to make sure everyone’s safe: the children, and those who are too sick or weak to make the journey to the Assembly.
It’s the Kraken who puts so much fear on their faces. He’s far away, but he’s everywhere in people’s minds.
I reach out for Faro’s hand. The rush of the Mer swimming past me makes my eyes blur and my head dizzy. So many of them. Young men, old women, groups of Mer who look so alike that they must be brothers or sisters, or cousins. They stream past us. All the faces are tense.
What if I can’t do it? What if I can’t help them? And I’ve got to go to the Deep, where the pressure of the ocean makes you feel as if you’re being crushed as thin as a piece of paper. And there’s no life… only the creatures of the Deep, and I don’t know any of them.
And the Kraken. The Deep is his home. It’s so dark down there that I won’t be able to see him or touch him until I’m—
Don’t think of it. The whale, that’s who I’ve got to think about. The whale who looked like a monster with her sides as tall as a cliff. I was afraid of her, but she helped me.
“Sapphire,” says a voice close to me. A figure pulls away from the flowing current of the Mer and swims to me. Her hair swirls back from her face.
“Elvira, is Mellina here?” My voice comes out harshly. I can’t help it. Why shouldn’t I be angry with the woman who stole my father? I push away the memory of Mellina’s gentle, welcoming smile, when I saw her face in Saldowr’s mirror. Long ago, before the Tide Knot broke and the flood came, and the Kraken stirred in the Deep.
Saldowr, Mellina, my father, the Deep. They’re all connected but I still can’t see how. It’s all happening too quickly. I shake my head to clear my thoughts.
“Mellina,” I repeat. “Is she with you?”
“No.” Elvira hesitates. “Sapphire, I have something to give to you.” She opens her hand. “I carved this. Will you give it to Conor for me?”
It’s coral. It’s a tiny figure, a young Mer man. The body is perfectly carved, but the face has no features. It could be anyone. There is a tiny hole through the tail.
“Take it,” says Elvira. “It’s for Conor.”
I’m not sure I want to touch it.
“It’s a talisman,” Faro murmurs in my ear. “It brings good fortune. Take it, Sapphire.”
I stare at the little coral carving in Elvira’s palm. She smiles at me. “Will you give it to him, Sapphire?”
The carving is so fine. It must have taken hours to make this little figures out of hard coral.
“Please give it to Conor,” says Elvira.
Suddenly the thought crosses my mind that the carving might be a charm, with magic in it to pull Conor to her, the way Mellina drew my father from Air to Ingo. Is it safe to take it? I hesitate again.
“Please, Sapphire. It’s for Conor’s good,” urges Elvira. Can I believe her? But if it’s a talisman, as Faro said, I can’t refuse it. Conor might need it. Good fortune. Something tells me that we’re going to need all the good fortune we can get against the Kraken.
I’ve never even heard of the Kraken before today, but something deep inside me recognised his name with a chill of fear. As if long ago, in another life, someone told me about the Kraken, in the way that human mothers tell stories of giants and ogres and witches…
The difference is that the Kraken is not a creature of myth. The fear in the Chamber is real and solid. The Kraken is awake…
My hand goes out, and takes the talisman.
It’s a grey evening, close to darkness, by the time I am out of Ingo. I shiver and stumble as I scramble up the rocks. Faro’s gone, and the rough grey surface of the sea hides everything.
Why didn’t I leave some dry clothes up on the rocks, above the tide line? Because you didn’t know you were going to Ingo, of course, you idiot. And now I’m freezing, shaking and shivering as I climb over the grassy lip of the cliff and start to scramble up the path. Bony fingers of last year’s brambles snatch at my hands. Up the path, up the track. What’s going to happen when I get home? I’ve been gone for hours. I was sitting in the sun when Morlader came to fetch us, and now it’s evening.
I reach our gate, dodge in past the rowan tree and through the door. We never bother to lock the cottage unless we’re going away.
I hope no one saw me running up the track with water dripping off my clothes.
“Conor? Mum? Roger?” I call. But I know they aren’t there. You can always tell if home is empty, because it has a completely different feeling. My voice echoes as if the cottage is a shell. I hurry up to the bathroom, strip off my clothes, find a towel and rub myself all over until my skin tingles. I’ll have to put on some of the hand-me-down clothes I hate wearing. And rinse my wet clothes quickly, to get the salt out of them before they shrink.
Mum mustn’t know. I put on an old pair of jeans that’s slightly too big for me, and a green top that’s about the best of the hand-me-downs. I clatter downstairs with my wet clothes in a bundle, quickly shove them into the washing machine and turn it on to Rinse and Spin.
Conor must still be down at Rainbow and Patrick’s, with Sadie. Mum and Roger have been over at Porthnance for hours. They must be buying up the town. Or maybe they’re just “getting a bit of space”. That’s what Roger says sometimes: Your mum and I need a bit of space. It’s extremely irritating, considering that Conor and I are out of the house most of the day. How much space do they need?
I make a mug of tea and a banana sandwich and carry them to the table. My body is limp with fatigue. It’s not swimming that’s worn me out – I can swim for miles in Ingo and not notice it. It’s the tunnel, and being so afraid, and then the tension of the Assembly and the battle of words and wits with Ervys. At least Faro and I didn’t have to come back through the tunnel. We came back the way the Mer usually go. It takes longer, but it’s much gentler. I couldn’t have faced the tunnel again. It’s easier when you do things innocently, for the first time, before you realise how tough they are.
Oh no, Conor’s carving is still in the zip pocket of my trousers! I punch the washing machine programme button and drag out the clothes. Water flops on to the floor but I don’t care. I unzip the pocket, and there’s the talisman. I lay it carefully on the table while I mop the floor, put the clothes back in the drum and restart the machine.
I sit down again. Under the electric light the carving is more beautiful than ever. I study it dreamily, admiring the strong curves of the Mer tail, the flowing hair, the line of the diving body. I know just how he feels as he plunges through Ingo, swooping through the water like a razor blade through silk. No, not really like a razor blade. Ingo welcomes you, and silk would never welcome the blade that cut it. Sometimes I have a very strange feeling that Ingo longs for me just as much as I long for Ingo. As if we need to be put back together in order to be whole. I must talk to Faro about it…
And then my eyes light on the headline of the newspaper that someone’s spread out on the table.
“New flood defence scheme for St Pirans!” it shouts. As if anything that humans can do would hold back the tides. I pull the paper towards me to read more, and that’s when I realise. It’s the Cornishman. But the Cornishman comes out on Thursdays, and it’s Wednesday today. This must be last week’s paper.
I stare at the date. It’s impossible. I blink, but the figures stay the same. I am looking at a newspaper which comes out tomorrow.
How long have I been gone? I’ve got to speak to Conor. But the flood took his mobile and he hasn’t got enough money yet