her hands.
Chen Mah placed the sandwiches on the table and turned to leave the room. She said to me, ‘You don’t have to worry about Lao Chao, Cook and me. We’ll always stand by you.’
‘Thank you, Chen Mah, for your concern for me. Please tell Lao Chao and Cook not to worry,’ I answered, deeply touched by her remark.
‘We worry about you because you are alone. I wish the master were still with us,’ she murmured and shut the door behind her.
Chen Mah was really old-fashioned. In time of crisis she believed firmly in the superior ability of the male sex. In fact, I had been thinking of my husband as I lay on my bed in the darkened room before my daughter came back. For the first time since he died, I did not regret his death. I was thankful that he was to be spared the insults and persecution that would surely be directed against him if he were still alive.
With the bathroom door closed and the water running, my daughter did not hear our conversation. She was apparently having a shower.
My daughter Meiping was an attractive and intelligent young woman. In the course of growing up in Communist China, she had seen the disappearance of the society in which children of the educated and affluent like herself had enjoyed many advantages. In its place was formed not an egalitarian society in which everyone enjoyed equal opportunity and status, but a new system of discrimination against children like herself and their families. In each stage of her young life, she had been handicapped by her family background. For instance, to be admitted into a good middle school, she had to pass the entrance examination with marks of 80 per cent, while children of workers and peasants got in with a pass mark of 60.
‘This is unfair!’ I had exclaimed at the time, indignant that my child was being discriminated against. ‘What is the reason given for such an unfair regulation?’
‘Don’t worry, Mummy! I can do it! I can get 80! It isn’t hard,’ piped the twelve-year-old.
‘It isn’t fair!’ I was still fuming.
‘But, Mummy, the teacher told us the children of workers and peasants have to do housework or cook the evening meal after school. And their parents can’t help them with homework. The treatment I get is fair, if you consider all that.’ She had learned to be philosophical at a young age.
This kind of discrimination followed her in everything she tried to do. Whenever she encountered it, she was made to feel guilty and ashamed of her family background. She, and other children like her, just had to try harder than the children of workers and peasants. They learned from an early age that the classless society of Communism had a more rigid class system than the despised capitalist society, where a man could move from the lower to the upper class by his own effort. Because my daughter had to try harder, she did well. In the prestigious No. 2 Municipal Girls’ Middle School, she was a student leader and won honours and prizes. She seemed happily adjusted and had many friends, among them several children from working-class families. Although she was by nature loving and generous, I thought it was mainly the feeling of guilt instilled in her by Communist propaganda about the rich exploiting the poor that created in her the desire to help these children. She would bring them home to share her food, help them with their studies and even went to their homes sometimes to assist them with their chores. While I thought her activities rather commendable, Chen Mah disapproved heartily, especially when she lent her clothes to other girls and then brought home the dirty laundry for Chen Mah to wash.
From early childhood, she had shown an interest in music. We bought her a piano and arranged for her to have private lessons after school. When she was ten years old she became a member of the Children’s Palace in Shanghai, a sort of club for specially selected schoolchildren who earned good marks in studies and behaviour. There she acted in plays and took part in musical activities. Being bilingual, she became one of the young interpreters whenever the Children’s Palace had English-speaking visitors from abroad. Having learned to swim as a toddler in Australia, she was the unofficial swimming instructor of her class. When she was fifteen and in middle school, she was selected by the Shanghai Athletics Association for training with the Shanghai Rowing Club during the holidays and became cox for the first Women’s Rowing Team of Shanghai.
Although we lived in the midst of periodical political turmoil and the personal tragedy of some of our friends and neighbours saddened us, I never had to worry about my daughter. I took it for granted that she would go to one of the better universities, be given a fairly good job upon graduation because of her good marks, and marry a nice young man. Her pay at work would be insignificant, but I could supplement her income with an allowance, as many other parents were doing in China.
I had hoped that after graduation she would be assigned a job in Shanghai so that she could live at home. But I couldn’t be sure of that. I knew that young people with family backgrounds like hers were often deliberately sent to distant regions of China, where living conditions were backward and extremely poor. This had happened to some of my friends’ children. As I watched my daughter grow from a lanky teenager into a beautiful young woman, I wondered what was in store for her. However, when I felt optimistic, I would dream of converting the third floor of the house into a self-contained apartment for her and her family. The prospect of nursing a grandchild was immensely comforting to me. I gazed happily into the rosy future of my dream and could almost feel the warmth of the little creature in my arms.
It had been somewhat of a surprise when my daughter told me that two well-known film actresses, concurrently teachers of the newly established Film School of Shanghai, had approached her to suggest that she try for the entrance examination as a specially selected ‘talent’ to enrol in the school. I could see she was flattered that she had been chosen. But I had hoped for something different for her, some work in which her intellectual power rather than her physical attributes would be an asset.
‘The Film School is on Hong Chiao Road near the old golf club. I can come home from it easily for weekends. And the two teachers told me all graduates will be given jobs in the Shanghai Film Studio. Actually the school is a subsidiary of the Film Studio. It has sent talent scouts all over the country to select students for the entrance examination. There is bound to be a big response because everyone wants to live in Shanghai,’ Meiping said.
‘But do you really want to be a film actress?’ I asked her.
‘I don’t mind. I can do it. It isn’t hard.’ This was her standard response to any problem.
‘I’m sure you can do it. But do you want to?’ I believed this to be an important point. To be happy one should do the job one wants to do.
‘Well, I never think of what I really want to do. It’s no use thinking that way when I know the government is going to assign me a job. Thinking about what I really want to do only leads to disappointment. None of my friends thinks that way either,’ she said. ‘I’ll just enjoy doing whatever the government wants me to do. If I try hard enough to do a job well, I generally end up liking it.’
I suppose my daughter’s attitude was sound in the circumstances. But could a man assigned to carry night soil as his lifelong occupation make himself like the job by working hard at it?
‘So you have decided to try for the entrance examination?’ I asked her.
‘Yes, if you agree. The teachers spoke to me officially. It would be hard to say no without appearing unappreciative. Besides, I like the idea of working in Shanghai. I should hate leaving you alone here and coming home only once a year for a few days at Chinese New Year,’ my daughter said.
‘Yes, yes, darling, that’s certainly an important point to consider. I would hate you to go into the interior to work.’ I agreed with her whole-heartedly.
So she went to the Film School. Three years later she graduated and was given a job with the Shanghai Film Studio, which was run by the Bureau of Films of the Ministry of Culture.
The acting profession was somewhat glamorous even in Communist China, but those who worked in it did not receive higher pay or enjoy better working conditions than factory workers or teachers of the same age group. The function of an actress was primarily to bring entertainment