Carne said you had Mer blood, but she didn’t tell you to forget that you’re human.”
I went up to my room. I didn’t want to talk about Ingo any more. I was afraid that Conor might say, “Forget about Ingo, Saph. Put it all behind you, and get on with real life.”
Yes, I do miss home. I only let myself think about it at night, before I go to sleep. I miss our cottage, the cove, the Downs, Jack’s farm. I miss watching the lights of the cottages shine out at night and knowing who lives in every one of them. I miss Dad even more in St Pirans, because not many people here ever knew him. They think Mum’s a single parent because she’s divorced, until we explain. Everyone in Senara knew Dad, right back to when he was a little boy, and they knew all our family. Even if Dad wasn’t there, he was still present in people’s memories.
At least I still go to the same school. Conor’s transferred to St Pirans school, but I didn’t want to. I don’t mind going on the school bus to my old school. I had to fight hard, though. Mum said that I should go to school here in St Pirans so that I’d make friends locally and “settle in”. Strangely enough it was Roger, Mum’s boyfriend, who supported me. He said, “Sapphire’s had a lot of changes. She needs some continuity in her life.” Mum listens to what Roger says, and to be honest, Roger never talks without thinking first.
That’s the trouble with Roger. It would be easier if I could just dislike him. Hate him, even. But he won’t let me. He keeps doing things which trick me into liking him, until I remember that I mustn’t like him because it is so disloyal to Dad. But it was Roger who made sure I got Sadie. And it’s Mum who talks about “settling in” all the time, not Roger. Roger says you have to give everything time, and that we’ve all got to cut each other some slack, take it easy and let things fall into place. Roger is very laid-back about most things, but he can be tough, too.
Settling in. I hate that phrase so much. Even worse are the adults who tell Mum that children are very adaptable and soon forget the past.
“Not Sapphire,” says Mum grimly when people tell her how quickly we’ll get used to our new life. “Her mind is closed.”
Is my mind closed? No. It’s wide open. I’m always waiting.
Every day I go down to the beach, to the water’s edge, and listen. When we first got here in September, there were still tourists on the beach. Naturally, Faro kept away. I didn’t really expect to see him. But if I was going to see him on any of the St Pirans beaches, it would be at Polquidden – the wildest beach. The storms crash in here from the southwest, and at low tide you can see the remains of a steam-ship wreck. I think Polquidden Beach is the closest that St Pirans comes to Ingo. The rocks at the side of the beach are black, heaped up into shapes like the head and shoulders of a man. Sometimes when I’m down there with Sadie, I catch myself scanning those rocks, looking for a shape like a boy with his wetsuit pulled down to his waist. A shape that is half-human, half-seal, but not quite like either of these.
Faro. He came last night. If my mind had been closed I would never have heard the voice of Ingo. That’s why I can’t settle into St Pirans. I mustn’t. I’ve got too much to lose.
“Saph! Saa-aaphh!”
I spin round. Sadie bounds forward. It’s Conor, running down the beach.
“There you are, Saph. I’ve been looking all over for you. Come on.”
“What’s happened?”
“Something amazing. Come quick—”
My heart leaps. I know what Conor’s going to tell me. We’re going back to Senara. Mum’s tired of St Pirans. Maybe… maybe she’s splitting up with Roger. We’re going home!
“There’s a pod of dolphins in the bay. They’re playing off Porthchapel, close in. Mal’s dad is taking the boat out, and he says we can both come if we get there quick.”
“What about Sadie?”
“We’ll drop her at the house on the way.”
Our house is in a street close to Polquidden, tucked away behind the row of cottages and studios which faces the beach. We leave Sadie there and race through the narrow streets. Even Conor’s out of breath. He ran all the way from Porthchapel so that I could get the chance of going out in the boat too.
“Thanks, Conor!”
“What?”
“For not just going out – in the boat – without me…”
“I wouldn’t go without you.”
We cross the square, go down the Mazey and we’re nearly there. Porthchapel Beach stretches ahead. There’s a little crowd of people, and a bright orange inflatable boat in the water.
“Come on, Saph! They’re ready to go.”
Mal’s Dad gives us a lifejacket each, and we fix them on while he starts the engine. Mal splashes thigh-deep in water, pushing the boat out.
“We’ll take her out in the bay a bit, then I’ll kill the engine so we don’t scare them,” says Mal’s dad. “Mind, they like boats. I reckon there’s about twelve of them in the pod, could be more. November – it’s late in the year to see them here.”
There are a dozen or more people at the water’s edge. More are hurrying down the slope from the putting green. I shade my eyes and scan the water. Porthchapel Beach is sheltered and the sea is always calmer here than on Polquidden. Suddenly I see what I’m looking for. The water breaks, and a dark, glistening shape breaches the water. The back of a dolphin, streaming with water as it leaps and then dives back into the sea. Another dolphin breaches, and then another. They swim in a half-circle, in tight formation. Suddenly five of them leap at once, as if the same thought came to them all at the same instant.
One dolphin is much smaller than the others. A young one, probably a calf born in the spring. It’s almost a baby, even in dolphin terms.
Dad taught me about dolphins. He loved them. He took loads of photographs of them. He knew the ones that came back year after year, but he said it was wrong to give dolphins human names and human characteristics. They know what their names are, he always said. They have their own language. They’re better communicators than we are.
The dolphin calf is swimming close to its mother. She’ll be taking him south soon, to warmer waters. Wherever the dolphins are, Ingo is there too, I remember that. Even when they show their backs above the water, or leap right through the skin into the Air, they still carry Ingo with them. So Ingo must be very close…
A pod is like a family of dolphins, and here they are, playing in full view of the humans whom they ought to fear. I count them. Six – eight – eleven – yes, Mal’s dad is right, there are twelve dolphins here. They don’t seem at all afraid of us. But they should be afraid. Why should they trust a boatload of humans?
They’re coming closer and closer inshore. People on the beach are waving and clapping. Mal’s father switches off the engine and lets the boat rock. A long swell moves under the water’s surface. Little waves slap the side of our boat. I sit forward, tense, waiting. Something is about to happen. Every sound seems to die away, even the noises of the sea and the people cheering the dolphins.
One of the dolphins leaps high out of the water.
“She’s seen us. She wants to talk to us,” I say under my breath to Conor. Mal glances at me.
Conor turns casually and murmurs in my ear. “Be careful, Saph.”
Mal’s dad stands up, legs braced for balance, camera in hand. “Should be able to get some good shots from here,” he says.
I was wrong. It isn’t quiet at all. Sound floods across the water in a wave. The dolphins are talking to each other. There are more than a dozen voices, weaving together, clicking and whistling, filling the sea with a net of sound. Cautiously, so that my weight balances that of Mal’s dad, I stand up too.
“Careful,