girl, she’s devilish ugly!” thought Anatole.
Mademoiselle Bourienne, also roused to great excitement by Anatole’s arrival, thought in another way. Of course, she, a handsome young woman without any definite position, without relations or even a country, did not intend to devote her life to serving Prince Bolkónski, to reading aloud to him and being friends with Princess Mary. Mademoiselle Bourienne had long been waiting for a Russian prince who, able to appreciate at a glance her superiority to the plain, badly dressed, ungainly Russian princesses, would fall in love with her and carry her off; and here at last was a Russian prince. Mademoiselle Bourienne knew a story, heard from her aunt but finished in her own way, which she liked to repeat to herself. It was the story of a girl who had been seduced, and to whom her poor mother (sa pauvre mère) appeared, and reproached her for yielding to a man without being married. Mademoiselle Bourienne was often touched to tears as in imagination she told this story to him, her seducer. And now he, a real Russian prince, had appeared. He would carry her away and then sa pauvre mère would appear and he would marry her. So her future shaped itself in Mademoiselle Bourienne’s head at the very time she was talking to Anatole about Paris. It was not calculation that guided her (she did not even for a moment consider what she should do), but all this had long been familiar to her, and now that Anatole had appeared it just grouped itself around him and she wished and tried to please him as much as possible.
The little princess, like an old war horse that hears the trumpet, unconsciously and quite forgetting her condition, prepared for the familiar gallop of coquetry, without any ulterior motive or any struggle, but with naïve and lighthearted gaiety.
Although in female society Anatole usually assumed the role of a man tired of being run after by women, his vanity was flattered by the spectacle of his power over these three women. Besides that, he was beginning to feel for the pretty and provocative Mademoiselle Bourienne that passionate animal feeling which was apt to master him with great suddenness and prompt him to the coarsest and most reckless actions.
After tea, the company went into the sitting room and Princess Mary was asked to play on the clavichord. Anatole, laughing and in high spirits, came and leaned on his elbows, facing her and beside Mademoiselle Bourienne. Princess Mary felt his look with a painfully joyous emotion. Her favorite sonata bore her into a most intimately poetic world and the look she felt upon her made that world still more poetic. But Anatole’s expression, though his eyes were fixed on her, referred not to her but to the movements of Mademoiselle Bourienne’s little foot, which he was then touching with his own under the clavichord. Mademoiselle Bourienne was also looking at Princess Mary, and in her lovely eyes there was a look of fearful joy and hope that was also new to the princess.
“How she loves me!” thought Princess Mary. “How happy I am now, and how happy I may be with such a friend and such a husband! Husband? Can it be possible?” she thought, not daring to look at his face, but still feeling his eyes gazing at her.
In the evening, after supper, when all were about to retire, Anatole kissed Princess Mary’s hand. She did not know how she found the courage, but she looked straight into his handsome face as it came near to her shortsighted eyes. Turning from Princess Mary he went up and kissed Mademoiselle Bourienne’s hand. (This was not etiquette, but then he did everything so simply and with such assurance!) Mademoiselle Bourienne flushed, and gave the princess a frightened look.
“What delicacy!” thought the princess. “Is it possible that Amelie” (Mademoiselle Bourienne) “thinks I could be jealous of her, and not value her pure affection and devotion to me?” She went up to her and kissed her warmly. Anatole went up to kiss the little princess’s hand.
“No! No! No! When your father writes to tell me that you are behaving well I will give you my hand to kiss. Not till then!” she said. And smilingly raising a finger at him, she left the room.
40 Anna Pávlovna.
41 The little one is charming.
They all separated, but, except Anatole who fell asleep as soon as he got into bed, all kept awake a long time that night.
“Is he really to be my husband, this stranger who is so kind—yes, kind, that is the chief thing,” thought Princess Mary; and fear, which she had seldom experienced, came upon her. She feared to look round, it seemed to her that someone was there standing behind the screen in the dark corner. And this someone was he—the devil—and he was also this man with the white forehead, black eyebrows, and red lips.
She rang for her maid and asked her to sleep in her room.
Mademoiselle Bourienne walked up and down the conservatory for a long time that evening, vainly expecting someone, now smiling at someone, now working herself up to tears with the imaginary words of her pauvre mère rebuking her for her fall.
The little princess grumbled to her maid that her bed was badly made. She could not lie either on her face or on her side. Every position was awkward and uncomfortable, and her burden oppressed her now more than ever because Anatole’s presence had vividly recalled to her the time when she was not like that and when everything was light and gay. She sat in an armchair in her dressing jacket and nightcap and Katie, sleepy and disheveled, beat and turned the heavy feather bed for the third time, muttering to herself.
“I told you it was all lumps and holes!” the little princess repeated. “I should be glad enough to fall asleep, so it’s not my fault!” and her voice quivered like that of a child about to cry.
The old prince did not sleep either. Tíkhon, half asleep, heard him pacing angrily about and snorting. The old prince felt as though he had been insulted through his daughter. The insult was the more pointed because it concerned not himself but another, his daughter, whom he loved more than himself. He kept telling himself that he would consider the whole matter and decide what was right and how he should act, but instead of that he only excited himself more and more.
“The first man that turns up—she forgets her father and everything else, runs upstairs and does up her hair and wags her tail and is unlike herself! Glad to throw her father over! And she knew I should notice it. Fr … fr … fr! And don’t I see that that idiot had eyes only for Bourienne—I shall have to get rid of her. And how is it she has not pride enough to see it? If she has no pride for herself she might at least have some for my sake! She must be shown that the blockhead thinks nothing of her and looks only at Bourienne. No, she has no pride … but I’ll let her see… .”
The old prince knew that if he told his daughter she was making a mistake and that Anatole meant to flirt with Mademoiselle Bourienne, Princess Mary’s self-esteem would be wounded and his point (not to be parted from her) would be gained, so pacifying himself with this thought, he called Tíkhon and began to undress.
“What devil brought them here?” thought he, while Tíkhon was putting the nightshirt over his dried-up old body and gray-haired chest. “I never invited them. They came to disturb my life—and there is not much of it left.”
“Devil take ’em!” he muttered, while his head was still covered by the shirt.
Tíkhon knew his master’s habit of sometimes thinking aloud, and therefore met with unaltered looks the angrily inquisitive expression of the face that emerged from the shirt.
“Gone to bed?” asked the prince.
Tíkhon, like all good valets, instinctively knew the direction of his master’s thoughts. He guessed that the question referred to Prince Vasíli and his son.
“They have gone to bed and put out their lights, Your Excellency.”
“No good … no good …” said the