Melissa de La Cruz

Someone To Love


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I ask.

      “So, Nina’s on the speech and debate team.”

      “And?”

      “Well you weren’t there. You didn’t see their body language.”

      My pulse starts to speed up. It’s not entirely because of Sam, even though I am kind of hurt he hasn’t said anything to me. We’re about to cross paths with the school’s trio of most popular girls, including Cristina. Felicity and a girl named Amy Hernandez, a former Disney Channel dancer, are walking on either side of Cristina. This is about to be trouble.

      I haven’t talked to Cristina beyond seeing her in the bathroom at the yacht party, but you can’t go to Eastlake and not know who she is. Her parents work for an Italian car company bringing in imports, and let me tell you they have millions, and even sponsor two Formula One cars and a portion of the privatized space industry—some kind of experimental engine called the X-Change.

      And Cristina is really smart. Her robotics team won some major student competition last year, and all this was before she started dating Zach and snagged that major modeling campaign. She may have been following him around on the yacht, but I’m sure that was a one-night thing, because any guy would be following her around.

      With her signature long red hair, Felicity completes the trio with her contacts in the art world. Her father works as a major collector for an international luxury goods conglomerate. They know everyone. If anyone is always going where I want to be, it’s Felicity. Only she doesn’t want to be an artist herself. She just wants the limelight.

      Antonia hates them.

      “Don’t look now, but here comes the Hydra,” Antonia says under her breath as we stop walking. They’re literally blocking our way through the archway into the building.

      “Hi, ladies,” Felicity says.

      “Be careful what you call them,” Amy says. The way Amy talks makes you wonder if she’s trying to be sarcastic or if she actually hates you.

      “Hi,” I say, trying not to take offense.

      “I heard you and Zach had quite the conversation on the yacht,” Cristina says. “He told me you were like a little puppy dog, following him around when I wasn’t in the room. That must have been annoying.”

      I’m trying to like Cristina, but she’s not giving me much of a reason to—especially the way she was actually hanging all over him at the party even though, according to Zach, they had already broken up by then.

      “I was talking to him about the show,” I say, trying to add to her jealousy since she obviously thinks she still has some kind of ownership over Zach. “I’ve seen every episode of Sisters & Mothers. It’s so addicting...”

      Cristina suddenly cringes, looking at me strangely when I use that word, which I actually didn’t plan to say. Now I know she’s just as afraid of my revealing her secret about snorting up in the bathroom as I am of her revealing mine.

      “You watch that show?” Amy laughs. “It’s terrible. Zach is way better than that role. Everyone knows that he’s going to be a big star someday.”

      “I watch all kinds of shows,” I say, sensing Antonia’s blood boiling. I’m hoping she doesn’t go for Amy’s throat.

      I pinch her discreetly so that she won’t say anything.

      She lets out a little squeak.

      “What’s that?” Amy says to Antonia. “I didn’t hear you.”

      I pinch Antonia again. Harder.

      “I didn’t say anything,” she says, squirming. “But we have to go study the Lake of Lerna.” That’s the lake where the Hydra lives. It’s also the entrance to the underworld.

      “Lake of Lerna,” Amy repeats stupidly. “Sounds fascinating.”

      “Should I ask what’s in that lake? Maybe we should test you,” says Felicity.

      Antonia pops her gum. “Water serpents,” she enunciates slowly.

      “So?” Felicity says.

      Antonia goes for the subtle punch line even though I’m pinching her. “So, their heads grow back when they’re chopped off.”

      “That’s gross.” Felicity doesn’t get the mocking humor. She turns to me. “I heard you’re into art.” How does she know this about me? Did Zach talk to her about our conversation on the boat? Why would she bring that up in front of Cristina?

      “I’m thinking about going to art school after graduation.”

      “That’s cool,” Felicity says, but she’s not really listening. “You must have heard about the opening of LeFeber’s new show in Laguna Beach?”

      I squint at her in disbelief. She obviously wants to show off.

      “Wasn’t he supposed to be at that party in Marina del Rey last week?” I ask, not wanting to get my hopes up again even though I still can’t get the thought of meeting LeFeber out of my head. It’s too bad that my only shot is probably going to be through Felicity, especially since she’s Cristina’s best friend.

      “How am I supposed to know? Something came up, I guess,” she says like it’s no big deal. “His show is exclusive and it’s totally impossible to get on the list.”

      “I saw the preview of one of his new pieces in ArtNews,” I say. “He’s one of my favorite living artists.”

      I try to talk about how LeFeber tries to make his installations participatory—he doesn’t want people to just look at his art; he wants his audience to explore and interact with the installations—but Felicity interrupts me.

      “Does he?” Felicity says. “Maybe we can bring you back an autograph. I’ll try to remember when my parents and I are having dinner with him before the show.”

      Is she trying to make me jealous? Does she want me to beg for an invitation? Not going to happen. I really want to go, but I don’t want to owe her or Cristina anything.

      “Exciting,” Cristina says, turning to me. “How’s your stomach?”

      My muscles begin to tighten as anger rushes through my body. I want to say How’s your nose? But I hold my tongue. I get her point. She wants me to stay away from her man, and also to not do anything to threaten her.

      So I just say, “Fine. It’s fine,” as Cristina and her friends walk away from us.

      Antonia snickers in my ear. “The Hydra doesn’t even know I was making fun of their multiple snake heads.”

      “Yeah.” That’s about all I can manage. I want to go to this LeFeber show. I have to find a way to get in, and Antonia probably isn’t going to be able to help this time. These girls have no idea how much his work means to me. LeFeber’s a brand name to them. When I look at his art, I get this feeling that he knows some deep secret about me though we’ve never met. It kills me to be so close and that I have to basically go through my crush’s ex—who obviously hates me—to meet him.

      Antonia is disturbed by my response. “Why didn’t you stand up for yourself? Do you want to be friends with those snake heads? Don’t tell me it’s because of LeFeber.”

      “I don’t know. It’s nothing,” I say, opening the door to the building. It’s getting close to the end of the passing period and the hallway is almost empty. My stomach churns. I shouldn’t have eaten so much this morning. The fat is making me feel sick. My energy is crashing from all the sugar in the iced coffee. The uncomfortable fullness nags at my mind. I feel like purging everything from my body to feel normal, but I fight it off.

      “Doesn’t seem like nothing,” she says.

      “Just drop it,” I say. “It’s not worth fighting over.”

      “I