Ngaio Marsh

Death at the Dolphin


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began to talk excitedly. He talked about The Dolphin and about how it must have looked after Mr Adolphus Ruby had gloriously tarted it up. He described how, before he fell into the well, he had imagined the house: clean, sparkling with lights from chandeliers, full, warm, buzzing and expectant. He said that it was the last of its kind and so well designed with such a surprisingly large stage that it would be possible to mount big productions there.

      He forgot about Mr Conducis and also about not drinking any more rum. He talked widely and distractedly.

      ‘Think what a thing it would be,’ Peregrine cried, ‘to do a season of Shakespeare’s comedies! Imagine Love’s Labour’s there. Perhaps one could have a barge – Yes. The Grey Dolphin – and people could take water to go to the play. When the play was about to begin we would run up a flag with a terribly intelligent dolphin on it. And we’d do them quickly and lightly and with elegance and O!’ cried Peregrine, ‘and with that little catch in the breath that never, never comes in the same way with any other playwright.’

      He was now walking about Mr Conducis’s library. He saw, without seeing, the tooled spines of collected editions and a picture that he would remember afterwards with astonishment. He waved his arms. He shouted.

      ‘There never was such a plan,’ shouted Peregrine. ‘Never in all London since Burbage moved the first theatre from Shoreditch to Southwark.’ He found himself near his drink and tossed it off. ‘And not too fancy,’ he said, ‘mind you. Not twee. God, no! Not a pastiche either. Just a good theatre doing the job it was meant to do. And doing the stuff that doesn’t belong to any bloody Method or Movement or Trend or Period or what-have-you. Mind that.’

      ‘You refer to Shakespeare again?’ said Mr Conducis’s voice. ‘If I follow you.’

      ‘Of course I do!’ Peregrine suddenly became fully aware of Mr Conducis. ‘Oh dear!’ he said.

      ‘Is something the matter?’

      ‘I’m afraid I’m a bit tight, sir. Not really tight but a bit uninhibited. I’m awfully sorry. I think perhaps I’d better take myself off and I’ll return all these things you’ve so kindly lent me. I’ll return them as soon as possible, of course. So, if you’ll forgive me –’

      ‘What do you do in the theatre?’

      ‘I direct plays and I’ve written two.’

      ‘I know nothing of the theatre,’ Mr Conducis said heavily. ‘You are reasonably successful?’

      ‘Well, sir, yes. I think so. It’s a jungle, of course. I’m not at all affluent but I make out. I’ve had as much work as I could cope with over the last three months and I think my mana’s going up. I hope so. Goodbye, sir.’

      He held out his hand. Mr Conducis, with an expression that really might have been described as one of horror, backed away from it.

      ‘Before you go,’ he said, ‘I have something that may be of interest to you. You can spare a moment?’

      ‘Of course.’

      ‘It is in this room,’ Mr Conducis muttered and went to a bureau that must, Peregrine thought, be of fabulous distinction. He followed his host and watched him pull out a silky, exquisitely inlaid, drawer.

      ‘How lovely that is,’ he said.

      ‘Lovely?’ Mr Conducis echoed as he had echoed before. ‘You mean the bureau? Yes? It was found for me. I understand nothing of such matters. That is not what I wished to show you. Will you look at this? Shall we move to a table?’

      He had taken from the drawer a very small wooden Victorian hand-desk, extremely shabby, much stained, and Peregrine thought, of no particular distinction. A child’s possession perhaps. He laid it on a table under a window and motioned to a chair beside it. Peregrine now felt as if he was playing a part in somebody else’s dream. ‘But I’m all right,’ he thought. ‘I’m not really drunk. I’m in that pitiable but enviable condition when all things seem to work together for good.’

      He sat before the table and Mr Conducis, standing well away from him, opened the little desk, pressed inside with his white, flat thumb and revealed a false bottom. It was a commonplace device and Peregrine wondered if he was meant to exclaim at it. He saw that in the exposed cavity there was a packet no bigger than a half-herring and much the same shape. It was wrapped in discoloured yellow-brown silk and tied with a morsel of tarnished ribbon. Mr Conducis had a paper knife in his hand. ‘Everything he possesses,’ Peregrine thought, ‘is on museum-piece level. It’s stifling.’ His host used the paper knife as a sort of server, lifting the little silk packet out on its blade and, as it were, helping Peregrine to it like a waiter.

      It slid from the blade and with it, falling to one side, a discoloured card upon which it had lain. Peregrine, whose vision had turned swimmy, saw that this card was a menu and bore a date some six years past. The heading: ‘The Steam Yacht Kalliope. Off Villefranche. Gala Dinner’ floated tipsily into view with a flamboyant and illegible signature that was sprawled across it above a dozen others. A short white hand swiftly covered and then removed the card.

      ‘That is nothing,’ Mr Conducis said. ‘It is of no consequence.’ He went to the fire. A bluish flame sprang up and turned red. Mr Conducis returned.

      ‘It is the packet that may be of interest. Will you open it?’ he said.

      Peregrine pulled gingerly at the ribbon ends and turned back the silk wrapping.

      He had exposed a glove.

      A child’s glove. Stained as if by water it was the colour of old parchment and finely wrinkled like an old, old face. It had been elegantly embroidered with tiny roses in gold and scarlet. A gold tassel, now blackened and partly unravelled, was attached to the tapered gauntlet. It was the most heartrending object Peregrine had ever seen.

      Underneath it lay two pieces of folded paper, very much discoloured.

      ‘Will you read the papers?’ Mr Conducis invited. He had returned to the fireplace.

      Peregrine felt an extraordinary delicacy in touching the glove. ‘Cheverel,’ he thought. ‘It’s a cheverel glove. Has it gone brittle with age?’ No. To his fingertip it was flaccid: uncannily so as if it had only just died. He slipped the papers out from beneath it. They had split along the folds and were foxed and faded. He opened the larger with great care and it lay broken before him. He pulled himself together and managed to read it.

      This little glove and accompanying note were given to my Great-Great-Grandmother by her Beft Friend: a Mifs Or Mrs J. Hart. My dear Grandmother always infifted that it had belonged to the poet. N. B. mark infide gauntlet.

      M. E. 23 April 1830

      The accompanying note was no more than a slip of paper. The writing on it was much faded and so extraordinarily crabbed and tortuous that he thought at first it must be hieroglyphic and that he therefore would never make it out. Then it seemed to him that there was something almost familiar about it. And then, gradually, words began to emerge. Everything was quiet. He heard the fire settle. Someone crossed the room above the library. He heard his own heart thud.

      He read:

      Mayde by my father for my sonne on his XI birthedy and never worne butte ync

      Peregrine sat in a kind of trance and looked at the little glove and the documents. Mr Conducis had left the paper knife on the table. Peregrine slid the ivory tip into the gauntlet and very slowly lifted and turned it. There was the mark, in the same crabbed hand. ‘H.S.’

      ‘– But where –’ Peregrine heard his own voice saying, ‘– where did it come from? Whose is it?’

      ‘It is mine,’ Mr Conducis said and his voice seemed to come from a great distance. ‘Naturally.’

      ‘But – where did you find it?’

      A long silence.

      ‘At sea.’

      ‘At