– for a suitable bribe to the archon’s men – a better stage than that, the long marble terrace running alongside the Customs House at the edge of the bazaar. While some of the acrobats set up brass poles for the standing torches, the musicians, led by Kwinto and Tillya, paraded through the crowd and cried the show with a loud banging of drums. Below an audience gathered, small at first, then suddenly swelling as the word went round the bazaar: the Great Krysello is here! He’s going to perform! By the time the parade returned, there were too many spectators to count.
The Great Krysello, or Salamander, as Ebañy thought of himself, because on that particular night Salamander was the only name he could remember, waited in the darkness at the far side of the stage while the dancers performed, swirling with scarves to a flute and drum accompaniment. While he watched, he sang along to the music and laughed. Once he stepped onto the stage, he felt in command of himself again, sure of where he was and what exactly he should do there.
Many years ago he’d been a juggler, and juggler only, and to warm up the crowd he still tossed scarves and juggled eggs and such, talking and singing all the while. But somewhere along the years he’d discovered he could do much more to entertain. Or had he perhaps always known he could summon the Wildfolk of Fire and Aethyr to fill the sky with fire in lurid colours? Dimly he could remember being warned against such things. An old man had spoken to him harshly about it, once a long time ago. Somewhere in his mind, however, he also remembered that this fellow was no one. Since nothing was left of the memory but those words, ‘he’s no one,’ Salamander could assume the memory image of a tall old man with ice-blue eyes and white hair was just another dream come to walk the day.
And on nights like this one, when he walked onto the stage and looked out at the dark swelling shape of the audience, a single animal it seemed, lying just beyond the glare of oil lamps and the torchlight, he forgot any strictures he might have once heard. When the crowd roared and clapped, he felt its love pour over him, and he laughed, throwing his arms into the air.
‘Greetings!’ he called out. ‘The Great Krysello gives you his humble thanks!’
From his sleeves he flicked scarves and began to circle them from hand to hand, but always he was aware of the Wildfolk, sylphs and sprites, gnomes and salamanders, gathering on the stage, forming above the incense braziers, flocking around him and flitting this way and that, grinning and pointing at the crowd. In a flood of Elvish words he called out orders, and for the sheer love of play they obeyed him. Suddenly, far above the crowd, red and blue lightning crackled. With each boom of false thunder, sheets of colour fell and twisted in every rainbow the Wildfolk knew. The crowd roared its approval as the sheets broke into glowing drops and vanished just above their heads.
A green and purple mist burst into being around the stage, and deep within it voices sang alien songs. Once the crowd fell silent to listen, Salamander added explosions and bursts of gold and silver. Then back to the colours sheeting the sky – on and on he went until sweat soaked his costume and plastered his hair to his head. He let the colours fade and the music die away, then bowed deeply to the crowd.
‘The Great Krysello is weary! But lo! we have other wonders to show you.’
At the signal Vinto’s acrobats, all dressed in gaudy silks, rushed onto the stage. The crowd roared and threw coins in a copper and silver rain. As they tumbled around the stage, the acrobats scooped them up. Salamander stepped back to the shadows at the rear. While he mopped the sweat from his face and hair with a scarf, he looked out over the crowd.
One man caught his attention immediately, a tall fellow, standing right in front. His body seemed to waver like a reflection on moving water, and his clothes looked more like wisps of fog or smoke hung around him, or maybe just placed in his general vicinity, than solid cloth. Yet no one standing near him seemed to notice the least thing unusual. When the acrobats arranged themselves into a human pyramid, he clapped and smiled like anyone else. The flute and drums began their music; applause rippled, then died. The flickering stranger crossed his arms over his chest and stood reasonably still.
But always his eyes searched through the shadows. Salamander knew at once that the man – no, the being, some strange non-human thing – was looking for him. He could feel a gaze probing, feel alien sight run down his body like clammy hands. With a shriek lost in the music, he turned and leapt down from the stage, then took out running through the night. Down long streets he raced, panting for breath; in alleyways he stopped and looked around him. The door. He had to find the dark wood door bound in iron.
Past taverns, past craftsmen’s shops he jogged, looking at each door, peering into shadows while cold sweat ran down his back and his chest ached – nowhere did he find it. He ran again, then slowed to a stumbling walk. Around him the city lay dark and silent. The night hung over the river, an oily rush of dark water against a darker sky. Salamander stopped, listening. Water slapped against wooden docks. Footsteps rustled on stone. With a roar to the Lords of Fire, he spun around and flung up both hands. A gust of silver flame towered up and lit the alley in a cold glare. Black shadow outlined every stone on wall and street and seemed to carve some incomprehensible meaning into them. Thieves shrieked and ran, dashing away down the alley – two small men, carrying knives. In the dying light from the silver flare he watched them till they skittered around a corner and disappeared. Salamander laughed, then headed to the river bank. He could follow it upstream to the caravanserai.
He arrived to find the troupe clustering around a fire and talking. Marka paced back and forth at the edge of the pool of light, and every now and then she raised her hands to her face as if she wept.
‘Here!’ Salamander called out. ‘What’s so wrong?’
The troupe froze, then burst out laughing and cheering all at once. Marka ran to him and flung her arms around him.
‘My thanks to every god!’ Her voice quavered on the edge of sobs. ‘I was so worried.’
Salamander slipped his arms around her waist and held her while he murmured small soothing noises. At last her trembling quieted.
‘Have I been gone so long?’ he said.
‘Well past the midnight bells, yes.’ She looked up at him. ‘Why did you run like that?’
‘I don’t remember.’ He felt himself yawn and shook his head. ‘I’m exhausted, my love. I’ve got to go lie down.’
That morning Marka gave up on sleep early. When the sun was rising in a pink blaze of distant fog, and the sea wind was making the tents flap and rustle, she put on a short dress and went outside, yawning and stretching in the cool air. As she glanced around, she saw a stranger, dressed in Bardekian tunic and sandals, leading his horse through the camp. He saw her, waved, and strolled over. His skin was as pale as Ebañy’s, and his eyes a strange turquoise colour, as vivid as the stones, but since he wore a leather riding hat pulled down over his ears, she could see nothing of his hair.
‘Good morning,’ Marka said. ‘Are you looking for someone?’
‘Yes, actually. The magician who performed in the market place last night.’
‘Indeed? Well, I happen to be his wife.’
‘Ah. How do you do?’ The stranger swept off his hat and bowed to her. ‘I’m a friend of his father’s.’
Marka stared like a rude child, then pulled her gaze away. His ears were impossibly long, impossibly furled, and pointed.
‘Well, then, good sir.’ She found her voice with a little gulp. You’re certainly welcome in our humble camp.’
‘Thank you. My name is Evandar.’
‘My husband’s still asleep.’ Marka glanced back at the tent and saw the flap moving. ‘Or no, here he is.’
Salamander stepped outside, saw Evandar, and screamed aloud.
‘No, no, no!’ Evandar said. ‘I’m here to help you, truly I am. What’s so wrong?’
‘There’s nothing to you,’ Salamander said, and he was shaking so badly his hands knocked together. ‘You’re not