Scott Mariani

The Bach Manuscript


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12

       Chapter 14

       Chapter 15

       Chapter 16

       Chapter 17

       Chapter 18

       Chapter 19

       Chapter 20

       Chapter 21

       Chapter 22

       Chapter 23

       Chapter 24

       Chapter 25

       Chapter 26

       Chapter 27

       Chapter 28

       Chapter 29

       Chapter 30

       Chapter 31

       Chapter 32

       Chapter 33

       Chapter 34

       Chapter 35

       Chapter 36

       Chapter 37

       Chapter 38

       Chapter 39

       Chapter 40

       Chapter 41

       Chapter 42

       Chapter 43

       Chapter 44

       Chapter 45

       Chapter 46

       Chapter 47

       Chapter 48

       Chapter 49

       Chapter 50

       Chapter 51

       Chapter 52

       Chapter 53

       Chapter 54

       Chapter 55

       Chapter 56

       Chapter 57

       Chapter 58

       Chapter 59

       Chapter 60

       Chapter 61

       The Ben Hope series

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       About the Author

       By the same author

       About the Publisher

       PROLOGUE

       Nazi-occupied France

       July 16th, 1942

      All four family members were at home when they came.

      Monsieur and Madame Silbermann, or Abel and Vidette, were in the salon, relaxing in a pair of matching Louis XV armchairs after a modest but excellent lunch prepared by Eliane, the family housekeeper. Vidette was immersed in one of the romantic novels into which she liked to escape. Abel, meanwhile, was frowning at an article in the collaborationist newspaper Le Temps, in which he was reading of much more serious matters. Things in France were growing worse. Just a little over two years since the crushing might of the German Wehrmacht had rolled virtually unopposed into the country, each day seemed to bring a fresh round of new horrors.

      Seated at the piano, framed by the bright, warm afternoon light that flooded in through the French windows, their seventeen-year-old daughter Miriam was working through the most difficult arpeggiated right-hand passage of the musical manuscript in front of her, pausing now and then to peer at the handwritten notes, some of which were