Heart of Darkness. Джозеф Конрад

was a way—for an intelligent man. He changed his manner; became very cold, and suddenly began to talk about a hippopotamus; wondered whether sleeping on board the steamer (I stuck to my salvage night and day) I wasn’t disturbed. There was an old hippo that had the bad habit of getting out on the bank and roaming at night over the station grounds. The pilgrims used to turn out in a body and empty every rifle they could lay hands on at him. Some even had sat up o’ nights for him. All this energy was wasted, though. ‘That animal has a charmed life,’ he said; ‘but you can say this only of brutes in this country. No man—you apprehend me?—no man here bears a charmed life.’ He stood there for a moment in the moonlight with his delicate hooked nose set a little askew, and his mica eyes glittering without a wink, then, with a curt good night, he strode off. I could see he was disturbed and considerably puzzled, which made me feel more hopeful than I had been for days. It was a great comfort to turn from that chap to my influential friend, the battered, twisted, ruined, tinpot steamboat. I clambered on board. She rang under my feet like an empty Huntley and Palmer biscuit tin kicked along a gutter; she was nothing so solid in make, and rather less pretty in shape, but I had expended enough hard work on her to make me love her. No influential friend would have served me better. She had given me a chance to come out a bit— to find out what I could do. No, I don’t like work. I had rather laze about and think of the fine things that can be done. I don’t like work— no man does—but I like what is in the work, the chance to find yourself. Your own reality—for yourself, not for others—what no other man can ever know. They can only see the mere show, and never can tell what it really means.