and found a stone to put under the bench leg where the concrete had crumbled.
“Must be all the rain we’ve been having. Worn it away. I should talk to the Council about that,” he muttered, looking around as if somebody might be nearby and he could tell them to fix the problem.
He sighed and looked at me. “You know, sooner or later you’re going to have to speak. How else are you going to get what you want?”
19.
DAD AND LUKE WERE REARRANGING FURNITURE. We had a two-seater sofa and two armchairs. You couldn’t see the TV very well whichever way round they moved them. Or you couldn’t get from the kitchen area to the sitting-room part without climbing over the back of the sofa.
Dad muttered, “There’s not enough room to swing a cat.”
Luke said, “We haven’t got a cat.”
“It’s a figure of speech, Luke.”
“I’m not stupid, I know what it means.”
“We’ve got too much stuff so, cat or no cat, something’s got to go. We’ll have to do without one of the armchairs.”
“But that means there’ll only be three seats.”
“Well, there’s only three of us, Luke. Three seats, three people; do the maths.”
“But what if someone comes round?”
“Like who?”
Luke huffed and rolled his eyes. He said under his breath, “No wonder Cally doesn’t want to speak to you.”
“Well, I don’t know, do I?” Dad muttered.
Dad and Luke carried the armchair downstairs. They left it outside the front with a note saying ‘Free to Good Home’.
Dad packed up Mum’s old cooking equipment because we didn’t have enough cupboards for it to live in. He packed up the books and photo albums, and his guitar, mumbling it was broken; all the things that hadn’t been touched for over a year were put back in the boxes.
Dad looked at his watch, said he had to go and meet up with some people from work. “Find somewhere for those boxes, Luke. I won’t be long.”
But Luke didn’t. He was too busy on his computer, swerving racing cars round corners. So I took them, to make sure we kept everything, dragged the armchair through the passageway and tipped it sideways to get it through the back door, put everything in the shed. I took my drawing things and put them in there too.
All the walls were browny-orange in the shed and it smelled of new paint. It had been empty except for a big umbrella. I tucked my feet under, curled up in the armchair. It was like having my own house, big inside, and full of important things.
I drew a picture of Homeless with Mum in her raincoat and hat and left an empty bubble for her to say something. I looked at the picture and imagined telling Mum what colour I wanted my bedroom painted and she said, Just like the depths of the ocean, or the evening sky. I said, “How come you can’t see stars in the daytime?” And she said, I was never any good at science, but I do know that lights shine best in the dark. And I said, “That’s why we have fireworks at night,” and she laughed.
20.
“WE NEED TO DO SOMETHING ABOUT YOUR breathing,” boomed Mr Crisp, at the end of Monday’s music lesson. “Especially those of you singing in the end-of-term concert.”
He was in charge of singing, plays and concerts and, I thought, general happiness. He had misty white hair and a belly full of laughter.
“Think of it like this: we’re full of air.”
“No, we’re not, sir. We’re mostly water!”
“Daniel Bird, this isn’t a science lesson, it’s music. Different rules apply.”
“But that’s what Miss Steadman said.”
Mr Crisp could make one eyebrow go up. “If you want to be totally scientific about it, we’re mostly made of space, and a space is where the sounds need to come out. Now, everyone, open your mouth wide. You should be able to fit two fingers in the gap. That’s two fingers, Daniel Bird, not your whole hand!”
He slapped his round belly. “Good! Now put your hands either side of your belly button, fill your lungs, feel your belly expand. Daniel, you can take your fingers out now.”
I opened my mouth when we were supposed to sing. But no sounds came out. I didn’t let them.
“Hmm, better, those of you who tried,” said Mr Crisp, doing that thing with one eyebrow again. “You know, sounds end up coming out of your mouth, but they start with the air much, much further down.”
Then the bell rang and he said, “Cally Fisher, I’d like to speak to you a minute.” He sat and beckoned me over.
“I’ve noticed your name’s not down for the concert,” he said, when everyone had gone. “Conspicuous by your absence, as they say. I would’ve thought you’d like to stand up in front of everyone and sing your heart out.”
He tapped his fingers over his mouth and then along an electronic keyboard, like it was helping him think. No sound came out; it wasn’t plugged in.
“Remember when we did Charlotte’s Web in Year Four? Your performance, your magnum opus. Remember?”
Even I remembered my lines from two years ago. Charlotte the spider (that was me in a padded black costume with long legs held up on sticks) had made her egg sac, filled with 500 eggs. Harry Turner was Wilbur the pig and he had to say, “What’s a magnum opus?” and I had to say, “It means a great work; it’s the finest thing I ever did.”
“Remember?” Mr Crisp said, looking up as if he could see the past in the ceiling. “You made your mum proud that day. And I know she would have loved to have seen you in Olivia! last year.”
He stopped for a moment, so we could both think about why she hadn’t been able to be there, so the sadness didn’t have to come out. When he started talking again, his voice was rich and warm, from deep in his belly.
“You know she came in to see me a few days before the show. She didn’t tell me what it was, but she said she had a surprise planned for you, to show how much your singing meant to her.”
I never found out what it was either. But what he said made my heart feel wide. I knew he was thinking of exactly the time he saw her because it made the words full of her, breathed her alive, brought her to me, to us.
“So, Miss Fisher, it’s not too late, if you still want to sing. I’m prepared to make an exception in this case.”
He waited a minute. He ran his fingers the whole way along the keyboard and then slapped his hands in his lap.
“Off you go then, but remember, you can come back and see me any time.” He switched on the plug and started playing. His hair billowed like a thick mist.
I walked slowly to the door. I liked that he didn’t go on at me or look disappointed. I liked the music he made.
As I opened the door, he stopped playing. He held out his arms to show the drums and tambourines, the recorders and guitars, the rows of silent keyboards, and called out, “You know, unless someone uses these instruments, they’re just shapes of wood and plastic and metal. I think you can still make your mum proud.”
21.
SAM WAS LEANING ON THE GATE WHEN I CAME home from school. He reached out, swept his hand over my face so he knew who I was. I pushed the gate and he laughed as he swung away.
He had an old-fashioned camera with him. He held the camera up to his face, one hand on my shoulder, and pressed the button. While I watched, the camera whirred and out rolled a greyish shiny piece of paper. Then a photograph