to create the impossible for those who paid him to do exactly that.
There was no black magic, no dark art, as some seemed to suppose in the means by which he had made his fortune in the construction business—other than that of determination and hard work, of endurance and driving himself to succeed. The graft that Ilios employed was not oiled by back-handers or grubby deals done in shadowed rooms, but by sheer hard work. By knowing his business inside out and from the bottom up—because that was where he himself had started. Even now, no commission that bore the name of Manos Construction did so until he had examined and passed every smallest detail. The pride and the sense of honour he took from his work, which he had inherited from his grandfather, saw to that.
Ilios knew that the journey he had made from the poverty of his childhood to the wealth that was now his filled other men with resentment and envy. It was said that no man could rise from penury to the wealth that Ilios possessed—counted in billions, not mere millions—by honest means alone, and he knew that few men envied him more, or would take more pleasure in his downfall, than his own cousin.
The rising sun struck across his profile, momentarily bathing it in bright gold reminiscent of the mask of the most famous of all of Greek Macedonians—Alexander the Great. He had been born in this part of Greece, and according to family lore had walked this very peninsula with his own forebears.
Several yards away from him one of his foremen waited, like the drivers of the heavy construction equipment behind him.
‘What do you want me to do?’ he asked.
Ilios gave the building in front of him a grim look.
‘Destroy it. Pull it down and level the site.’
The foreman looked shocked.
‘But your cousin—?’
‘My cousin has no say in what happens here. Raze it to the ground.’
The foreman gave the signal to the drivers, and as the jaws of the heavy machinery bit into the building, reaching out to the morning sun, Ilios turned on his heel and walked away.
Chapter One
‘SO, what are you going to do, then?’ Charley asked anxiously.
Lizzie looked at her younger sisters, the familiar need to protect them, no matter what the cost to herself, stiffening her resolve.
‘There is only one thing I can do,’ she answered. ‘I shall have to go.’
‘What? Fly out to Thessalonica?’
‘It’s the only way.’
‘But we haven’t got any money.’
That was Ruby, the baby of the family at twenty-two, sitting at the kitchen table while her five-year-old twin sons, who had been allowed a rare extra half an hour of television, sat uncharacteristically quietly in the other room, so that the sisters could discuss the problems threatening them.
No, they hadn’t got any money—and that was her fault, Lizzie acknowledged guiltily.
Six years earlier, when their parents had died together, drowned by a freak wave whilst they were on holiday, Lizzie had promised herself that she would do everything she could to keep the family together. She had left university, and had been working for a prestigious London-based interior design partnership, in pursuit of her dream of getting a job as a set designer. Charley had just started university, and Ruby had been waiting to sit her GCSE exams.
Theirs had been a close and loving family, and the shock of losing their parents had been overwhelming—especially for Ruby, who, in her despair, had sought the love and reassurance she so desperately needed in the arms of the man who had abandoned her and left her pregnant with the adored twin boys.
There had been other shocks for them to face, though. Their handsome, wonderful father and their pretty, loving mother, who had created for them the almost fairytale world of happiness in which the family had lived, had done just that—lived in a fairytale which had little or no foundation in reality.
The beautiful Georgian rectory in the small Cheshire village in which they had grown up had been heavily mortgaged, their parents had not had any life insurance, and they had had large debts. In the end there had been no alternative but for their lovely family home to be sold, so those debts could be paid off.
With the property market booming, and her need to do everything she could to support and protect her sisters, Lizzie had used her small savings to set up in business on her own in an up-and-coming area south of Manchester—Charley would be able to continue with her studies at Manchester University, Ruby could have a fresh start, and she could establish a business which would support them all.
At first things had gone well. Lizzie had won contracts to model the interiors of several new building developments, and from that had come commissions from home-buyers to design the interiors of the properties they had bought. Off the back of that success Lizzie had taken the opportunity to buy a much larger house from one of the developers for whom she’d worked—with, of course, a much larger mortgage. It had seem to make sense at the time—after all, with the twins and the three of them they’d definitely needed the space, just as they had needed a large four-wheel drive vehicle. She used it to visit the sites on which she worked, and Ruby used it to take the boys to school. In addition to that her clients, a small local firm, had been pressuring her to buy, so that they could wind up the development and move on to a new site.
But then had come the credit crunch, and overnight almost everything had changed. The bottom had dropped out of the property market, meaning that they were unable to trade down and reduce the mortgage because of the value of the house had decreased so much, and with that of course Lizzie’s commissions had dried up. The money she had been putting away in a special savings account had not increased anything like as much as she had expected, and financially things had suddenly become very dark indeed.
Right now Charley was still working as a project manager for a local firm, and Ruby had said that she would get a job. But neither Lizzie nor Charley wanted her to do that. They both wanted the twins to have a mother at home, just as they themselves had had. And, as Lizzie had said six months ago, when they’d first started to feel the effects of the credit crunch, she would get a job working for someone else, and she still had money owing to her from various clients. They would manage.
But it turned out she had been overly optimistic. She hadn’t been able to get a job, because what industry there was in the area geared towards personal spending was shedding workers, and with the cost of basics going up they were now struggling to manage. They were only just about keeping their heads above water. Many of her clients had cancelled their contracts, and some of them still owed her large sums of money she suspected she would never receive.
In fact things were so dire that Lizzie had already made a private decision to go to the local supermarket and see if she could get work there. But then the letter had arrived, and now they—or rather she was in an even more desperate situation.
Two of her more recent clients, for whom she had done a good deal of work, had further commissioned her to do the interior design for a small block of apartments they had bought in northern Greece. On a beautiful promontory, the apartments were to have been the first stage in a luxurious and exclusive holiday development which, when finished, would include villas, three five-star hotels, a marina, restaurants and everything that went with it.
The client had given her carte blanche to furnish them in an ‘upmarket Notting Hill style’.
Notting Hill might be a long way from their corner of industrialised Manchester, on the Cheshire border, but Lizzie had known exactly what her clients had meant: white walls, swish bathrooms and kitchens, shiny marble floors, glass furniture, exotic plants and flowers, squishy sofas…
Lizzie had flown out to see the apartments with her clients, a middle-aged couple whom she had never really been able to take to. She had been disappointed by the architectural design of the apartments. She had been expecting something creative and innovative that still fitted