she’d pulled a face and called it rovina. Bel, whose Italian was fluent, had translated it for the others; ‘ruin’. Time to find out whether Grazia was telling the truth or just trying to divert the interest of the rich English women.
The path through the long grass was still surprisingly clear, bare soil packed hard by years of foot traffic. Bel took the opportunity to pick up speed, then slowed as she reached the edge of the gated courtyard in front of the old farmhouse. The gates were dilapidated, hanging drunkenly from hinges that were barely attached to the tall stone posts. A heavy chain and padlock held them fastened. Beyond, the courtyard’s broken paving was demarcated with tufts of creeping thyme, camomile and coarse weeds. Bel shook the gates without much expectation. But that was enough to reveal that the bottom corner of the right-hand gate had parted company completely with its support. It could readily be pulled clear enough to allow an adult through the gap. Bel slipped through and let go. The gate creaked faintly as it settled back into place, returning to apparent closure.
Close up, she could understand Grazia’s description. Anyone taking this project on would be in thrall to the builders for a very long time. The house surrounded the courtyard on three sides, a central wing flanked by a matching pair of arms. There were two storeys, with a loggia running round the whole of the upper floor, doors and windows giving on to it, providing the bedrooms with easy access to fresh air and common space. But the loggia floor sagged, what doors remained were skewed, and the lintels above the windows were cracked and oddly angled. The window panes on both floors were filthy, cracked or missing. But still the solid lines of the attractive vernacular architecture were obvious and the rough stones glowed warm in the morning sun.
Bel couldn’t have explained why, but the house drew her closer. It had the raddled charm of a former beauty sufficiently self-assured to let herself go without a fight. Unpruned bougainvillea straggled up the peeling ochre stucco and over the low wall of the loggia. If nobody chose to fall in love with this place soon, it was going to be overwhelmed by vegetation. In a couple of generations, it would be nothing more than an inexplicable mound on the hillside. But for now, it still had the power to bewitch.
She picked her way across the crumbling courtyard, passing cracked terracotta pots lying askew, the herbs they’d contained sprawling and springing free, spicing the air with their fragrances. She pushed against a heavy door made of wooden planks hanging from a single hinge. The wood screeched against an uneven floor of herringbone brick, but it opened wide enough for Bel to enter a large room without squeezing. Her first impression was of grime and neglect. Cobwebs were strung in a maze from wall to wall. The windows were mottled with dirt. A distant scurrying had Bel peering around in panic. She had no fear of news editors, but four-legged rats filled her with revulsion.
As she grew accustomed to the gloom, Bel realized the room wasn’t completely empty. A long table stood against one wall. Opposite was a sagging sofa. Judging by the rest of the place, it should have been rotten and filthy, but the dark red upholstery was still relatively clean. She filed the oddity for further consideration.
Bel hesitated for a moment. None of her friends, she was sure, would be urging her to penetrate deeper into this strange deserted house. But she had built her career on a reputation for fearlessness. Only she knew how often the image had concealed levels of anxiety and uncertainty that had reduced her to throwing up in gutters and strange toilets. Given what she’d faced down in her determination to secure a story, how scary could a deserted ruin be?
A doorway in the far corner led to a cramped hallway with a worn stone staircase climbing up to the loggia. Beyond, she could see another dark and grubby room. She peered in, surprised to see a thin cord strung across one corner from which half a dozen metal coat hangers dangled. A knitted scarf was slung round the neck of one of the hangers. Beneath it, she could see a crumpled pile of camouflage material. It looked like one of the shooting jackets on sale at the van that occupied the lay-by opposite the café on the main Colle Val d’Elsa road. The women had been laughing about it just the other day, wondering when exactly it had become fashionable for Italian men of all ages to look as if they’d just walked in from a tour of duty in the Balkans. Weird, she thought. Bel cautiously climbed the stairs to the loggia, expecting the same sense of long-abandoned habitation.
But as soon as she emerged from the stairwell, she realized she’d stepped into something very different. When she turned to her left and glanced in the first door, she understood this house was not what it seemed. The rancid mustiness of the lower floor was only a faint note here, the air almost as fresh as it was outside. The room had obviously been a bedroom, and fairly recently at that. A mattress lay on the floor, a bedspread flung back casually across the bottom third. It was dusty, but had none of the ingrained grime the lower floor had led Bel to expect. Again, a cord was strung across the corner. There were a dozen empty hangers, but the final three held slightly crumpled shirts. Even from a distance, she could see they were past their best, fade lines across the sleeves and collars.
A pair of tomato crates acted as bedside tables. One held a stump of candle in a saucer. A yellowed copy of the Frankfurter Allgemeine Zeitung lay on the floor next to the bed. Bel picked it up, noting that the date was less than four months ago. So that gave her an idea of when this place had been last abandoned. She lifted one of the shirtsleeves and pressed it to her nose. Rosemary and marijuana. Faint but unmistakable.
She went back to the loggia and checked out the other rooms. The pattern was similar. Three more bedrooms containing a handful of leftovers - a couple of T-shirts, paperbacks and magazines in English, Italian and German, half a bottle of wine, the stub of a lipstick, a leather sandal whose sole had parted company with its upper - the sort of things you would leave behind if you were moving out with no thought of who might come after. In one, a bunch of flowers stuck in an olive jar had dried to fragility.
The final room on the west side was the biggest so far. Its windows had been cleaned more recently than any of the others, its shutters renovated and its walls whitewashed. Standing in the middle of the floor was a silk-screen printing frame. Trestle tables set against one wall contained plastic cups stained inside with dried pigments, and brushes stiff with neglect. A scatter of spots and blots marked the floor. Bel was intrigued, her curiosity overcoming any lingering nervousness at being alone in this peculiar place. Whoever had been here must have cleared out in a hurry. Leaving a substantial silk-screen frame behind wasn’t what you would do if your departure was planned.
She backed out of the studio and made her way along the loggia to the wing opposite. She was careful to stay close to the wall, not trusting the undulating brick floor with her weight. She passed the bedroom doors, feeling like a trespasser on the Mary Celeste. A silence unbroken even by bird-song accentuated the impression. The last room before the corner was a bathroom whose nauseating mix of odours still hung in the air. A coil of hosepipe lay on the floor, its tail end disappearing through a hole in the masonry near the window. So they had improvised some sort of running water, though not enough to make the toilet anything less than disgusting. She wrinkled her nose and backed away.
Bel rounded the corner just as the sun cleared the corner of the woods, flooding her in sudden warmth. It made her entry into the final room all the more chilling. Shivering at the dank air, she ventured inside. The shutters were pulled tight, making the interior almost too dim to discern anything. But as her eyes adjusted, she gained a sense of the room. It was the twin of the studio in scale, but its function was quite different. She crossed to the nearest window and struggled with the shutter, finally managing to haul it halfway open. It was enough to confirm her first impression. This had been the heart of the occupation of the casa rovina. A battered old cooking range connected to a gas cylinder stood by a stone sink. The dining table was scarred and stripped to the bare wood, but it was solid and had beautifully carved legs. Seven unmatched chairs sat around it, an eighth overturned a few feet away. A rocking chair and a couple of sofas lined the walls. Odd bits of crockery and cutlery lay scattered around, as if the inhabitants couldn’t be bothered collecting them when they’d left.
As Bel walked back from the window, a rickety table caught her eye. Standing behind the door, it was easy to miss. An untidy scatter of what appeared to be posters lay across it. Fascinated, she moved towards it. Two strides and she stopped short, her sharp gasp echoing in the dusty air.