it was her turn, she conceded that she now remembered everything up to the point at which she had been scanned or atomized or replicated by the Crawler that lived in the tunnel/tower—the moment of her creation, which might have been the moment of the biologist’s death. The Crawler and the lighthouse keeper’s face, burning through the layered myths of its construction, made disbelief shine through Control as if he were a translucent deep-sea fish. Among all the impossible things he had already witnessed, what were a few more?
He asked no questions that had not been asked in some form by the biologist, the surveyor, the anthropologist, or the psychologist during the twelfth expedition.
Somehow that created an uncomfortable doubling effect, too, one that she argued about in her own head. Because she did not agree with her own decisions at times—the biologist’s decisions. Why had her other self been so careless with the words on the wall? For example. Why hadn’t she confronted the psychologist/director as soon as she knew about the hypnosis? What had been gained by going down to find the Crawler? Some things Ghost Bird could forgive, but others grated and drove her into spirals of might-have-beens that infuriated her.
The biologist’s husband she rejected entirely, without ambivalence, for there came with the husband the desolation of living in the city. The biologist had been married but Ghost Bird wasn’t, released from responsibility for any of that. She didn’t really understand why her double had put up with it. Among the misunderstandings between her and Control: having to make clear that her need for lived-in experience to supplant memories not her own did not extend to their relationship, whatever image of her he carried in his head. She could not just plunge into something physical with him and overlay the unreal with the ordinary, the mechanical, not when her memories were of a husband who had come home stripped of memories. Any compromise would just hurt them both, was somehow beside the point.
Standing there in front of the skeleton of the moaning creature, Control said: “Then I might end up like this? Some version of me?”
“We all end up like this, Control. Eventually.”
But not quite like this, because from those eye sockets, from the moldering bones, came a sense of a brightness still, a kind of life—a questing toward her that she rebuffed and that Control could not sense. Area X was looking at her through dead eyes. Area X was analyzing her from all sides. It made her feel like an outline created by the regard bearing down on her, one that moved only because the regard moved with her, held her constituent atoms together in a coherent shape. And yet, the eyes upon her felt familiar.
“The director might have been wrong about the biologist, but perhaps you’re the answer.” Said only half sarcastically, as if he almost knew what she was receiving.
“I’m not an answer,” she said. “I’m a question.” She might also be a message incarnate, a signal in the flesh, even if she hadn’t yet figured out what story she was supposed to tell.
She was thinking, too, about what she had seen on the journey into Area X, how it had seemed as if to both sides there lay nothing around them but the terrible blackened ruins of vast cities and enormous beached ships, lit by the roaring red and orange of fires that did nothing but cast shadow and obscure the distant view of mewling things that crawled and hopped through the ash. How she had tried to block out Control’s rambling confessions, the shocking things he said without knowing, so that she did not think he had a secret she did not now know. Pick up the gun … Tell me a joke … I killed her, it was my fault … Had whispered hypnotic incantations in his ear to shut out not only his words but also the horror show around them.
The skeleton before them had been picked clean. The discolored bones were rotting, the tips of the ribs already turned soft with moisture, most of them broken off, lost in the mud.
Above, the storks still banked and wheeled this way and that in an intricate, synchronized aerial dance more beautiful than anything ever created by human minds.
On the weekends, your refuge is Chipper’s Star Lanes, where you’re not the director of the Southern Reach but just another customer at the bar. Chipper’s lies off the highway well out of Bleakersville, one step up from being at the end of a dirt road. Jim Lowry’s people back at Central might know the place, might be watching and listening, but you’ve never met anyone from the Southern Reach there. Even Grace Stevenson, your second-in-command, doesn’t know about it. For a disguise, you wear a T-shirt for a local construction company or a charity event like a chili cook-off and an old pair of jeans from the last time you were fat, sometimes topped off with a baseball cap advertising your favorite barbecue joint.
You go bowling there, like you used to with your dad as a kid, but you usually start out front, solo, on Chipper’s rotting but still functional Safari Adventure miniature golf course. The lions at the ninth hole are a sleeping huddle of dreamy plastic melted and blackened at the edges from some long-ago disaster. The huge hippo bestride the course-ending eighteenth has dainty ankles, and flaked-off splotches reveal blood-red paint beneath, as if its makers had been too obsessed with making it real.
Afterward you’ll go inside and bowl a few pickup games with anyone who needs a fourth, under the fading universe painted on the ceiling—there’s Earth, there’s Jupiter, there’s a purpling nebula with a red center, all of it lit up at night with a cheesy laser show. You’re good for four or five games, rarely top two hundred. When done, you sit at the dark, comfortable bar. It’s been shoved into a back corner as far from the room of stinking shoes as possible, and somehow the acoustics muffle the squeak, bump, and rumble of the bowling. Everything here is still too close to Area X, but as long as no one knows, that information can keep on killing the customers as slowly as it has over the past decades.
The Chipper’s bar attracts mostly stalwart regulars, because it’s really a dive, with dark felt stapled to the ceiling that’s meant to be sprinkled with stars. But whatever the metal that’s nailed up there, looking more like an endless series of sheriff’s badges from old Westerns, it’s been rusting for a long time, so now it’s become a dull black punctuated by tiny reddish-brown starfish. A sign in the corner advertises the Star Lanes Lounge. The lounge part consists of half a dozen round wooden tables and chairs with black fake-leather upholstery that look like they were stolen long ago from a family-restaurant chain.
Most of your comrades at the bar are heavily invested in the sports leaking out of the silent, closed-caption TV; the old green carpet, which climbs the side walls, soaks up the murmur of conversations. The regulars are harmless and rarely raucous, including a Realtor who thinks she is the knower of all things but makes up for it by being able to tell a good story. Then there’s the silver-bearded seventy-year-old man who’s almost always standing at the end of the bar drinking a light beer. He’s a veteran of some war, veers between laconic and neighborly.
Your psychologist cover story feels wrong here, and you don’t like using it. Instead, you tell anyone who asks that you’re a long-haul trucker between jobs and take a drag on your bottle of beer to end that part of the conversation. People find the idea of that line of work plausible; maybe something about your height and broad frame sells them on it. But most nights you can almost believe you are a trucker, and that these people are your sort-of friends.
The Realtor says the man’s not a veteran, just “an alcoholic looking for sympathy,” but you can tell she’s not without sympathy for that. “I’m just going to opt out” is a favorite phrase of the veteran. So is “the hell there isn’t.” The rest are a cross-section of ER nurses, a couple of mechanics, a hairdresser, a few receptionists and office managers. What your dad would’ve called “people who’re never allowed to see behind the curtain.” You don’t bother investigating them, or the oft-revolving bartenders, because it doesn’t matter. You never say anything seditious or confidential at Chipper’s.
But some nights, when you stay late and the bar crowd thins, you write down on a napkin or coaster a point or two you can’t leave alone—some of the