already I could see her eyes starting to glow: the seed of the dream being planted. “Just hope you grow tall and thin,” the mum added bitterly, “because if you ask me, they all look like aliens.”
At which point Nat put her chocolate cake down and spent the rest of the night sitting on the floor, with me pulling on her feet to make her legs longer.
And I spent the rest of the night talking about space travel.
It’s finally here.
Eight years of buying Vogue and not eating pudding (Nat, not me: I eat hers) and we’ve finally made it to the very edge of Nat’s destiny. I feel a bit like Sam in The Lord of the Rings, just before Frodo throws the ring into the fires of Mount Doom. Except in a more positive, magical way. With slightly less hairy feet.
Nat doesn’t look as excited as I thought she would. She looks terrified and as stiff as a board standing, totally still, in the middle of the NEC entrance. She’s staring at the crowd as if it’s a pond full of fish and she’s a really hungry cat, and – honestly – I’m not even sure she’s breathing. I’m tempted to put my head on her chest just to check.
The thing is: she’s doing it all wrong.
I know a lot about stories and magic – thanks to reading loads of books and also belonging to a forum on the internet – and the most basic rule is that it has to come as a surprise. Nobody hopped into a wardrobe to find Narnia; they hopped in, thinking it was just a wardrobe. They didn’t climb up the Faraway Tree, knowing it was a Faraway Tree; they thought it was just a really big tree. Harry Potter thought he was a normal boy; Mary Poppins was supposed to be a regular nanny.
It’s the first and only rule. Magic comes when you’re not looking for it.
But Nat’s looking for it, and the harder she looks, the less likely it is to turn up. She’s scaring the fashion magic off with her knowing, waiting vibes.
“Come on,” I say, trying to distract her by pulling at her (or technically my) coat sleeve. I need to get her to think about something else so that the magic can do its thing. “Let’s just go and shop, OK?”
“Mmm.”
I don’t think she can even hear me any more. “Look!” I say enthusiastically, pulling her to the nearest stall. “Nat, look! Handbags! Shoes! Hair bobbles!”
Nat gives me a distracted glance. “You’re dragging my coat on the floor.”
“Oh.” I bundle it back under my arm and start tugging Nat towards the next stall.
“What do you think?” I say, picking up a small blue sequined hat and plopping it on my head. When we were little, we’d spend hours and hours in department stores, trying on different hats and pretending we were going to a royal wedding.
“Uh-huh.” Nat gets a little bit more tense and looks over her shoulder.
“Come on, what about this one?” I pick up a large floppy hat covered in big pink flowers and put it on. “Look.” I wiggle my bottom at her.
Nat abruptly whips round. “Oh my God,” she whispers and it takes me a few seconds to realise that it has nothing at all to do with my bottom.
“Have you seen one?”
“I think so!” She looks again. “Yes, I think I can definitely see an agent!”
I peer into the crowd, but I can’t see anything. They must be like fairies: you can only see them when they want you to.
“Stay right here, Harriet,” Nat whispers urgently. She starts moving into the crowds. “Don’t move a muscle. I’ll be back in a second.”
Now I’m confused. “But…” This makes no sense. “Don’t you need me with you?” I call after her. “Isn’t that why I’m here? For support?”
“In spirit will do just fine, Harriet,” Nat shouts back. “Love you!”
And then she disappears completely.
s she kidding me? In spirit?
I could have done in spirit quite happily from my bedroom, thank you very much. I could have texted Nat support from my own fake deathbed. I pick up another hat crossly. Next time Nat wants me to go shopping, I am so throwing myself down the stairs.
“Excuse me?” a voice interrupts, and when I turn around, there’s a lady staring at me with a deep crease between her eyebrows. “Can you read?”
“Umm,” I reply in surprise. “Yes. Very well, actually. My reading age is over twenty. But thank you for asking.”
“Really? Can you read that sign there? Read it out loud.”
Poor lady. Maybe she didn’t go to all of her English lessons at school. “Of course,” I say in a friendly and – I hope – not patronising tone. Not everyone benefits equally from a full education system. “It says, Don’t Touch The Hats.”
There’s a pause and then I realise that she probably doesn’t have a literacy problem after all. “Oh,” I add as her meaning sinks in.
“That’s a hat,” she says pointing to the one in my hand. “And that’s a hat.” She points to the one on my head. “And you’re touching them all over.”
I quickly put the one in my hand back on the stall and grab the one on my head. “Sorry. It’s, erm, very…” What? How would you describe a hat? “Hatty,” I improvise, and then I pat it and put it back on the stall. At which point my chewed nail snags on a flower.
We both watch as the flower separates itself from the hat and throws itself on the floor, like a little child having a hissy fit. And then – as if in slow motion – what was clearly just one piece of thread breaks and, one by one, every other flower on the ribbon follows it.
Oh, sugar cookies.
“That’s a very interesting design concept,” I say after clearing my throat awkwardly a couple of times and starting to back away. “Self-detaching flowers? It’s very modern.”
“They’re not self-detaching,” Hat Lady says in a low, angry voice, staring at the pile on the floor. “You detached them.” And then she points at a felt-tip sign that says You Break It You Buy It, followed by the most inappropriately placed smiley face I have ever seen in my entire life. “And now you’re going to have to pay for it.”
God. She sounds a little bit like someone from the Italian Mafia. Maybe the Italian Mafia has a hat section.
“You know,” I say, backing away a little bit faster. “You are very lucky that hat didn’t kill me. I could have choked on one of those flowers and died. The playwright Tennessee Williams died from choking on a bottle cap. Then how would you have felt?”
“I’ll take a cheque or debit card details.”
I take a few more steps backwards and she follows. “Tell you what,” I say in the most lawyer-y, Annabel-like voice I can find. “How about I forget that you tried to kill me if you forget that I broke your hat? How does that sound?”
“Pay for the hat,” she says, taking another step towards me.
“No.”
“Pay for the hat.”
“I can’t.”
“Pay for the h—”
At which point fate or karma or the universe or a God who doesn’t like me very much steps in. And sends me flying bottom-first into the rest of her stall.