him well that he might do greater things than carry on a cotton-factory; there was nothing cottony about Caspar Goodwood, and his friends took for granted that he would somehow and somewhere write himself in bigger letters. But it was as if something large and confused, something dark and ugly, would have to call upon him: he was not after all in harmony with mere smug peace and greed and gain, an order of things of which the vital breath was ubiquitous advertisement. It pleased Isabel to believe that he might have ridden, on a plunging steed, the whirlwind of a great war—a war like the Civil strife that had overdarkened her conscious childhood and his ripening youth.

      She liked at any rate this idea of his being by character and in fact a mover of men—liked it much better than some other points in his nature and aspect. She cared nothing for his cotton-mill—the Goodwood patent left her imagination absolutely cold. She wished him no ounce less of his manhood, but she sometimes thought he would be rather nicer if he looked, for instance, a little differently. His jaw was too square and set and his figure too straight and stiff: these things suggested a want of easy consonance with the deeper rhythms of life. Then she viewed with reserve a habit he had of dressing always in the same manner; it was not apparently that he wore the same clothes continually, for, on the contrary, his garments had a way of looking rather too new. But they all seemed of the same piece; the figure, the stuff, was so drearily usual. She had reminded herself more than once that this was a frivolous objection to a person of his importance; and then she had amended the rebuke by saying that it would be a frivolous objection only if she were in love with him. She was not in love with him and therefore might criticise his small defects as well as his great—which latter consisted in the collective reproach of his being too serious, or, rather, not of his being so, since one could never be, but certainly of his seeming so. He showed his appetites and designs too simply and artlessly; when one was alone with him he talked too much about the same subject, and when other people were present he talked too little about anything. And yet he was of supremely strong, clean make—which was so much she saw the different fitted parts of him as she had seen, in museums and portraits, the different fitted parts of armoured warriors—in plates of steel handsomely inlaid with gold. It was very strange: where, ever, was any tangible link between her impression and her act? Caspar Goodwood had never corresponded to her idea of a delightful person, and she supposed that this was why he left her so harshly critical. When, however, Lord Warburton, who not only did correspond with it, but gave an extension to the term, appealed to her approval, she found herself still unsatisfied. It was certainly strange.

      The sense of her incoherence was not a help to answering Mr. Goodwood’s letter, and Isabel determined to leave it a while unhonoured. If he had determined to persecute her he must take the consequences; foremost among which was his being left to perceive how little it charmed her that he should come down to Gardencourt. She was already liable to the incursions of one suitor at this place, and though it might be pleasant to be appreciated in opposite quarters there was a kind of grossness in entertaining two such passionate pleaders at once, even in a case where the entertainment should consist of dismissing them. She made no reply to Mr. Goodwood; but at the end of three days she wrote to Lord Warburton, and the letter belongs to our history.

      DEAR LORD WARBURTON—A great deal of earnest thought has not led me to change my mind about the suggestion you were so kind as to make me the other day. I am not, I am really and truly not, able to regard you in the light of a companion for life; or to think of your home—your various homes—as the settled seat of my existence. These things cannot be reasoned about, and I very earnestly entreat you not to return to the subject we discussed so exhaustively. We see our lives from our own point of view; that is the privilege of the weakest and humblest of us; and I shall never be able to see mine in the manner you proposed. Kindly let this suffice you, and do me the justice to believe that I have given your proposal the deeply respectful consideration it deserves. It is with this very great regard that I remain sincerely yours,

      ISABEL ARCHER.

      While the author of this missive was making up her mind to dispatch it Henrietta Stackpole formed a resolve which was accompanied by no demur. She invited Ralph Touchett to take a walk with her in the garden, and when he had assented with that alacrity which seemed constantly to testify to his high expectations, she informed him that she had a favour to ask of him. It may be admitted that at this information the young man flinched; for we know that Miss Stackpole had struck him as apt to push an advantage. The alarm was unreasoned, however; for he was clear about the area of her indiscretion as little as advised of its vertical depth, and he made a very civil profession of the desire to serve her. He was afraid of her and presently told her so. “When you look at me in a certain way my knees knock together, my faculties desert me; I’m filled with trepidation and I ask only for strength to execute your commands. You’ve an address that I’ve never encountered in any woman.”

      “Well,” Henrietta replied good-humouredly, “if I had not known before that you were trying somehow to abash me I should know it now. Of course I’m easy game—I was brought up with such different customs and ideas. I’m not used to your arbitrary