looking for.”
“But acquisition …” Art said. “I mean, what are we talking about?”
“Not what. Who.”
“Who?”
“The underground.”
“The underground!”
Fort gave him time to think it over. Television, the tabloids and the nets were full of tales of the survivors of 2061, living in underground shelters in the wild southern hemisphere, led by John Boone and Hiroko Ai, tunnelling everywhere, in contact with aliens—dead celebrities—current world leaders … Art stared at Fort, a bona fide current world leader, shocked by the sudden notion that these Pellucidarian fantasies might have some truth to them. “Does it really exist?”
Fort nodded. “It does. I’m not in full contact with it, you understand, and I don’t know how extensive it is. But I’m sure that some of the First Hundred are still alive. You know the Taneev–Tokareva theories I talked about when you first arrived? Well, those two, and Ursula Kohl, and that whole biomedical team, they all lived in the Acheron Fin, north of Olympus Mons. During the war the facility was destroyed. But there were no bodies at the site. So about six years ago I had a Praxis team go in and rebuild the facility. When it was done we named it the Acheron Institute, and we left it empty. Everything is on-line and ready to go, but nothing is happening there, except for a small annual conference on their eco-economics. And last year, when the conference was over, one of the clean-up crew found a few pages in a fax tray. Comments on one of the papers presented. No signature, no source. But there was some work there that I’m positive was written by Taneev or Tokareva, or someone very familiar with their work. And I think it was a little hello.”
A very little hello, Art thought. But Fort seemed to read his mind: “I’ve just got an even bigger hello. I don’t know who it is. They’re being very cautious. But they’re out there.”
Art swallowed. It was big news, if true. “And so you want me to …”
“I want you to go to Mars. We have a project there that will be your cover story, salvaging a section of the fallen elevator cable. But while you’re doing that, I’ll be making arrangements to get you together with this person who has contacted me. You won’t have to initiate anything. They’ll make the move, and take you in. But look. In the beginning, I don’t want you to let them know exactly what you’re trying to do. I want you to go to work on them. Find out who they are, and how extensive their operation is, and what they want. And how we might deal with them.”
“So I’ll be a kind of—”
“A kind of diplomat.”
“A kind of spy, I was going to say.”
Fort shrugged. “It depends on who you’re with. This project has to remain a secret. I deal with a lot of the other transnat leaders, and they’re scared people. Perceived threats to the current order often get attacked quite brutally. And some of them already think Praxis is a threat. So for the time being there is a hidden arm to Praxis, and this Mars investigation has to be part of that. So if you join, you join the hidden Praxis. Think you can do it?”
“I don’t know.”
Fort laughed. “That’s why I chose you for this mission, Randolph. You seem simple.”
I am simple, Art almost said, and bit his tongue. Instead he said, “Why me?”
Fort regarded him. “When we acquire a new company, we review its personnel. I read your record. I thought you might have the makings of a diplomat.”
“Or a spy.”
“They are often different aspects of the same job.”
Art frowned. “Did you bug my apartment? My old apartment?”
“No.” Fort laughed again. “We don’t do that. People’s records are enough.”
Art recalled the late-night viewing of one of their sessions.
“That and a session down here,” Fort added. “To get to know you.”
Art considered it. None of the Eighteen wanted this job. Nor the scholars, perhaps. Of course it was off to Mars, and then into some invisible world no one knew anything about, maybe for good. Some people might not find it attractive. But for someone at loose ends, maybe looking for new employment, maybe with a potential for diplomacy …
So all this had indeed proved to be a kind of interview process. For a job he hadn’t even known existed. Mars Acquirer. Mars Acquisition Chief. Mars Mole. A Spy in the House of Ares. Ambassador to the Mars Underground. Ambassador to Mars. My oh my, he thought.
“So what do you say?”
“I’ll do it,” Art said.
William Fort didn’t fool around. The moment Art agreed to take the Mars assignment, his life speeded up like a video on fast forward. That night he was back in the sealed van, and then in the sealed jet, all alone this time, and when he staggered up the jetway it was dawn in San Francisco.
He went to the Dumpmines office, and made the round of friends and acquaintances there. Yes, he said again and again, I’ve taken a job on Mars. Salvaging a bit of the old elevator cable. Only temporary. The pay is good. I’ll be back.
That afternoon he went home and packed. It took ten minutes. Then he stood groggily in the empty apartment. There on the stovetop was the frying pan, the only sign of his former life. He took the frying pan over to his suitcases, thinking he could fit it in and take it with him. He stopped over the cases, full and shut. He went back and sat down on the single chair, the frying pan hanging from his hand.
After a while he called Sharon, hoping partly to get her answering machine, but she was home. “I’m going to Mars,” he croaked. She wouldn’t believe it.
When she believed it she got angry. It was desertion pure and simple, he was running out on her. But you already threw me out, Art tried to say, but she had hung up. He left the frying pan on the table, lugged his suitcases down to the pavement. Across the street a public hospital that did the longevity treatment was surrounded by its usual crowd, people whose turn at the treatment was supposedly near, camping out in the parking lot to make sure nothing went awry. The treatments were guaranteed to all US citizens by law, but the waiting lists for the public facilities were so long that it was a question whether one would survive to reach one’s turn. Art shook his head at the sight, and flagged down a pedicab.
He spent his last week on Earth in a motel in Cape Canaveral. It was a lugubrious farewell, as Canaveral was restricted territory, occupied chiefly by military police, and service personnel who had extremely bad attitudes toward the “late lamented”, as they called those waiting for departure. The daily extravaganza of takeoff only left everyone either apprehensive or resentful, and in all cases rather deaf. People went around in the afternoons with ears ringing, repeating What? What? What? To counteract the problem most of the locals had earplugs; they would be dropping plates on one’s restaurant table while talking to people in the kitchen, and suddenly they’d glance at the clock and take earplugs out of their pocket and stuff them in their ears, and boom, off would go another Novy Energia booster with two shuttles strapped to it, causing the whole world to quake like jelly. The late lamented would rush out into the streets with hands over their ears to get another preview of their fate, staring up stricken at the Biblical pillar of smoke and the pinpoint of fire arching over the Atlantic. The locals would stand in place chewing gum, waiting for the time out to be over. The only time they showed any interest was one morning when the tides were high and news came that a group of party-crashers had swum up to the fence surrounding the town and cut their way inside, where security had chased them to the area of the day’s launch; it was said some of them had been incinerated by take-off, and this was enough to get some of the locals out to watch, as if the pillar of smoke and fire would look somehow different.
Then one Sunday morning it was Art’s turn. He woke and dressed