easily forget whatever in their past diminishes them in their eyes.”
“It’s your eyes that I was thinking of, for I’m sure I’ve never wished to forget anything till you came up to me that night and looked me through and through. I know I’m not much account; but I know how to stand by a man. I stood by father ever since I could understand. He wasn’t a bad chap. Now that I can’t be of any use to him, I would just as soon forget all that and make a fresh start. But these aren’t things that I could talk to you about. What could I ever talk to you about?”
“Don’t let it trouble you,” Heyst said. “Your voice is enough. I am in love with it, whatever it says.”
She remained silent for a while, as if rendered breathless by this quiet statement.
“Oh! I wanted to ask you—”
He remembered that she probably did not know his name, and expected the question to be put to him now; but after a moment of hesitation she went on:
“Why was it that you told me to smile this evening in the concert-room there—you remember?”
“I thought we were being observed. A smile is the best of masks. Schomberg was at a table next but one to us, drinking with some Dutch clerks from the town. No doubt he was watching us—watching you, at least. That’s why I asked you to smile.”
“Ah, that’s why. It never came into my head!”
“And you did it very well, too—very readily, as if you had understood my intention.”
“Readily!” she repeated. “Oh, I was ready enough to smile then. That’s the truth. It was the first time for years I may say that I felt disposed to smile. I’ve not had many chances to smile in my life, I can tell you; especially of late.”
“But you do it most charmingly—in a perfectly fascinating way.”
He paused. She stood still, waiting for more with the stillness of extreme delight, wishing to prolong the sensation.
“It astonished me,” he added. “It went as straight to my heart as though you had smiled for the purpose of dazzling me. I felt as if I had never seen a smile before in my life. I thought of it after I left you. It made me restless.”
“It did all that?” came her voice, unsteady, gentle, and incredulous.
“If you had not smiled as you did, perhaps I should not have come out here tonight,” he said, with his playful earnestness of tone. “It was your triumph.”
He felt her lips touch his lightly, and the next moment she was gone. Her white dress gleamed in the distance, and then the opaque darkness of the house seemed to swallow it. Heyst waited a little before he went the same way, round the corner, up the steps of the veranda, and into his room, where he lay down at last—not to sleep, but to go over in his mind all that had been said at their meeting.
“It’s exactly true about that smile,” he thought. There he had spoken the truth to her; and about her voice, too. For the rest—what must be must be.
A great wave of heat passed over him. He turned on his back, flung his arms crosswise on the broad, hard bed, and lay still, open-eyed under the mosquito net, till daylight entered his room, brightened swiftly, and turned to unfailing sunlight. He got up then, went to a small looking-glass hanging on the wall, and stared at himself steadily. It was not a new-born vanity which induced this long survey. He felt so strange that he could not resist the suspicion of his personal appearance having changed during the night. What he saw in the glass, however, was the man he knew before. It was almost a disappointment—a belittling of his recent experience. And then he smiled at his naiveness; for, being over five and thirty years of age, he ought to have known that in most cases the body is the unalterable mask of the soul, which even death itself changes but little, till it is put out of sight where no changes matter any more, either to our friends or to our enemies.
Heyst was not conscious of either friends or of enemies. It was the very essence of his life to be a solitary achievement, accomplished not by hermit-like withdrawal with its silence and immobility, but by a system of restless wandering, by the detachment of an impermanent dweller amongst changing scenes. In this scheme he had perceived the means of passing through life without suffering and almost without a single care in the world—invulnerable because elusive.
For fifteen years Heyst had wandered, invariably courteous and unapproachable, and in return was generally considered a “queer chap.” He had started off on these travels of his after the death of his father, an expatriated Swede who died in London, dissatisfied with his country and angry with all the world, which had instinctively rejected his wisdom.
Thinker, stylist, and man of the world in his time, the elder Heyst had begun by coveting all the joys, those of the great and those of the humble, those of the fools and those of the sages. For more than sixty years he had dragged on this painful earth of ours the most weary, the most uneasy soul that civilization had ever fashioned to its ends of disillusion and regret. One could not refuse him a measure of greatness, for he was unhappy in a way unknown to mediocre souls. His mother Heyst had never known, but he kept his father’s pale, distinguished face in affectionate memory. He remembered him mainly in an ample blue dressing-gown in a large house of a quiet London suburb. For three years, after leaving school at the age of eighteen, he had lived with the elder Heyst, who was then writing his last book. In this work, at the end of his life, he claimed for mankind that right to absolute moral and intellectual liberty of which he no longer believed them worthy.
Three years of such companionship at that plastic and impressionable age were bound to leave in the boy a profound mistrust of life. The young man learned to reflect, which is a destructive process, a reckoning of the cost. It is not the clear-sighted who lead the world. Great achievements are accomplished in a blessed, warm mental fog, which the pitiless cold blasts of the father’s analysis had blown away from the son.
“I’ll drift,” Heyst had said to himself deliberately.
He did not mean intellectually or sentimentally or morally. He meant to drift altogether and literally, body and soul, like a detached leaf drifting in the wind-currents under the immovable trees of a forest glade; to drift without ever catching on to anything.
“This shall be my defence against life,” he had said to himself with a sort of inward consciousness that for the son of his father there was no other worthy alternative.
He became a waif and stray, austerely, from conviction, as others do through drink, from vice, from some weakness of character—with deliberation, as others do in despair. This, stripped of its facts, had been Heyst’s life up to that disturbing night. Next day, when he saw the girl called Alma, she managed to give him a glance of frank tenderness, quick as lightning and leaving a profound impression, a secret touch on the heart. It was in the grounds of the hotel, about tiffin time, while the Ladies of the orchestra were strolling back to their pavilion after rehearsal, or practice, or whatever they called their morning musical exercises in the hall. Heyst, returning from the town, where he had discovered that there would be difficulties in the way of getting away at once, was crossing the compound, disappointed and worried. He had walked almost unwittingly into the straggling group of Zangiacomo’s performers. It was a shock to him, on coming out of his brown study, to find the girl so near to him, as if one waking suddenly should see the figure of his dream turned into flesh and blood. She did not raise her shapely head, but her glance was no dream thing. It was real, the most real impression of his detached existence—so far.
Heyst had not acknowledged it in any way, though it seemed to him impossible that its effect on him should not be visible to anyone who happened to be looking on. And there were several men on the veranda, steady customers of Schomberg’s table d’hote, gazing in his direction—at the ladies of the orchestra, in fact. Heyst’s dread arose, not out of shame or timidity, but from his fastidiousness. On getting amongst them, however,