Brian Aldiss

A Rude Awakening


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with wanking problems, afraid to enter a brothel or say boo to a gobble-wallah. Burma had changed all that; after Kohima, Jackie had become tough and nasty, closed to his mates. Promotion had come his way and he remustered as Intelligence. Now he worked on Dutch detachment, prising confessions out of Indonesian prisoners for Prevention of Enemy Activity Force. In truth, I was partly afraid of him.

      Beyond the MP post was a sinister dark stretch of road, with empty houses standing on either side. Tertis accelerated through that bit.

      ‘You going to have a poke?’ he shouted over his shoulder.

      ‘Yes. You?’

      The noise of the engine drowned part of his answer. I caught only the last part. ‘… bloody British Army … no discipline any longer.’

      Ahead was a level crossing, made melancholy by a solitary light burning above the gates in the darkness; the railway lines glinted like oiled rifle barrels. Two Dutch officers had been ambushed and shot dead at this spot only the week before. We bounced across the track. To one side lurked the dark shape of the railway station. Beyond it was a small market. After that, street lighting began, each light surrounded by a sphere of illuminated insects; after that, you were in the centre of Medan. The great thing was to be alert, and drop like a stone if you heard anything. (Some weeks later, I made a fool of myself in Winchester High Street, by falling flat on my face when a car backfired.)

      We sped over cobbles. There were two or three pedicabs moving about; otherwise, anyone going anywhere went on foot, walking purposefully. Medan was dangerous after dark.

      The centre was rather picturesque. Succeeding occupations by Japanese and British troops had not altered the arrangement of modest Dutch buildings, among them the Hotel De Boer, Reserved for Officers, which stood round four sides of the large open green. The green was fringed with European-type trees, while in its centre stood a fine Batak house, all timber, perched on stilts, its steep roofs curling like sails up to the sky.

      Beyond the green Kesawan, the main street began. The Chinese quarter lay to the right. There lived my lovely Margey.

      Tertis pulled in to the curb when we reached the square.

      I climbed off. I did not ask him where he was going.

      ‘Watch it,’ he said.

      ‘You too.’

      He roared off down the Kesawan.

      Despite all my mates said, it was fairly safe in the Chinese quarter. The Chinese were neutral in the struggle between the Indonesians, Dutch and British. Also, Holland’s tough colonial troops, the Ambonese, were billeted here, and ready to go into action at any moment. In these narrow side streets was more humanity than in the main thoroughfares. Many Ambonese strolled about the roadway, sat in cafés, relaxed at street-corners, in windows, or on pavements. They played guitars and sang – my god, there was ‘Terang Boelan’ again! – and they never forgot to tote their Yankee carbines. With all those Ambonese about, the forces of Soekarno were not likely to try anything in Chinatown.

      On the corner of Bootha Street, near Margey’s house, a café did thriving business, its worn tables and chairs spilling out on to the pavement. Lanterns burned, supplementing the erratic electricity supply. The Chinese who ran the café had set it up as soon as the Japanese surrendered, taking over an old shop whose owners had fled or been killed. From the depths of the shop came the reedy whine-and-throb of Chinese music. Many a time when I took Margey there to eat, mine was the only white face to be seen. As I passed, one of the Chinese waiters smiled a greeting. Horatio Stubbs was known in Sumatra.

      I felt good. The heat never bothered me; I was born to roast. I had on my jungle greens, puttees, boots, web belt with service revolver, and battered bush hat which I had worn all the way through India, Assam, and Burma, and which I had refused to change for new-issue berets. At the top of my sleeve was the green flash of the Royal Mendips, with my three stripes beneath it. I wore my four medal ribbons – Long Service, Victory, Burma Star, and Pacific (the latter illegal) – in a bar over my left breast pocket. I was neatly turned out. I had shaved and showered three hours earlier, and applied talc to my prickly heat. I clocked in at thirteen stone one, was twenty-three years of age, circumcised, brown as an Indian, sweating gently, and eminently ready for a good fuck.

      The metal tips on my boots clipped on the broken paving of the arcade. If any trouble broke out, I was immediately ready to strike or to shoot. I felt like a real good soldier, and a spot of bother would not have come amiss.

      At the next side street, I paused, looking round before proceeding. It was a useful position for an ambush. Numerous yards opened up, from the entrances of which it would have been easy to snipe at an enemy and escape laughing. All was clear this evening but the area remained ill-lit. A sort of service lane led behind Bootha Street, allowing just enough width for lorries; but in these downfallen days, lorries had disappeared. At the far end of the lane, a dim discreet light shone from a doorway. I knocked and looked in.

      A flimsy curtain masked the entrance. Behind it, six men sat round a table, smoking and playing cards in shorts and vests. The room had few basic features: a cobbled floor, whitewashed walls, a flight of wooden steps up to a loft against one wall. It had served as a store in pre-invasion times. Now there was nothing left to store and it had been commandeered for human habitation. Table and chairs, an ancient sofa, and silk banners on the walls effected the transformation. An old Chinese lady in blue work-overalls sat on the sofa, stitching, watching over a sleeping baby. She looked up and smiled when she saw me. This was Auntie of the round brown face. I was always glad to see her, though she never said a word.

      The men at the table were also Chinese, varying in age from a slip of a youth to an old man with a straggly white beard. They were sharing a bottle of beer between them. They had an air of permanence, but in emergencies people tend to spend a lot of time sitting at tables.

      Margey’s brother-in-law called to me; he was a podgy yellow man, Hwan Fat Sian.

      ‘Harrow, Missa Stuss, how you dis eebnin’? You rike drink one bee’ wit us?’

      ‘Hello, Fat. Apa khabar? I can’t stop, I want to see Margey. Is she upstairs?’

      He made gestures with his hand, as if bouncing a large ball. ‘Yeh, yeh, Margey us stair, she wait you, Missa Stuss. She tink you not come.’

      ‘Okay.’

      I trotted up the stairs to the floor above. Here the empty space had been divided into compartments by sheets of material hung on wires. There were four compartments, each just big enough to house a bed. A further flight of wooden steps, little better than a ladder, led via a hole in the ceiling to the attic. I called Margey. She answered, her face appearing radiant in the gap above, and I went up to her.

      We hugged each other on the landing. I lifted her off her feet and kissed her.

      From the canteen I had brought her a little present, consisting of a tin of sardines, a tin of gooseberries, a fountain pen, some dates, a bar of chocolate, a bottle of burgundy, and a packet of custard powder. Margey accepted these exotic delicacies with small screams of delight and patted my cheeks. ‘You too kind your Margey! Aei-ya, how I love Bird’s Custard Powder!’

      The other day, I came across a photograph I took in Sumatra all those years ago, back in 1946. It shows Margey buying an ice cream from a wooden street stall. Other people loiter about, grinning self-consciously at the camera. There are ruined buildings in the background. Only Margey is elegant. There she stands in a European-style dress, smiling at me. Although I remember her as plump, she looks undernourished. Her face is broad, her eyes large. Her head is slightly on one side, as if mutely appealing to be forgiven some minor offence – or maybe she was just trying to look like Rita Hayworth, her favourite film star. It is hard to realise that Margey is probably still alive, growing older like the rest of us; the present tense lies with that faded snap by the street stall.

      She was laughing as we carried the parcel into her little room. She had curled her dark hair. It was naturally straight; now the ends curved upwards like the gables of the Batak house. Her teeth were white and perfect, so that when she smiled,