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      V.L. McDERMID

       Report for Murder

      This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons living or dead, events or localities is entirely coincidental.

      HarperCollinsPublishers Ltd. 1 London Bridge Street London SE1 9GF

       www.harpercollins.co.uk

      First published in Great Britain by The Women’s Press Ltd 1987

      Copyright © Val McDermid 1987

      Val McDermid asserts the moral right to be identified as the author of this work

      A catalogue copy of this book is available from the British Library

      All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks

      HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication

      Source ISBN: 9780007385089

      Ebook Edition © OCTOBER 2010 ISBN: 9780007301775

      Version: 2018-04-06

       For Gill

      Contents

       Cover

       Title Page

       7

       8

       9

       10

       11

       12

       PART THREE: FUGUE

       13

       14

       15

       16

       PART FOUR: FINALE

       17

       18

       19

       20

       21

       PART FIVE: CODA

       22

       Keep Reading

       About the Author

       Also by the Author

       About the Publisher

       Foreword

      I grew up reading mysteries. From Agatha Christie to Ruth Rendell, from Rex Stout to Chandler and Hammett, I devoured them all. But what started me working on the first Lindsay Gordon novel, Report for Murder, in the mid-1980s was the chance to march to a different drum.

      There was a new wave breaking on the shores of crime fiction, and it was led by women. Even though there had never been any shortage of female protagonists in the genre, you’d have been hard pressed to find many you could call feminists. But by the early 80s, a new breed of women had emerged.

      They were mostly PIs, though there were a few amateurs among them. What marked them out was their politics. Whether they called themselves feminists or not, they were strong, independent women with a brain and a sense of humour, but most of all, they had agency. They didn’t shout for male help when the going got tough. They dealt with things on their own terms.

      Another key difference was that these stories were organic. They weren’t random murders bolted on to a random setting. The crimes grew out of their environment – the particular jobs people did, the lives they led, the situations and recreations they were involved in.

      devoured every one of those books I could get my hands on. Sara Paretsky, Barbara Wilson, viSue Grafton, Marcia Muller, Mary Wings, Katherine